Stepping back to the Seventies
by Amber Wilkinson
Benjamin Naishtat chats about his genre thriller Rojo
An unseen world
by Amber Wilkinson
Lila Avilés talks about putting the focus on The Chambermaid
Saddling back up
by Anne-Katrin Titze
Chloé Zhao and Brady Jandreau on autism, training horses and The Rider
A world of intensity
by Anne-Katrin Titze
Luke Davies on Philip Seymour Hoffman, Heath Ledger, Anton Corbijn, Capote and Beautiful Boy
Inside Marvel S.T.A.T.I.O.N.
by Jane Fae
We go on a mission with the Avengers
Home for Christmas
by Jennie Kermode
Yen Tan on diverse casting, the AIDS epidemic and 1985
Welcome back CCA
by Max Crawford
We report from the celebrations of the iconic Glasgow venue's resurrection
Urgent ideas
by Amber Wilkinson
Mohcine Besri on healthcare, hospitals and humour in his latest film
Finding her voice
by Anne-Katrin Titze
Wash Westmoreland on La Belle Époque and Keira Knightley as Colette
Something electric
by Jennie Kermode
Julian Richards on sympathetic monsters, Reborn and Daddy's Girl
Bridging the gap
by Anne-Katrin Titze
Paul Auster on Lulu On The Bridge, Pawel Pawlikowski, Joanna Kulig, Stanley Mar, and Teresa Wright
Creating an illusion
by Amber Wilkinson
Gabriela Cartol on learning the craft of The Chambermaid
Looking at us
by Anne-Katrin Titze
Christian Petzold on A Day In The Country, Summer With Monika, The 400 Blows and Undine
Tallinn Film Festival: Days Six and Seven
by Anton Bitel
Lonesome Collectors, Cursed Seat, The Pact, The Fall Of The American Empire
The view from the tree
by Anne-Katrin Titze
Florian Henckel von Donnersmarck on Germany Oscar submission Never Look Away
Auster land
by Anne-Katrin Titze
Paul Auster on Wim Wenders, Willem Dafoe, Mira Sorvino, and Harvey Keitel in Lulu On The Bridge
"He gave me a secret"
by Anne-Katrin Titze
Catherine Breillat remembers Bernardo Bertolucci
Tallinn Film Festival: Day Five
by Anton Bitel
The Wild Fields, Foam At The Mouth, Fire Lily and Keep An Eye Out
Tallinn Film Festival: Day Four
by Anton Bitel
Slam and Potential Victim
The stuff of legend
by Sunil Chauhan
Jane Giles on wild nights, cult films and her new book, Scala Cinema 1978-1993
Tallinn Film Festival: Day Three
by Anton Bitel
As I Fall and Happiness Is A Warm Gun
Remembering Bertolucci
by Anne-Katrin Titze
Saverio Costanzo, Richard Peña, Atom Egoyan, Don Rosenfeld and Frédéric Boyer pay tribute
Tallinn Film Festival: Day Two
by Anton Bitel
Lorik, Erased, Deep Rivers and The World Is Yours
Protect and secure
by Anne-Katrin Titze
Stacy Cochran on Emily Mortimer, Rachel Keller and Finn Wittrock in Write When You Get Work
Tallinn Film Festival: Day One
by Anton Bitel
Capsule reviews of Between Covers and Yung
Heroines of tragedy
by Anne-Katrin Titze
Tom Volf on Maria Callas as Norma, the golden age, and time travel in Maria by Callas
Visual storytelling
by Anne-Katrin Titze
Stacy Cochran on costume design, camouflage and Write When You Get Work
Into the future through the past
by Anne-Katrin Titze
Rupert Maconick in conversation on Takumi: A 60,000 Hour Story On the Survival Of Human Craft
Never finished
by Anne-Katrin Titze
Franz Rogowski on Christian Petzold's Transit and The State We Are In
Computer says no
by Jennie Kermode
Paul Hyett on technology, the creative process and Peripheral
Taking control
by Anne-Katrin Titze
Desirae Brown on The 5 Browns: Digging Through The Darkness
DOC NYC early bird highlights
by Anne-Katrin Titze
Pope Francis: A Man Of His Word, The Biggest Little Farm, The Eyes Of Orson Welles and Won’t You Be My Neighbor?
In a dark place
by Jennie Kermode
Russell Geoffrey Banks on victims, monsters and Who's Watching Oliver?
To the stars in Heaven
by Anne-Katrin Titze
Tom Volf on a divided life and Maria By Callas
A recipe for life
by Jennie Kermode
Doron Paz on persecution, revenge, telling women's stories and creating life in The Golem
Revelations
by Anne-Katrin Titze
Margarethe von Trotta on Daniel Bergman, Olivier Assayas and more in Searching For Ingmar Bergman
Past and present
by Jennie Kermode
Toby Nichols on The Dark, Desolation, Trumbo, Iron Fist and Underground
A long way home
by Anne-Katrin Titze
Frank W Chen on Late Life: The Chien-Ming Wang Story
Meant to be
by Anne-Katrin Titze
Paul Auster on his Lulu on the Bridge screenplay, Wim Wenders and Juliette Binoche
Halloween horrors
by Jennie Kermode
Spooky goings-on at cinemas around the UK
Keeping it real
by Anne-Katrin Titze
Matt Tyrnauer on Valentino Garavani, Citizen Jane, Michael Jackson and Studio 54
A postcard from La Mostra De Valencia
by Amber Wilkinson
We report from the newly reborn Spanish festival
'You cannot reach the weirdness of reality'
by Amber Wilkinson
Screenwriter Efthymis Filippou on his career, collaborations and approach to film
Cover story
by Anne-Katrin Titze
Dolly Wells on directing Emily Mortimer, bookshops, and Jane Curtin and Melissa McCarthy in Can You Ever Forgive Me?
Reacting to the camera
by Anne-Katrin Titze
Ruth Beckermann on the Waldheim family, historians, archive footage and The Waldheim Waltz
Rhapsody in red
by Amber Wilkinson
Peter Strickland on dreaming through films and In Fabric
Finding strength
by Jennie Kermode
Janae Marie Kroczaleski on bodybuilding, gender transition and Transformer
A less innocent nature
by Anne-Katrin Titze
Ruth Beckermann on The Waldheim Waltz, Austria's Oscar submission
Taking the lead
by Jennie Kermode
Oris Erhuero on Redcon-1, modelling, acting, producing and making dreams into reality
The letter writer
by Anne-Katrin Titze
Dolly Wells on Can You Ever Forgive Me?
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Generosity of spirit Chuck Smith on Barbara Rubin And The Exploding NY Underground

A sense of purpose David Dastmalchian on finding humanity in dark places and All Creatures Here Below

Mirroring image Michela Occhipinti on Flesh Out and Open Roads: New Italian Cinema

Keep silence on Tarantino premiere in Cannes Director appeals to fans to avoid any spoilers for Competition entry

New database promoting female talent launched at Cannes "'Where are all the women?' We are here"

EIFF spotlight on Scots Festival celebrates homegrown talent

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We're bringing you full coverage of the Cannes Film Festival.



We still have reviews coming in from the Tribeca Film Festival and Dundee horror spectacular Dundead, while our other recent coverage includes the Viva! Spanish and Latin American Film Festival and New Directors/New Films.



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