A sporting chance
by Amber Wilkinson
Julia Fuhr Mann on exploring athletic bias and looking beyond the binary in Life Is Not A Competition, But I'm Winning
The true richness in being
by Anne-Katrin Titze
Michael Mann on Troy Kennedy Martin, Sydney Pollack and Massimo Cantini Parrini's costumes for Ferrari
Pain and playfulness
by Amber Wilkinson
Isabella Eklöf on directorial choices and remote shooting and adapting Kalak
Between two worlds
by Jennie Kermode
Bishal Dutta on introducing the West to new myths and old scares in It Lives Inside
Mixing fact and fiction
by Amber Wilkinson
Henry Bernadet on working with his cast to develop teen ensemble drama Gamma Rays
Spirited away
by Anne-Katrin Titze
Kleber Mendonça Filho on the films of Agnès Varda, Manoel de Oliveira and Martin Scorsese, and Pictures Of Ghosts
Looking back to go forward
by Anne-Katrin Titze
Frédéric Tcheng on Bethann Hardison, Lisa Cortes, Franca Sozzani, Tom Ford and Invisible Beauty
A film about words
by Jennie Kermode
Olivier Peyon on adapting the work of Philippe Besson in Lie With Me
Zoning in on war tourism
by Sergiu Inizian and Ani Kiladze
Danger Zone director Vita Drygas and her film's participant Andrew Drury on building trust, the lure of conflict and the effect on Drury's family life
Finding the nuances
by Anne-Katrin Titze
Stacey Battat on the costumes and Tamara Deverell on the production design for Priscilla
A film of two halves
by Jennie Kermode
Alan Scott Neal and Taylor Sardoni on writing and shooting Last Straw
Elephants never forget
by Jennie Kermode
Mikey Murray on delving into the secrets of one couple's relationship in Mind-Set
Reclaiming roots
by Jennie Kermode
Katja Gauriloff on making the first ever film in Skolt Sámi, Je’vida
Playing with a playwright
by Amber Wilkinson
Gabriel Byrne, James Marsh, Neil Forsyth and Fion O'Shea on bringing Beckett to the screen in Dance First
Unspoken truths
by Amber Wilkinson
Emmanuelle Devos on denial and gesture in A Silence
Connecting with what you see
by Anne-Katrin Titze
Claire Pijman on Wim Wenders, Lars von Trier, Jim Jarmusch, Flip Scipio and Robby Müller: Living The Light
Sailing the high seas
by Anne-Katrin Titze
Jeremy Thomas on The Dreamers, Susan Minot and filming Only Lovers Left Alive
Truth and nail
by Amber Wilkinson
Christos Nikou on technology, love and Eighties synthpop in Fingernails
The next mission
by Anne-Katrin Titze
Jeremy Thomas on Nicolas Roeg, Wim Wenders, Billy Wilder, Matteo Garrone and fairy tales
Back to the Bo-Kaap
by Jennie Kermode
More from John Barker, Bronté Snell and Shamilla Miller on The Umbrella Men: Escape From Robben Island
A taste of honey
by Jennie Kermode
Nicholas Tomnay on the corporate nightmare in What You Wish For
Bringing the stories home
by Jennie Kermode
Suvi West and Anssi Kömi on the repatriation of artefacts from museums and making Homecoming
On the same wavelength
by Anne-Katrin Titze
Lucy Sante on Ed Bahlman, Andrew Rossi’s Andy Warhol series, and Sara Driver’s Jean-Michel Basquiat documentary
Why didn't we know her?
by Anne-Katrin Titze
Nailah Jefferson on Beverly Johnson, Richard Avedon and Donyale Luna: Supermodel
Seeking fortunes
by Amber Wilkinson
Babak Jalali on cookie messages and casting challenges in Fremont
Place in time
by Anne-Katrin Titze
Yui Kiyohara on Yukiko Iioka, Tadashi Okuno, Like Someone In Love and Remembering Every Night
The women who get things done
by Jennie Kermode
John Barker, Bronté Snell and Shamilla Miller on stunts, sharks and The Umbrella Men: Escape From Robben Island
Reckoning with the past
by Jennie Kermode
Ian Gabriel, Noxolo Dlamini, Anthony Oseyemi, Irshaad Ally, S’Thandiwe Kgoroge and Inez Robertson on Death Of A Whistleblower
Winds of change
by Amber Wilkinson
Lkhagvadulam Purev-Ochir on depicting modern Mongolia and Shamanism onscreen in City Of Wind