For the love of lemurs
by Emilia Rolewicz
Mark C Smith on taking the plunge into stop-motion animation with Two Balloons
The image maker
by Anne-Katrin Titze
Tiffany Bartok on Isabella Rossellini, Tori Amos and Larger Than Life: The Kevyn Aucoin Story
Filming family
by Amber Wilkinson
Cyril Aris talks about documenting his grandparents' lives in The Swing
A sixth sense
by Anne-Katrin Titze
David Frenkel discusses the subjects of Claude Lanzmann's The Four Sisters
Faith on the doorstep
by Amber Wilkinson
Amy Geller and Gerald Peary on their upcoming documentary The Rabbi Goes West
Point of view
by Anne-Katrin Titze
Whit Stillman on adapting Jane Austen and soundtracking The Last Days Of Disco
Survivors
by Anne-Katrin Titze
David Frenkel on Claude Lanzmann and The Four Sisters
Creative spirit
by Andrew Robertson
Haifaa Al-Mansour takes a feminist perspective on Mary Shelley
Gardens in time
by Anne-Katrin Titze
Piet Oudolf and Thomas Piper on Five Seasons: The Gardens Of Piet Oudolf
Creating within constraints
by Anne-Katrin Titze
Whit Stillman on Stanley Kubrick, Barcelona, The Last Days Of Disco, Eyes Wide Shut and Barry Lyndon
Race against time
by Jennie Kermode
Finlay Pretsell on cycling, David Millar and Time Trial
A world upside down
by Anne-Katrin Titze
Lisa Immordino Vreeland on Love, Cecil and the legacy of Cecil Beaton
A dimension of complexity
by Anne-Katrin Titze
David Zellner and Nathan Zellner on Robert Pattinson, Mia Wasikowska, cowboy ballads and Damsel
Epic in scope
by Anne-Katrin Titze
David Zellner and Nathan Zellner on Damsel
Unreal belonging
by Amber Wilkinson
Gustavo Pizzi and Karine Teles discuss Loveling and portraying families on screen
Time travelling
by Anne-Katrin Titze
Michael Mayer on a Pharrell Williams film, Head Over Heels, and Adam Driver in Burn This
Making Mayhem
by Jennie Kermode
Joe Lynch on Steven Yeun, Samara Weaving and why you should quit your job
Infusing spirit
by Anne-Katrin Titze
Alexandre Moors on Tye Sheridan, Alden Ehrenreich, Annie Beauchamp and The Yellow Birds
In the crosshairs
by Anne-Katrin Titze
Alexandre Moors on bringing The Yellow Birds to the screen
Making Babies
by Jennie Kermode
Joanne Mitchell on her love of horror, awesome women and Attack Of The Adult Babies
A great communicator
by Anne-Katrin Titze
Wim Wenders on the refugee crisis, the power of nature, and Pope Francis: A Man Of His Word
Not a serious place
by Anne-Katrin Titze
Matthew Miele on George Clooney, Bobby Short, Bill Murray, Alan J Pakula and Always At The Carlyle
A sensory experience
by Anne-Katrin Titze
Kate Novack and Andrew Rossi on kaleidoscope eyes and The Gospel According To André
Drawing breath
by Anne-Katrin Titze
Simon Baker on the ocean, identity and making Breath
Remembrances
by Anne-Katrin Titze
Whit Stillman on dogs, owls, lost possessions and The Last Days Of Disco
Emotional response
by Amber Wilkinson
Marta Bergman on the heroine's journey in Alone At My Wedding
Art on screen
by Jennie Kermode
Phil Grabsky on I, Claude Monet and the stories that bring art to life
After the carnival
by Anne-Katrin Titze
Wim Wenders on symbols of Catholicism and Pope Francis: A Man Of His Word
Birds of a feather
by Anne-Katrin Titze
Michael Mayer on Nico Muhly, remembering the past, and a Hamlet scene not shot for The Seagull
These are the words
by Anne-Katrin Titze
Wim Wenders on his first meeting for Pope Francis: A Man Of His Word
Kubrick in the spotlight
by Anne-Katrin Titze
Leon Vitali on Stanley Kubrick, Filmworker and working with children and animals
Taking wing
by Anne-Katrin Titze
Michael Mayer on Annette Bening, Saoirse Ronan, Elisabeth Moss, Brian Dennehy and The Seagull
Cutting comments
by Anne-Katrin Titze
Lisa Immordino Vreeland on Katharine Hepburn, Coco Chanel and Cecil Beaton
In Focus
by Anne-Katrin Titze
Leon Vitali on Stanley Kubrick and Filmworker
The human touch
by Anne-Katrin Titze
Matthew Miele on Always At The Carlyle
