by Virginia Cademartori
Carlo Poggioli with Anne-Katrin Titze: “Satyricon by Fellini was one that made me think about Fellini and cinema costumes. And then Amarcord. Following this idea, that for me, the cinema was Federico Fellini. And when I worked with him, my dream came true.”
Inviting curiosity Ildikó Enyedi on the value of science, perception, discovery and Silent Friend
Streaming Spotlight: the rites of Spring We shine our Beltane spotlight on films in which the old ways linger
Fighting fit for a debut feature Valéry Carnoy talks toxic masculinity, memory, confidence and Belgian 'soft-power'
Collective power We look ahead at the programme of this year's Folk Film Gathering
Writing hidden messages Arnaud Desplechin on guilt, melodrama, feeling haunted, and Two Pianos
Clever crafting with Idiots Chris Barfoot on his six-camera set up and three-day shoot of his debut feature
We're bringing you news and reviews from the San Francisco Independent Film Festival and Queer East.
We're looking forward to Cannes.
We've recently brought you coverage of Visions du Réel, Fantaspoa, Overlook, BFI Flare and SXSW, the Thessaloniki International Documentary Festival, the NY Rendezvous with French Cinema, the Glasgow Film Festival, the Berlinale, Sundance and Palm Springs.
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It's a busy time for festivals and here's the latest from the spring events:
Cannes 16 titles added to line-up
Cannes Carla Simón heads short film jury
Cannes Directors' Fortnight selection
Cannes Payal Kapadia heads Critics' Week jury
