Inside the London Korean Film Festival
by Owen Van Spall
An in-depth look at this year's line-up
Circularity of the moments
by Anne-Katrin Titze
Luke Davies on co-scripting Felix van Groeningen's Beautiful Boy
Prison of life
by Amber Wilkinson
Sarah Marx talks about drama L'Enkas
An emotional journey
by Annemarie Jacir
Annemarie Jacir on fathers and sons in Wajib
All fired up
by Amber Wilkinson
Director Sameh Zoabi on politics and comedy in his satire Tel Aviv On Fire.
After the end of the world
by Jennie Kermode
Carolina Hellsgård discusses her fresh taken on rotting zombies in Ever After
Studying Venus
by Jane Fae
Eisha Marjara talks about truth and relationships in her film
The Sisters Brothers, Sunset, Non-Fiction, The Mountain, Dragged Across Concrete, Charlie Say and Vox Lux
by Damon Wise
Our second slice of action from Venice Film Festival
Stealing the show
by Amber Wilkinson
Bart Layton and the cast of American Animals talk about the thrills and spills of making fiction from fact
Venice 2018: First Man, Peterloo, The Favourite, Roma, The Ballad Of Buster Scruggs and Suspiria
by Damon Wise
Heavy-hitting directors get festival off to a high profile start
The public Eye
by Amber Wilkinson
C'est La Vie! star Haïdara on the art of comedy, her rising career and fighting racial stereotypes
Seeing a progression
by Anne-Katrin Titze
Marc Turtletaub on Kelly Macdonald, Irrfan Khan, David Denman and Puzzle
Capturing the action
by Jennie Kermode
Chris Collier on making FrightFest: Beneath The Dark Heart Of Cinema
VHS forever
by Jennie Kermode
Kristian A Söderström on tapes, addiction, open endings and Videoman
Pretty in pink
by Jennie Kermode
Chloe Levine on punk, physicality and taking on The Ranger
Scarred lives
by Jennie Kermode
Jon Knautz discusses working with Alexis Kendra on The Cleaning Lady
Fatal fashion
by Jennie Kermode
Ezequiel Endelman on glamour, giallo and an imaginary Buenos Aires in Crystal Eyes
In the arena
by Jennie Kermode
Evan Cecil on rodeo horror, older characters and Lasso
They're all there
by Anne-Katrin Titze
Isabel Coixet and Emily Mortimer on John Berger and The Bookshop
Unnatural colours
by Jennie Kermode
Jenn Wexler on punk movies, Chloe Levine and making The Ranger
Frightfest: five films to look forward to
by Jennie Kermode
What to watch out for at this year's festival
Deepening the mystery
by Anne-Katrin Titze
Mathieu Amalric and Jeanne Balibar on Barbara and Balibar's Merveilles À Montfermeil
Filming sensations
by Anne-Katrin Titze
Mathieu Amalric on Pierre Léon, Jeanne Balibar and the sounds and colours of Barbara
Character arc
by Jennie Kermode
Seth A Smith on filming with a two-year-old and bringing marbling to life in The Crescent
The power of a uniform
by Anne-Katrin Titze
Robert Schwentke on his Hollywood career, Stanley Kubrick, JG Ballard and The Captain
Keeping up appearances
by Amber Wilkinson
Marcello Martinessi on cultural conservatism and filmmaking honesty in The Heiresses
A different space
by Anne-Katrin Titze
Kelly Macdonald on working with Marc Turtletaub on Puzzle
Inner chaos
by Anne-Katrin Titze
Trine Dyrholm on the costumes for Nico, 1988, Ruth Berlau and Bertolt Brecht, and Astrid Lindgren
States of mind
by Anne-Katrin Titze
Trine Dyrholm on getting know Nico and Susanna Nicchiarelli's vision for Nico, 1988
Out of the past
by Anne-Katrin Titze
Susanna Nicchiarelli on Trine Dyrholm and the costume design in Nico, 1988
The power of ellipsis
by Anne-Katrin Titze
Kent Jones on Mary Kay Place and the objects in Diane
Being confrontational
by Anne-Katrin Titze
Robert Schwentke on German cinema, Carl Zuckmayer, Emil Jannings and The Captain
In there somewhere
by Anne-Katrin Titze
Kelly Macdonald on her character in Marc Turtletaub's Puzzle
The iconic man
by Jennie Kermode
Jonathan Baker on Becoming Iconic and Inconceivable
Everyday poetry
by Anne-Katrin Titze
Marc Turtletaub on Mike Leigh, Alfonso Cuarón, and the screenplay and locations for Puzzle
Changing perspectives
by Jennie Kermode
Lora Burke talks about making Lifechanger
Eye for detail
by Anne-Katrin Titze
Lisa Immordino Vreeland on Rupert Everett, Leslie Caron and George Cukor in Love, Cecil
For the love of lemurs
by Emilia Rolewicz
Mark C Smith on taking the plunge into stop-motion animation with Two Balloons
The image maker
by Anne-Katrin Titze
Tiffany Bartok on Isabella Rossellini, Tori Amos and Larger Than Life: The Kevyn Aucoin Story
Filming family
by Amber Wilkinson
Cyril Aris talks about documenting his grandparents' lives in The Swing
A sixth sense
by Anne-Katrin Titze
David Frenkel discusses the subjects of Claude Lanzmann's The Four Sisters
Faith on the doorstep
by Amber Wilkinson
Amy Geller and Gerald Peary on their upcoming documentary The Rabbi Goes West
Point of view
by Anne-Katrin Titze
Whit Stillman on adapting Jane Austen and soundtracking The Last Days Of Disco
Survivors
by Anne-Katrin Titze
David Frenkel on Claude Lanzmann and The Four Sisters
Creative spirit
by Andrew Robertson
Haifaa Al-Mansour takes a feminist perspective on Mary Shelley
Five films to catch at Fantasia
by Jennie Kermode
Highlights of the Montreal festival
Arnaud Desplechin honours Claude Lanzmann
by Anne-Katrin Titze, Arnaud Desplechin
"An immense artist just left us"
Scarlett’s inferno of the vanities
by Dr Charlie Oughton
Could Scarlett Johansson playing a real-life trans man improve representation?
Gardens in time
by Anne-Katrin Titze
Piet Oudolf and Thomas Piper on Five Seasons: The Gardens Of Piet Oudolf
Creating within constraints
by Anne-Katrin Titze
Whit Stillman on Stanley Kubrick, Barcelona, The Last Days Of Disco, Eyes Wide Shut and Barry Lyndon
News

Inside the London Korean Film Festival An in-depth look at this year's line-up

Circularity of the moments Luke Davies on co-scripting Felix van Groeningen's Beautiful Boy

Prison of life Sarah Marx talks about drama L'Enkas

An emotional journey Annemarie Jacir on fathers and sons in Wajib

All fired up Director Sameh Zoabi on politics and comedy in his satire Tel Aviv On Fire.

UK Jewish Film Festival launches programme Programme includes Philip Roth retrospective

Green Book wins top prize in Toronto If Beale Street Could Talk and Roma are runners-up

More news and features

The San Sebastian Film Festival opens this week, and we'll be bringing you all the latest news and reviews from there.



We're looking forward to the London Film Festival and the New York Film Festival.



We've recently been covering the Glasgow Youth Film Festival, the Venice Film Festival, London's Frightfest, and the Fantasia International Film Festival in Montreal.



Read our full for recent coverage.


Visit our festivals section.

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