Stretching the limits
by Jennie Kermode
Chee Keong Cheung on Redcon-1 and how to make a blockbuster on a shoestring
Campfire stories
by Anne-Katrin Titze
Joel and Ethan Coen on working with animals in The Ballad Of Buster Scruggs
Binoche out of this world
by Amber Wilkinson
High Life star on creating character and feeling fear
The end of an era
by Anne-Katrin Titze
Matt Tyrnauer on his new documentary about Studio 54
Pattinson's High Life
by Amber Wilkinson
Actor on challenges and rewards of Claire Denis' space drama
Playing favourites
by Anne-Katrin Titze
Yorgos Lanthimos, Emma Stone, Olivia Colman, Nicholas Hoult, Joe Alwyn and Tony McNamara on The Favourite
Judi Dench says Kevin Spacey should not have been cut from film
by Amber Wilkinson
Star speaks out about her 'good friend'
Dancing through life
by Amber Wilkinson
Carlos Acosta on ballet and biopic Yuli
56th New York Film Festival early bird highlights
by Anne-Katrin Titze
They’ll Love Me When I’m Dead, Wildlife, Maria By Callas and Non-Fiction (Doubles Vies)
Comedy at the double
by Amber Wilkinson
Louis Garrel and Jean-Claude Carrière on writing A Faithful Man together
Various guises
by Anne-Katrin Titze
Nicholas Wright and Michael Mayer on Hitchcock, Marnie and The Metropolitan Opera
Fragmented vision
by Jennie Kermode
Camille Thoman on art, control, chaos, Mireille Enos, Sam Shepard and Never Here
Inside the London Korean Film Festival
by Owen Van Spall
An in-depth look at this year's line-up
Circularity of the moments
by Anne-Katrin Titze
Luke Davies on co-scripting Felix van Groeningen's Beautiful Boy
Prison of life
by Amber Wilkinson
Sarah Marx talks about drama L'Enkas
An emotional journey
by Annemarie Jacir
Annemarie Jacir on fathers and sons in Wajib
All fired up
by Amber Wilkinson
Director Sameh Zoabi on politics and comedy in his satire Tel Aviv On Fire.
After the end of the world
by Jennie Kermode
Carolina Hellsgård discusses her fresh taken on rotting zombies in Ever After
Studying Venus
by Jane Fae
Eisha Marjara talks about truth and relationships in her film
The Sisters Brothers, Sunset, Non-Fiction, The Mountain, Dragged Across Concrete, Charlie Say and Vox Lux
by Damon Wise
Our second slice of action from Venice Film Festival
Stealing the show
by Amber Wilkinson
Bart Layton and the cast of American Animals talk about the thrills and spills of making fiction from fact
Venice 2018: First Man, Peterloo, The Favourite, Roma, The Ballad Of Buster Scruggs and Suspiria
by Damon Wise
Heavy-hitting directors get festival off to a high profile start
The public Eye
by Amber Wilkinson
C'est La Vie! star Haïdara on the art of comedy, her rising career and fighting racial stereotypes
Seeing a progression
by Anne-Katrin Titze
Marc Turtletaub on Kelly Macdonald, Irrfan Khan, David Denman and Puzzle
Capturing the action
by Jennie Kermode
Chris Collier on making FrightFest: Beneath The Dark Heart Of Cinema
VHS forever
by Jennie Kermode
Kristian A Söderström on tapes, addiction, open endings and Videoman
Pretty in pink
by Jennie Kermode
Chloe Levine on punk, physicality and taking on The Ranger
Scarred lives
by Jennie Kermode
Jon Knautz discusses working with Alexis Kendra on The Cleaning Lady
Fatal fashion
by Jennie Kermode
Ezequiel Endelman on glamour, giallo and an imaginary Buenos Aires in Crystal Eyes
In the arena
by Jennie Kermode
Evan Cecil on rodeo horror, older characters and Lasso
They're all there
by Anne-Katrin Titze
Isabel Coixet and Emily Mortimer on John Berger and The Bookshop
Unnatural colours
by Jennie Kermode
Jenn Wexler on punk movies, Chloe Levine and making The Ranger
Frightfest: five films to look forward to
by Jennie Kermode
What to watch out for at this year's festival
Deepening the mystery
by Anne-Katrin Titze
Mathieu Amalric and Jeanne Balibar on Barbara and Balibar's Merveilles À Montfermeil
Filming sensations
by Anne-Katrin Titze
Mathieu Amalric on Pierre Léon, Jeanne Balibar and the sounds and colours of Barbara
Character arc
by Jennie Kermode
Seth A Smith on filming with a two-year-old and bringing marbling to life in The Crescent
The power of a uniform
by Anne-Katrin Titze
Robert Schwentke on his Hollywood career, Stanley Kubrick, JG Ballard and The Captain
Keeping up appearances
by Amber Wilkinson
Marcello Martinessi on cultural conservatism and filmmaking honesty in The Heiresses
A different space
by Anne-Katrin Titze
Kelly Macdonald on working with Marc Turtletaub on Puzzle
Inner chaos
by Anne-Katrin Titze
Trine Dyrholm on the costumes for Nico, 1988, Ruth Berlau and Bertolt Brecht, and Astrid Lindgren
States of mind
by Anne-Katrin Titze
Trine Dyrholm on getting know Nico and Susanna Nicchiarelli's vision for Nico, 1988
Out of the past
by Anne-Katrin Titze
Susanna Nicchiarelli on Trine Dyrholm and the costume design in Nico, 1988
The power of ellipsis
by Anne-Katrin Titze
Kent Jones on Mary Kay Place and the objects in Diane
Being confrontational
by Anne-Katrin Titze
Robert Schwentke on German cinema, Carl Zuckmayer, Emil Jannings and The Captain
In there somewhere
by Anne-Katrin Titze
Kelly Macdonald on her character in Marc Turtletaub's Puzzle
The iconic man
by Jennie Kermode
Jonathan Baker on Becoming Iconic and Inconceivable
Everyday poetry
by Anne-Katrin Titze
Marc Turtletaub on Mike Leigh, Alfonso Cuarón, and the screenplay and locations for Puzzle
Changing perspectives
by Jennie Kermode
Lora Burke talks about making Lifechanger
Eye for detail
by Anne-Katrin Titze
Lisa Immordino Vreeland on Rupert Everett, Leslie Caron and George Cukor in Love, Cecil
For the love of lemurs
by Emilia Rolewicz
Mark C Smith on taking the plunge into stop-motion animation with Two Balloons
News

Welcome back CCA We report from the celebrations of the iconic Glasgow venue's resurrection

Urgent ideas Mohcine Besri on healthcare, hospitals and humour in his latest film

Finding her voice Wash Westmoreland on La Belle Époque and Keira Knightley as Colette

Something electric Julian Richards on sympathetic monsters, Reborn and Daddy's Girl

The Favourite is favourite at the Critics' Choice Awards Black Panther and First Man among top contenders

Joy wins Golden Star in Marrakech The Chambermaid also honoured

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