After power, the masquerade
by Edin Custo
Andrés Clariond on image-making and political freefall in Versalles
Picturing a killer
by Jennie Kermode
Charlie Shackleton on the language of true crime and Zodiac Killer Project
Survivors speak up
by Jennie Kermode
Aoife Kelleher on Justice for Magdalenes and making Testimony
'Two faces of the same monster'
by Edin Custo
A conversation with the cast of Versalles
A red thread
by Jennie Kermode
Dolores Fonzi on how activism led to filmmaking in the case of Belén
Stay-at-Home Seven: November 17 to 23
by Amber Wilkinson and Jennie Kermode
Films to stream or watch on telly this week
The most wonderful time
by Jennie Kermode
Seth Porges on the Cacophony Society, sparking imaginations, and Santacon
Laws of attraction
by Jennie Kermode
Billy Zane on following his instincts, why he makes movies, and Deadly Vows
Up the garden path
by Anne-Katrin Titze
Julien Temple talks music with Ed Bahlman, plus Johnny Pigozzi and I Am Curious Johnny
'It's hard to know what people's perception of me is'
by Amber Wilkinson
Steve Buscemi on his Icon Award, acting career and future projects
A model life
by Amber Wilkinson
Twiggy and Sadie Frost on life in the public eye and the documentary about the star
Craft and collaboration
by Amber Wilkinson
Cinematographer Phedon Papamichael on working with James Mangold and Diane Keaton
Stay-at-Home Seven: November 10 to 16
by Amber Wilkinson and Jennie Kermode
Films to stream or watch on TV this week
Unplanned
by Jennie Kermode
Ellen Rodnianski and Abigail Pniowsky on American Baby
Abnormal filmmaking
by Jennie Kermode
Mickey Reece on subverting the technothriller with Every Heavy Thing
Mixing ingredients
by Amber Wilkinson
Gastón Solnicki on his creative approach, Willem Dafoe and the mysteries of The Souffleur
Fluidity of memory
by Amber Wilkinson
Sophy Romvari on the nature of recollection and drawing on her own life for Blue Heron
Translating relationships
by Amber Wilkinson
Hana Jušić and her crew on the themes and craft of God Will Not Help
The house always wins
by Paul Risker
Gerard Johnson and Polly Maberly on angry cinema and Odyssey
Stay-at-Home Seven: November 3 to 9
by Amber Wilkinson and Jennie Kermode
Films to stream or catch on TV this week
It’s about re-enchantment
by Anne-Katrin Titze
Christian Petzold on cinema history, lullabies, Laura, Rebecca and Miroirs No. 3
Celluloid ghosts
by Jennie Kermode
Nikolas Red on the film history of the Philippines, and Posthouse
Off the beaten path
by Jennie Kermode
Rod Blackhurst on marrying slasher film and fairy tale in Dolly
Right of return
by Amber Wilkinson
David Wilkinson on giving back the Parthenon Marbles and cancer doc One In Two
Existence and resistance
by Casper Borges
Annemarie Jacir on history, poetic freedom and Palestine 36
Images in conflict
by Paul Risker
Elizabeth Chai Vasarhelyi and Lynsey Addario on Love+War
Stay-at-Home Seven: October 27 to November 2
by Amber Wilkinson and Jennie Kermode
Films to stream or watch on TV this week
A space of narrative
by Anne-Katrin Titze
Gianfranco Rosi on Pietro Marcello, archival footage and Below The Clouds
Halloween listings 2025
by Jennie Kermode
Spooky happenings in UK cinemas
Memento Mori
by Amber Wilkinson
Depeche Mode: M director Fernando Frias on Mexican culture, mortality and music
In pursuit of freedom
by Casper Borges
Crispin Glover on creating slideshows, his acting process, Kafka and Mr. K
Spring in his step
by Amber Wilkinson
Joachim Lafosse on the personal story behind his latest film and its lighter feel
'It’s like a sport.. you train a lot and suddenly it comes naturally'
by Amber Wilkinson
Ingrid García-Jonsson on acting and winning Evolution Mallorca's New Talent award
'I wanted the film to be extremely subjective'
by Amber Wilkinson
Kasia Adamik on claustrophobia and the cold in 'anti-spy thriller' Winter Of The Crow
Stay-at-Home Seven: October 20 to 26
by Amber Wilkinson and Jennie Kermode
Films to stream or watch on TV this week
The family that slays together
by Jennie Kermode
Tina Romero on her father's legacy, queer community and Queens Of The Dead
Leaving it all behind
by Nona Tsirgiladze and Andria Odzelashvili
Beniamino Barrese on filming a parent and revisiting The Disappearance of My Mother
'We wanted to make a film about inheritance'
by Edin Custo, Esra Kars, Saba Osanadze
Romanian duo Maria Popistașu and Alexandru Baciu’s Y examines privilege and guilt
It's all yours now
by Anne-Katrin Titze
Vera Brandes speaks with Ed Bahlman on music, and talks Köln 75
The human animal
by Paul Risker
Frank Dillane on a childhood in the theatre, discovering Camus, and Urchin
Getting the message
by Amber Wilkinson
Olmo Omerzu on family and communication breakdown in Ungrateful Beings
Stay-at-Home Seven: October 13 to 19
by Jennie Kermode and Amber Wilkinson
Films to watch or stream on TV this week
We found our way
by Anne-Katrin Titze
Jim Jarmusch and cast on Father Mother Sister Brother
Invisible dangers
by Jennie Kermode
Raven Carter on blending history and horror in Noseeums
'I’m very happy to be trusted with characters of this calibre'
by Amber Wilkinson
Denis Lavant on the art of constructing personas in Redoubt and The Stranger
Out of place
by Paul Risker
Frederik Sølberg on identity, displacement and Hana Korea
The warrior's way
by Jennie Kermode
Daniel Bernhardt on Steven Kostanski's genius, Slash's beautiful eyes, and Deathstalker
Class act
by Amber Wilkinson
Eye Haïdara on building her character and the world of Six Days In Spring
Stay-at-Home Seven: October 6 to 12
by Amber Wilkinson
Films to watch on TV or stream this week
The Memory of Protest
by Andria Odzelashvili
A consideration of Georgian cinema’s tribute to political prisoners
News

Mining for truth Warwick Thornton on survivors and storytelling in Wolfram

'It's a journey to find himself' Kai Stänicke on construction, identity & memory in Trial Of Hein

Seeking light out of darkness Pauline Loquès on the personal tragedy that inspired her first feature Nino

A 'difficult' director Jon Asp on Swedish film history and making Being Bo Widerberg

Bearing witness Beth de Araújo and Channing Tatum talk about a child's eye view of crime in Josephine

The buzz of a bond Fernando Eimbcke on fun and games in Flies

Stars and stripes flutters over the Césars Carrey, Linklater and Anderson scoop awards in Paris

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