The magpie
by Jennie Kermode
Lauren Ashley Carter talks fight scenes, troubled characters, animal inspiration and Artik
A cinematic runway
by Anne-Katrin Titze
Anna Sui on the influence of cinema and Dennis Nothdruft on fairy tales in The World Of Anna Sui
Forming a mountain
by Anne-Katrin Titze
Rick Alverson on Tye Sheridan, Jeff Goldblum, Udo Kier, and Denis Lavant in The Mountain
Facing the music
by Jennie Kermode
Andrew Desmond on Freya Tingley, Rutger Hauer, Alexis Maingaud and The Sonata
The hidden palette
by Anne-Katrin Titze
Kirill Mikhanovsky and Alice Austen on the conflicts they overcame to make Give Me Liberty
Under the surface
by Anne-Katrin Titze
Gay Talese on Once Upon A Time … In Hollywood, Spahn Ranch, westerns and Italian directors
Getting under the skin
by Jennie Kermode
The Soska sisters on Rabid, female relationships, #MeToo and being back at Frightfest
Challenging images
by Jennie Kermode
The Soska sisters on David Cronenberg, plastic surgery, transhumanism and remaking Rabid
Meeting the wolf man
by Jennie Kermode
Gavin Baddeley on a cinematic history of lycanthropes and writing The Frightfest Guide To Werewolf Movies
Beyond the garden
by Jennie Kermode
Flavio Alves on telling authentic stories, representing violence, and The Garden Left Behind
Inside the story
by Anne-Katrin Titze
Valerio Mastandrea on working with Abel Ferrara, Valeria Golino, Silvio Soldini and Marco Bellocchio
Cultivating a story
by Jennie Kermode
Flavio Alves on the lives of trans women and undocumented immigrants, and The Garden Left Behind
Connecting two worlds
by Anne-Katrin Titze
Bart Freundlich on Michelle Williams' character, Billy Crudup's hair, and After The Wedding
Storytelling childhood
by Anne-Katrin Titze
Anna Pniowsky on Casey Affleck, storytelling, the script and the haircut for Light Of My Life
Thinking big
by Jennie Kermode
Zach Lipovsky and Adam B Stein on Freaks, Bruce Dern and telling big stories with small budgets
Right on track
by Jennie Kermode
Adam Sherman on Japanese bondage, fashion, murder and She's Just A Shadow
In the picture
by Amber Wilkinson
Ritesh Batra on Photograph and shooting in Mumbai
A dangerous lesson
by Jennie Kermode
David Dastmalchian on Teacher, bullying and going to dark places
A tale of the unexpected
by Jennie Kermode
Zach Lipovsky and Adam B Stein on keeping viewers guessing, working with children, and Freaks
Threshold of the screen
by Anne-Katrin Titze
Rick Alverson on Denis Lavant's threshold move, Disney, and music in The Mountain
Different for girls
by Jennie Kermode
Jennifer Reeder on teenage lives, adult epiphanies, #MeToo and Knives And Skin
Authentic and free
by Anne-Katrin Titze
Valerio Mastandrea on an actor becoming a director for Laughing
A son's journey
by Jane Fae
Iain Cunningham on searching for his mother and making Irene's Ghost
Making a discovery
by Anne-Katrin Titze
Michela Occhipinti on Cristiano Travaglioli, body image, Flesh Out and Ring Of Fire
Marked contradictions
by Anne-Katrin Titze
Claudio Giovannesi on Olivia Bellini, the screenplay, Piranhas and Giorgio Armani
A woman's story
by Jennie Kermode
Pollyanna McIntosh on Darlin’ and the wildness in all of us
Constructing the Sentence
by Amber Wilkinson
John Hawkes and Elfar Adalsteins on motivation and midges in their road trip drama
A familiar face
by Jennie Kermode
Perry Blackshear on male friendship, mental illness and They Look Like People
Giving meaning
by Anne-Katrin Titze
Catherine Cusset on Life Of David Hockney, A Bigger Splash and Non-Fiction
Moving in time
by Anne-Katrin Titze
Timothy Greenfield-Sanders on Oprah Winfrey, Fran Lebowitz and Toni Morrison: The Pieces I Am
On the right track
by Anne-Katrin Titze
Jack Hazan on David Hockney, Last Tango In Paris, Michelangelo Antonioni and A Bigger Splash
Naming the unknown phenomena
by Anne-Katrin Titze
Antonin Baudry on Bertrand Tavernier and Quai d'Orsay, Reda Kateb, Paula Beer and The Wolf's Call
Condensing language
by Anne-Katrin Titze
Timothy Greenfield-Sanders on Toni Morrison: The Pieces I Am, Lou Reed and what's in a gaze
Orbital dynamics
by Jennie Kermode
Shelagh McLeod on working with Richard Dreyfuss, space, nursing homes and Astronaut
Laughing and crying
by Anne-Katrin Titze
Laughing director Valerio Mastandrea and Chiara Martegiani on crying on cue
Picking up signals
by Anne-Katrin Titze
Antonin Baudry on Claude Lanzmann, Das Boot and The Wolf's Call
