The homecoming
by Jennie Kermode
Ariadne Asimakopoulos and Maartje Wegdam on No Place For A Rebel
Light and the darkness
by Anne-Katrin Titze
Caroline Champetier on Hannah Arendt, Margarethe von Trotta, Claude Lanzmann and the subject of evil
Halloween happenings
by Jennie Kermode
Spooky goings-on in UK cinemas
DOC NYC 2017: Early bird highlights
by Anne-Katrin Titze
Jane, Blue Velvet Revisited, KEDi and Faces Places
The skin she lives in, part two
by Jennie Kermode
Norbert Keil on gore scenes and the incredible visuals in Replace.
A complicated woman
by Anne-Katrin Titze
Isabelle Huppert on torturing teachers and playing Mrs Géquil and Mrs Hyde
A hell of a ride
by Jennie Kermode
Stuart Conran looks back at Hellraiser and the start of his special effects career
Among the apes
by Anne-Katrin Titze
Jane Goodall and Brett Morgen on documenting chimpanzees
Horse sense
by Anne-Katrin Titze
Chloé Zhao and Brady Jandreau on The Rider
The skin she lives in, part one
by Jennie Kermode
Norbert Keil on the terror of ageing, memory loss and working with Rebecca Forsythe on Replace
The dreamers of dreams
by Anne-Katrin Titze
Arnaud Desplechin and Mathieu Amalric on Ismael’s Ghosts: Director’s Cut
Inside Headfort
by Anne-Katrin Titze
Neasa Ní Chianáin and David Rane on the children of Headfort and filming School Life
Reformed character
by Anne-Katrin Titze
Paul Schrader on First Reformed and asking "What would Tarkovsky do?"
Meeting the Meyerowitzes
by Anne-Katrin Titze
Rebecca Miller on working with Adam Sandler in The Meyerowitz Stories (New And Selected)
Hostages to fortune, part two
by Jennie Kermode
More from Lora Burke and Robert Notman on Poor Agnes
Inside The Process
by Anne-Katrin Titze
Rebecca Miller talks about her father and Arthur Miller: Writer
The time of the harvest moon
by Anne-Katrin Titze
Serge Bozon on Mrs Hyde and a First Encounter
Hostages to fortune, part one
by Jennie Kermode
Lora Burke and Robert Notman on Poor Agnes
Avoiding her eyes
by Anne-Katrin Titze
Ben Mendelsohn on working with Rooney Mara in Una
The confrontation
by Anne-Katrin Titze
Rooney Mara on clothes, garbage and Una
Dressing the decades
by Anne-Katrin Titze
Luca Guadagnino on Call Me By Your Name and the art of costuming
Scent and sensibility
by Anne-Katrin Titze
Elvira Lind and Bobbi Jene Smith on love, sexiness, Arrowed, and why story always comes first
New York Film Festival encore highlights
by Anne-Katrin Titze
Mrs. Hyde, Thelma, Ismael’s Ghosts and The Meyerowitz Stories (New and Selected)
Dimensions of character
by Anne-Katrin Titze
Gay Talese on Voyeur and the difference between reading and viewing
Into the woods
by Jennie Kermode
Damien Power on the trials and tribulations of making Killing Ground
A film of the senses
by Anne-Katrin Titze
Elvira Lind and Bobbi Jene Smith on detail, effort and editing
New York Film Festival Early Bird highlights
by Anne-Katrin Titze
The Rider, Arthur Miller: Writer, The Other Side Of Hope and Joan Didion: The Center Will Not Hold
Forbidden filmmaking
by Jennie Kermode
Maysaloun Hamoud on In Between, the duty of artists, and facing a fatwa
Visualising Voyeur
by Anne-Katrin Titze
Gay Talese on how Josh Koury and Myles Kane's film came together
Six Harry Dean Stanton films you can't afford to miss
by Jennie Kermode
The legacy of a remarkable actor
What makes a Martyr?
by Amber Wilkinson
Mazen Khaled on male identity, death and freedom in his Biennale College film.
Venice 2017: Three Billboards, Victoria And Abdul, Lean On Pete and The Third Murder
by Damon Wise
Actors stake claim at start of awards season.
Venice 2017: Downsizing, Suburbicon and The Shape Of Water
by Damon Wise
Whimsical opener shrinks in face of Clooney satire and Del Toro creature feature.
The treasure hunters
by Jennie Kermode
Tomas Leach on The Lure and the importance of mystery and adventure
Antonio’s shades of grey
by Richard Mowe
Banderas on maturing, Almodovar and helping new actors
Keeping score
by Amber Wilkinson
Director Giorgio Ferrero on music and memory in his documentary hybrid Beautiful Things.
Director always in the firing line
by Richard Mowe
Terry George on genocide backlash, Ireland and Brexit
Growing up backstage
by Anne-Katrin Titze
Emmanuelle Devos on Arnaud Desplechin, her mother and her inspirations
Mining the mystery
by Amber Wilkinson
Alena Lodkina on neo-realism, longing and outsider perspective in Strange Colours.
Clive Davis - lawyer touched by stardust
by Richard Mowe
Master behind Whitney, Manilow and Aretha talks with Chris Perkel about documentary of his life.
Goldblum reigns as blockbuster king
by Richard Mowe
Jurassic and Thor star on humility, family and jazz
An education
by Anne-Katrin Titze
Neasa Ní Chianáin and David Rane on School Life
'I just don’t know about fame. I have never figured it out'
by Richard Mowe
Good Time star Robert Pattinson on being a lone wolf - and stardom as a side dish
'Being on the set of Star Wars is very like being on a set with David Lynch'
by Richard Mowe
Laura Dern on Twin Peaks, The Last Jedi and pay equality
Landscape of love
by Amber Wilkinson
Director Francis Lee talks about authenticity and emotion in God's Own Country.
Pastures new
by Amber Wilkinson
Alec Secareanu and Josh O'Connor on preparing for God's Own Country.
Birdwatchers
by Jennie Kermode
Dominic Bridges and Mim Shaikh on pigeons, scary movies and Freehold
Tribute to France’s star platinum blonde
by Richard Mowe
Death of Mireille Darc at 79
Ribbons of memory
by Anne-Katrin Titze
Collector Martin Howard goes inside California Typewriter
Hampton Fancher remembers Jerry Lewis
by Anne-Katrin Titze
"Here is this guy who has everything, except he doesn't have enough."
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Chaos theory Samuel Maoz on Silver Lion winner Foxtrot

The peacemaker Maurice Fitzpatrick on documentary In The Name Of Peace: John Hume In America

The house by the water Brian O'Malley on Gothic horror, Irish history and The Lodgers

Release the bats Kelly Greene on Attack Of The Bat Monsters

A taste of romance Sophie Brooks on first dates, food and The Boy Downstairs

New filmmaker in residence programme launched Starlight will focus on underrepresented communities

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