Lelouch goes back to the future in Cannes
by Richard Mowe
Love story continues 53 years on
Generosity of spirit
by Anne-Katrin Titze
Chuck Smith on Barbara Rubin And The Exploding NY Underground
Delon: Women pushed me forward
by Richard Mowe
Honorary Cannes Palme for an 'accidental' icon
Pedro centre stage in Cannes
by Richard Mowe
New film with Cruz and Banderas his most personal to date
Loach confronts the gig economy
by Richard Mowe
Cannes prizes could beckon for new take on inequality
Egerton and Elton’s tearful Cannes duet
by Richard Mowe
Rocketman star on telling a life story with warts and all
A sense of purpose
by Jennie Kermode
David Dastmalchian on finding humanity in dark places and All Creatures Here Below
Ghost of Romero stalks Cannes opener
by Richard Mowe
Jarmusch acknowledges the influence of the master
Mirroring image
by Anne-Katrin Titze
Michela Occhipinti on Flesh Out and Open Roads: New Italian Cinema
Beyond the bright lights
by Jennie Kermode
Jamie Patterson on drag, gender, family and Tucked
A forest underground
by Anne-Katrin Titze
Volker Schlöndorff on agronomist Tony Rinaudo and a documentary on a hidden forest
Tarantino up to the wire in Cannes
by Richard Mowe
Festival director on suspense, gender parity and Alain Delon
Was the place to be
by Anne-Katrin Titze
Celine Danhier on Downtown 81, Maripol, Eric Mitchell, Cookie Mueller and Otto Preminger
As she sees it
by Jennie Kermode
Ashley Connor on Madeline’s Madeline and her career as a cinematographer
Dressing up
by Anne-Katrin Titze
Joanna Hogg, Tilda Swinton and Honor Swinton Byrne on the costumes in The Souvenir
Naïve and deliberate
by Anne-Katrin Titze
Andrew Bolton on Camp: Notes On Fashion, musicals, Susan Sontag, Judy Garland and dachshunds
In dreams
by Jennie Kermode
River Gallo on Ponyboi, telling intersex stories and the importance of fantasies
Working in concert
by Anne-Katrin Titze
Ira Spiegel on Saving Private Ryan, The Black Stallion, The Spy Behind Home Plate and Carlito's Way
Growing side by side
by Anne-Katrin Titze
Susanne Wolff and Wolfgang Fischer on Styx, Charles Darwin and swimming against the current
Sticking with it
by Jennie Kermode
Mel Novak on Game Of Death, Dan Aykroyd, Steve McQueen and what he's doing today
Marielle - the passing of a French legend
by Richard Mowe
'Voice' of a generation of acting talents dies at 87
A certain kind of energy
by Anne-Katrin Titze
Celine Danhier on the filmmakers and music in Blank City
Deconstructing oppressions
by Anne-Katrin Titze
Eva Husson on Girls Of The Sun and Martha Gellhorn
Handcrafting from scratch
by Anne-Katrin Titze
Cindy Hulej on Jim Jarmusch and Carmine Street Guitars
Reinventing herself
by Anne-Katrin Titze
Mia Hansen-Løve on Bergman Island, ghosts and Maya
Something magical
by Jennie Kermode
Jason Barker on gender, spirituality and A Deal With The Universe
Tribeca Film Festival early bird highlights
by Anne-Katrin Titze
Flesh Out, Driveways, Halston and Luce
Raising expectations
by Jennie Kermode
Jason Barker on filming his attempts to have a child in A Deal With The Universe
Into the woods
by Anne-Katrin Titze
Rick Kelly on working with wood and Carmine Street Guitars
Unlimited perspectives
by Anne-Katrin Titze
Keith Behrman on Giant Little Ones
Choreography of an encounter
by Anne-Katrin Titze
Michal Aviad on workplace harassment and Working Woman
"She made every subject her own"
by Anne-Katrin Titze
Michal Aviad remembers Agnès Varda
Final fade-out for Varda - a force of nature
by Richard Mowe
New Wave pioneer 'never bankable' but much treasured
A rose between thorns
by Anne-Katrin Titze
Alison Klayman on Steve Bannon and The Brink
Rhythm and logic
by Anne-Katrin Titze
Pierre Salvadori and Pio Marmaï on The Trouble With You
An unknown emotion
by Anne-Katrin Titze
Hélène Fillières on Lambert Wilson, Diane Rouxel and Raising Colors
You only live twice
by Jennie Kermode
Andrea Jaurrieta on doubles, performance and reinventing the self in Ana De Día
Resonances beyond
by Anne-Katrin Titze
László Nemes on fairy tales, Murnau's Sunrise, and Sunset (Napszállta)
Caught by the city
by Anne-Katrin Titze
Sophie Fillières on When Margaux Meets Margaux
Scoring White Crow
by Amber Wilkinson
Ilan Eshkeri on his third collaboration with Ralph Fiennes
Satellite of love
by Jennie Kermode
Joaquín Cambre on working with young actors and making A Trip To The Moon
Beautiful and poetic
by Anne-Katrin Titze
Mikhaël Hers on Vincent Lacoste, Stacy Martin, Isaure Multrier, Greta Scacchi and Amanda
Space for the imagination
by Anne-Katrin Titze
Franz Rogowski on breath control, Transit and the Kammerspiele
Your senses are there
by Anne-Katrin Titze
Brinsley Forde on Franco Rosso, Babylon and present day England
Capturing a life behind the camera
by Amber Wilkinson
Kim Longinotto and Ollie Huddleston on Shooting The Mafia
Innocent and ominous
by Anne-Katrin Titze
László Nemes on TS Eliot, caves of darkness and the innocent and ominous in Sunset
Top End Team
by Amber Wilkinson
Miranda Tapsell, Gwilym Lee, Wayne Blair and Joshua Tyler on Aussie rom-com
My hometown
by Anne-Katrin Titze
Kent Jones on the casting and soundtrack in Diane
Bite sized treats
by Andrew Robertson
We look forward to the Glasgow Short Film Festival
Music legends
by Anne-Katrin Titze
Dennis Bovell on style, substance and scoring Babylon
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