All the buzz
by Jennie Kermode
Sander Maran and Peeter Maran on Chainsaws Were Singing
Her inner life
by Anne-Katrin Titze
Nanette Burstein on Elizabeth Taylor: The Lost Tapes
Her own anchor
by Paul Risker
Haley Bennett and Thomas Napper on Widow Clicquot
Under gaslight
by Jennie Kermode
Tatjana Anders on identifying toxic relationships and making Your Reality
In the moment
by Jennie Kermode
Alice Englert on planning, instinct and letting rip in Bad Behaviour
Full throttle emotions
by Amber Wilkinson
Antoine Chevrollier on exploring the violence of the teenage 'bubble' in Block Pass
Chuckle chuckle baby
by Amber Wilkinson
Janis Pugh on laughter, love and community in her comedy musical
A constant source of energy
by Anne-Katrin Titze
David Hinton on Martin Scorsese and Made In England: The Films Of Powell And Pressburger
Measuring happiness
by Amber Wilkinson
Arun Bhattarai and Dorottya Zurbó on their latest documentary collaboration
Diving ambition
by Jennie Kermode
Christian Wehrle on World War II: The Shipwrecks Of Truk Lagoon and Red Sea: Brother Islands – A Scuba Dive Adventure
The defiant ones
by Anne-Katrin Titze
Frauke Finsterwalder on Susanne Wolff, Sandra Hüller, fairy tales and the costumes in Sisi & I
Creating a spirited comedy
by Sergiu Inizian
Tomás Gómez Bustillo on faith, competitive piety and humour in Chronicles Of A Wandering Saint
Action woman
by Jennie Kermode
Kelsey Egan on stars, stunts, world building and the 11 year journey of making The Fix
Susan in Wonderland
by Anne-Katrin Titze
Susan Seidelman on her memoir, films, Billy Wilder and Smithereens
A new vision
by Jennie Kermode
Sofia Alaoui on deconstruction, interconnectedness and Animalia
Coming from the future
by Anne-Katrin Titze
Laura Luchetti on Cesare Pavese's novel and the songs and costumes in The Beautiful Summer
Driving force
by Amber Wilkinson
Driver director Nesa Azimi on following life on road for women truckers, their campaigning and community
The joy of research
by Anne-Katrin Titze
Veronika Franz and Severin Fiala on Maria Hofstätter, the Brothers Grimm and The Devil's Bath
Child's-eye view of a warzone
by Amber Wilkinson
Sareen Hairabedian on shooting her coming-of-age documentary My Sweet Land in the shadow of conflict
Embracing ambiguity
by Paul Risker
Christopher Murray on uncertainty, the potential of cinema, and Sorcery
Leading a brave life
by Anne-Katrin Titze
Monica Bellucci on her daughter Deva Cassel, women directors and Maria Callas: Letters And Memoirs
Light and shadow
by Jennie Kermode
Katherine Waugh on science, philosophy and cinema in I See A Darkness
Waiting to become an adult
by Anne-Katrin Titze
Kim Gordon on Catherine Breillat’s fairy-tale films, The Last Mistress, Samuel Kircher and Léa Drucker in Last Summer
Life in New Lodge
by Jennie Kermode
Alessandra Celesia on capturing the stories of The Flats
'I had to hire bodyguards'
by Amber Wilkinson
Director Agnieszka Holland on the backlash to Green Border and why film can be a powerful weapon
The land remembers
by Jennie Kermode
Simon Aeppli on the folk horror landscape of 1970s Northern Ireland
A fusion of music and story
by Anne-Katrin Titze
Oliver Murray with Ed Bahlman on Ronnie’s, The Quiet One and They All Came Out To Montreux
Breaking the mould
by Amber Wilkinson
Memoir Of A Snail director Adam Elliot on creating textured underdogs and emotional conflict
Teen spirit
by Amber Wilkinson
Inma de Reyes on capturing a youngster's bullfighting ambition in The Boy And The Suit Of Lights
