Adura Onashile on the use of colour in Girl: 'The characters’ world, when it works, is a palace, its imagination, its freedom, until it stops being and I really wanted that to come across. The way to do that was with colour'
Abnormal filmmaking Mickey Reece on subverting the technothriller with Every Heavy Thing
Mixing ingredients Gastón Solnicki on his creative approach, Willem Dafoe and the mysteries of The Souffleur
Fluidity of memory Sophy Romvari on the nature of recollection and drawing on her own life for Blue Heron
Translating relationships Hana Jušić and her crew on the themes and craft of God Will Not Help
The house always wins Gerard Johnson and Polly Maberly on angry cinema and Odyssey
It’s about re-enchantment Christian Petzold on cinema history, lullabies, Laura, Rebecca and Miroirs No. 3
My Father's Shadow leads BIFA race Pillion and I Swear also among the front runners
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