Carmen in 1976. Manuela Martelli: 'The film plays a lot with ambiguity. Why is she in danger? Is she in danger because she's a woman? Is she in danger because there's a dictatorship?'
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Bait for the beast Simon Panay on challenging attitudes to albino people in The Boy With White Skin
Ice cool Hélène Cattet and Bruno Forzani talk Reflection In A Dead Diamond
Songs and silence Urška Djukić on music, unspoken communication and Little Trouble Girls
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