Marked contradictions
by Anne-Katrin Titze
Claudio Giovannesi on Olivia Bellini, the screenplay, Piranhas and Giorgio Armani
A woman's story
by Jennie Kermode
Pollyanna McIntosh on Darlin’ and the wildness in all of us
Constructing the Sentence
by Amber Wilkinson
John Hawkes and Elfar Adalsteins on motivation and midges in their road trip drama
A familiar face
by Jennie Kermode
Perry Blackshear on male friendship, mental illness and They Look Like People
Giving meaning
by Anne-Katrin Titze
Catherine Cusset on Life Of David Hockney, A Bigger Splash and Non-Fiction
Moving in time
by Anne-Katrin Titze
Timothy Greenfield-Sanders on Oprah Winfrey, Fran Lebowitz and Toni Morrison: The Pieces I Am
On the right track
by Anne-Katrin Titze
Jack Hazan on David Hockney, Last Tango In Paris, Michelangelo Antonioni and A Bigger Splash
Naming the unknown phenomena
by Anne-Katrin Titze
Antonin Baudry on Bertrand Tavernier and Quai d'Orsay, Reda Kateb, Paula Beer and The Wolf's Call
Condensing language
by Anne-Katrin Titze
Timothy Greenfield-Sanders on Toni Morrison: The Pieces I Am, Lou Reed and what's in a gaze
Orbital dynamics
by Jennie Kermode
Shelagh McLeod on working with Richard Dreyfuss, space, nursing homes and Astronaut
Laughing and crying
by Anne-Katrin Titze
Laughing director Valerio Mastandrea and Chiara Martegiani on crying on cue
Picking up signals
by Anne-Katrin Titze
Antonin Baudry on Claude Lanzmann, Das Boot and The Wolf's Call
All at sea
by Jennie Kermode
Eight documentaries to watch for World Oceans Day
Living the story
by Anne-Katrin Titze
Claude Lelouch on working with Anouk Aimée and Jean-Louis Trintignant and not knowing the end
Following a family's flight
by Amber Wilkinson
Emelie Mahdavian and Su Kim talk about the challenges of editing and producing Midnight Traveler
Unlocking the narrative
by Anne-Katrin Titze
Frédéric Tcheng on his director's cut of Halston, Charles James, and Truman Capote's Black and White Ball
20 years for 17 Blocks
by Amber Wilkinson
Davy Rothbart talks about the long journey for his family-focused doc
Watching humans
by Anne-Katrin Titze
Andrey Paounov on Christo's eyelashes, a Barbour jacket, raw eggs and Brexit in Walking On Water
Beyond the limits
by Jennie Kermode
Drew Barnhardt on marrying art and exploitation in Rondo
The tale of Tigers
by Amber Wilkinson
Denis Tanovic on his film about the Pakistan baby milk scandal
Sculpting a film
by Anne-Katrin Titze
Andrey Paounov on Christo and Walking On Water
Spellbinding
by Anne-Katrin Titze
Frédéric Tcheng on Liza Minnelli, Elsa Peretti, Tavi Gevinson and the Battle of Versailles in Halston
The performers
by Jennie Kermode
Jamie Patterson on working with Derren Nesbitt, Steve Oram and Jordan Stephens on Tucked
Spy catcher
by Anne-Katrin Titze
Aviva Kempner on Moe Berg and The Spy Behind Home Plate
Generosity of spirit
by Anne-Katrin Titze
Chuck Smith on Barbara Rubin And The Exploding NY Underground
A sense of purpose
by Jennie Kermode
David Dastmalchian on finding humanity in dark places and All Creatures Here Below
Mirroring image
by Anne-Katrin Titze
Michela Occhipinti on Flesh Out and Open Roads: New Italian Cinema
A forest underground
by Anne-Katrin Titze
Volker Schlöndorff on agronomist Tony Rinaudo and a documentary on a hidden forest
Was the place to be
by Anne-Katrin Titze
Celine Danhier on Downtown 81, Maripol, Eric Mitchell, Cookie Mueller and Otto Preminger
As she sees it
by Jennie Kermode
Ashley Connor on Madeline’s Madeline and her career as a cinematographer
Dressing up
by Anne-Katrin Titze
Joanna Hogg, Tilda Swinton and Honor Swinton Byrne on the costumes in The Souvenir
Naïve and deliberate
by Anne-Katrin Titze
Andrew Bolton on Camp: Notes On Fashion, musicals, Susan Sontag, Judy Garland and dachshunds
In dreams
by Jennie Kermode
River Gallo on Ponyboi, telling intersex stories and the importance of fantasies
Working in concert
by Anne-Katrin Titze
Ira Spiegel on Saving Private Ryan, The Black Stallion, The Spy Behind Home Plate and Carlito's Way
