by Nicolas Taborga/with the permission of Nemesis Films & h264
Jonah Malak on the observational nature of his film: 'The main goal is to throw the audience in the middle of the action and say, forget about your politics, forget about your social position, your political background and just look at what is actually happening in the field'
Capturing the poetry Walter Thompson-Hernandez on democratised filmmaking and making Kites
The idea of the times Wilhelm Sasnal on costumes, food, and paintings as props in The Assistant
Without words Elín Hall on the stripped down dialogue of When The Light Breaks
Mum's the word for Camille Cottin Call My Agent star on life-work balance, kids and Out Of Love
Ancient heritage, new materialities Nelly Ben Hayoun-Stépanian on alien aesthetics, music and Doppelgängers
Locarno reveals line-up Radu Jude's Dracula and Ben Rivers' latest among world premieres
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