Pietro Marcello with Anne-Katrin Titze on his Scarlet end credit thanks: “Renato Berta, in addition to being a friend, he is also a teacher. Thanks to Caroline Champetier we were able to shoot in 35mm. And finally Gianfranco Rosi, he’s an old friend.”
Inviting curiosity Ildikó Enyedi on the value of science, perception, discovery and Silent Friend
Streaming Spotlight: the rites of Spring We shine our Beltane spotlight on films in which the old ways linger
Fighting fit for a debut feature Valéry Carnoy talks toxic masculinity, memory, confidence and Belgian 'soft-power'
Collective power We look ahead at the programme of this year's Folk Film Gathering
Writing hidden messages Arnaud Desplechin on guilt, melodrama, feeling haunted, and Two Pianos
Clever crafting with Idiots Chris Barfoot on his six-camera set up and three-day shoot of his debut feature
We're bringing you news and reviews from the San Francisco Independent Film Festival and Queer East.
We're looking forward to Cannes.
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It's a busy time for festivals and here's the latest from the spring events:
Cannes 16 titles added to line-up
Cannes Carla Simón heads short film jury
Cannes Directors' Fortnight selection
Cannes Payal Kapadia heads Critics' Week jury
