Monster mayhem
by Jennie Kermode
William Bagley, Chris Mayers and Levi Burdick on Hold The Fort
Love and fate
by Jennie Kermode
Helena Bonham Carter on literary adaptations and Four Letters Of Love
When worlds collide
by Jennie Kermode
Ava Maria Safai on pressure to fit in and Foreigner
Holy avenger
by Jennie Kermode
Mitzi Peirone on the religiously inspired imagery of Saint Clare
Coming home to roost
by Paul Risker
Melody C Roscher on individual complexity, uncertainty and Bird In Hand
Stay-at-Home Seven: July 14 to 20
by Amber Wilkinson
Films to catch on telly or stream this week
Women take the lead at Fantasia
by Jennie Kermode
Our early recommendations for the forthcoming festival
A storytelling legacy
by Anne-Katrin Titze
Griffin Dunne on Duke Of Groove and family memoir The Friday Afternoon Club
Capturing the poetry
by Paul Risker
Walter Thompson-Hernandez on democratised filmmaking and making Kites
The idea of the times
by Anne-Katrin Titze
Wilhelm Sasnal on costumes, food, and paintings as props in The Assistant
Without words
by Paul Risker
Elín Hall on the stripped down dialogue of When The Light Breaks
Stay-at-Home Seven: July 7 to 13
by Amber Wilkinson
Films to watch on telly or stream this week
Mum's the word for Camille Cottin
by Richard Mowe
Call My Agent star on life-work balance, kids and Out Of Love
Ancient heritage, new materialities
by Jennie Kermode
Nelly Ben Hayoun-Stépanian on alien aesthetics, music and Doppelgängers
The human connection
by Anne-Katrin Titze
Toby Perl Freilich and Judith Mizrachy on Mierle Laderman Ukeles and Maintenance Artist
The fabric of success
by Anne-Katrin Titze
Ferzan Özpetek on Milena Canonero, Piero Tosi and Diamonds
That cinematic vastness
by Paul Risker
Josalynn Smith on the influence of Greg Araki and making Ride Or Die
Time goes slowly
by Jennie Kermode
Rohan Kanawade on telling a different kind of story in Cactus Pears
Filming with no fear
by Paul Risker
Hariharasudhen Nagarajan on going fully independent with Tether
Stay-at-Home Seven: June 30 to July 6
by Amber Wilkinson
Films to watch on telly or stream this week
The changing society
by Anne-Katrin Titze
Andrea Segre on Enrico Berlinguer and The Great Ambition
An education
by Jennie Kermode
Eloïse King on exploring the international essay industry in Shadow Scholars
'Simple is actually the hardest to do'
by Amber Wilkinson
Eric San - aka Kid Koala - on minimalism and cherishing the moment in Space Cadet
The explorer
by Jennie Kermode
Nelly Ben Hayoun-Stépanian on reimagining space exploration in Doppelgängers
Until the dance
by Paul Risker
Andreas Dresen on resistance, ensemble storytelling and From Hilde, With Love
Honesty and curiosity
by Paul Risker
Kate Siegel on the literary roots of horror and The Life Of Chuck
A discovery of the past
by Anne-Katrin Titze
Sara Fgaier on Julian Barnes, the taboo of death, and Weightless
Stay-at-Home Seven: July 23 to 29
by Amber Wilkinson
Films to stream or watch on TV this week
A postcard from The Fourth Evia Project
by Amber Wilkinson
Summer and sustainability come together at Thessaloniki Film Festival's green initiative
Belonging
by Paul Risker
Jon S Baird and Steven Rogers on Everything's Going To Be Great
From planet to planet
by Anne-Katrin Titze
Stanley Nelson with Ed Bahlman on Christine Turner’s Sun Ra: Do The Impossible
'I feel the importance of memorialising all the people who died for Ukraine'
by Amber Wilkinson
Cuba & Alaska director Yegor Troyanovsky on friendship and grief on the frontline in Ukraine
Digging in
by Amber Wilkinson
Rob Petit on taking a dive into Deep Time, inheritance and legacy in documentary Underland
Life first - then cinema
by Anne-Katrin Titze
Fabrizio Gifuni on Luigi Comencini, Pinocchio and The Time It Takes
Dreaming big
by Jennie Kermode
Sam Locke on his passion for acting, representing Wales and 28 Years Later
Stay-at-Home Seven: June 16 to 22
by Amber Wilkinson
Films to watch on TV or stream this week
Enjoy the silence
by Anne-Katrin Titze
Mihal Brezis and Oded Binnun on Dead Language
Song of the wild
by Jennie Kermode
Tasha Hubbard on indigenous recovery and Singing Back The Buffalo
The double games
by Anne-Katrin Titze
Frédéric Hambalek on discovering hidden things and What Marielle Knows
Art as a weapon
by Paul Risker
Guy Nattiv on resisting tyranny, supporting human rights and making Tatami
Bat-tastic action at the Bannerman Film Fiesta
by Andrew Robertson
Children's short films shine in Glasgow
Beyond the noise
by Paul Risker
Mikael Lypinski and Kasper Bisgaard on connection, disconnection and The End Of Quiet
To the bone
by Paul Risker
Paul Gandersman and Peter Hall on refining narratives and Man Finds Tape
Valleys of the shadow of death
by Jennie Kermode
Craig Russell and Tony Burke on Welshness, masculinity and Protein
Stay-at-Home Seven: June 9 to 15
by Amber Wilkinson
Films to stream or watch on TV this week
The great impresario
by Anne-Katrin Titze
Jake Sumner on Ron Delsener Presents
Unbreakable
by Jennie Kermode
Josephine Stewart-Te Whiu on a different way of exploring history in We Were Dangerous
Palettes and paradoxes
by Amber Wilkinson
Félix Dufour-Laperrière on the concept, contradictions and colours of Death Does Not Exist
Remembering Monica Vitti
by Anne-Katrin Titze
Open Roads: New Italian Cinema filmmakers on Monica Vitti
Necessary weird
by Paul Risker
Felicia Day on getting creative and Tim Travers And The Time Traveler's Paradox
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Bait for the beast Simon Panay on challenging attitudes to albino people in The Boy With White Skin

Ice cool Hélène Cattet and Bruno Forzani talk Reflection In A Dead Diamond

Songs and silence Urška Djukić on music, unspoken communication and Little Trouble Girls

The beauty of doubt Toni Servillo on costumes by Carlo Poggioli and working with Paolo Sorrentino on La Grazia

Sinners on fire as Critics Choice nominations are announced One Battle After Another, Frankenstein and Hamnet also look good

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