Getting under the skin
by Jennie Kermode
The Soska sisters on Rabid, female relationships, #MeToo and being back at Frightfest
Challenging images
by Jennie Kermode
The Soska sisters on David Cronenberg, plastic surgery, transhumanism and remaking Rabid
Meeting the wolf man
by Jennie Kermode
Gavin Baddeley on a cinematic history of lycanthropes and writing The Frightfest Guide To Werewolf Movies
Beyond the garden
by Jennie Kermode
Flavio Alves on telling authentic stories, representing violence, and The Garden Left Behind
Inside the story
by Anne-Katrin Titze
Valerio Mastandrea on working with Abel Ferrara, Valeria Golino, Silvio Soldini and Marco Bellocchio
Cultivating a story
by Jennie Kermode
Flavio Alves on the lives of trans women and undocumented immigrants, and The Garden Left Behind
Connecting two worlds
by Anne-Katrin Titze
Bart Freundlich on Michelle Williams' character, Billy Crudup's hair, and After The Wedding
Storytelling childhood
by Anne-Katrin Titze
Anna Pniowsky on Casey Affleck, storytelling, the script and the haircut for Light Of My Life
Thinking big
by Jennie Kermode
Zach Lipovsky and Adam B Stein on Freaks, Bruce Dern and telling big stories with small budgets
Right on track
by Jennie Kermode
Adam Sherman on Japanese bondage, fashion, murder and She's Just A Shadow
In the picture
by Amber Wilkinson
Ritesh Batra on Photograph and shooting in Mumbai
A dangerous lesson
by Jennie Kermode
David Dastmalchian on Teacher, bullying and going to dark places
A tale of the unexpected
by Jennie Kermode
Zach Lipovsky and Adam B Stein on keeping viewers guessing, working with children, and Freaks
Threshold of the screen
by Anne-Katrin Titze
Rick Alverson on Denis Lavant's threshold move, Disney, and music in The Mountain
Different for girls
by Jennie Kermode
Jennifer Reeder on teenage lives, adult epiphanies, #MeToo and Knives And Skin
Authentic and free
by Anne-Katrin Titze
Valerio Mastandrea on an actor becoming a director for Laughing
A son's journey
by Jane Fae
Iain Cunningham on searching for his mother and making Irene's Ghost
Making a discovery
by Anne-Katrin Titze
Michela Occhipinti on Cristiano Travaglioli, body image, Flesh Out and Ring Of Fire
Marked contradictions
by Anne-Katrin Titze
Claudio Giovannesi on Olivia Bellini, the screenplay, Piranhas and Giorgio Armani
A woman's story
by Jennie Kermode
Pollyanna McIntosh on Darlin’ and the wildness in all of us
Constructing the Sentence
by Amber Wilkinson
John Hawkes and Elfar Adalsteins on motivation and midges in their road trip drama
A familiar face
by Jennie Kermode
Perry Blackshear on male friendship, mental illness and They Look Like People
Giving meaning
by Anne-Katrin Titze
Catherine Cusset on Life Of David Hockney, A Bigger Splash and Non-Fiction
Moving in time
by Anne-Katrin Titze
Timothy Greenfield-Sanders on Oprah Winfrey, Fran Lebowitz and Toni Morrison: The Pieces I Am
On the right track
by Anne-Katrin Titze
Jack Hazan on David Hockney, Last Tango In Paris, Michelangelo Antonioni and A Bigger Splash
Naming the unknown phenomena
by Anne-Katrin Titze
Antonin Baudry on Bertrand Tavernier and Quai d'Orsay, Reda Kateb, Paula Beer and The Wolf's Call
Condensing language
by Anne-Katrin Titze
Timothy Greenfield-Sanders on Toni Morrison: The Pieces I Am, Lou Reed and what's in a gaze
Orbital dynamics
by Jennie Kermode
Shelagh McLeod on working with Richard Dreyfuss, space, nursing homes and Astronaut
Laughing and crying
by Anne-Katrin Titze
Laughing director Valerio Mastandrea and Chiara Martegiani on crying on cue
Picking up signals
by Anne-Katrin Titze
Antonin Baudry on Claude Lanzmann, Das Boot and The Wolf's Call
All at sea
by Jennie Kermode
Eight documentaries to watch for World Oceans Day
Living the story
by Anne-Katrin Titze
Claude Lelouch on working with Anouk Aimée and Jean-Louis Trintignant and not knowing the end
Following a family's flight
by Amber Wilkinson
Emelie Mahdavian and Su Kim talk about the challenges of editing and producing Midnight Traveler
Unlocking the narrative
by Anne-Katrin Titze
Frédéric Tcheng on his director's cut of Halston, Charles James, and Truman Capote's Black and White Ball
20 years for 17 Blocks
by Amber Wilkinson
Davy Rothbart talks about the long journey for his family-focused doc
Watching humans
by Anne-Katrin Titze
Andrey Paounov on Christo's eyelashes, a Barbour jacket, raw eggs and Brexit in Walking On Water
Beyond the limits
by Jennie Kermode
Drew Barnhardt on marrying art and exploitation in Rondo
The tale of Tigers
by Amber Wilkinson
Denis Tanovic on his film about the Pakistan baby milk scandal
Sculpting a film
by Anne-Katrin Titze
Andrey Paounov on Christo and Walking On Water
