by Anne-Katrin Titze
Paul Thomas Anderson’s longtime costume designer (Hard Eight; Boogie Nights; Magnolia; Punch-Drunk Love; There Will Be Blood; The Master; Inherent Vice; Phantom Thread; Licorice Pizza) Mark Bridges on Bradley Cooper’s Maestro: “It was very important to me to keep the audience in tune with the passage of time.”
Among spectral snows Kier-La Janisse on the work of Algernon Blackwood and The Haunted Season: The Occupant Of The Room
Bait for the beast Simon Panay on challenging attitudes to albino people in The Boy With White Skin
Ice cool Hélène Cattet and Bruno Forzani talk Reflection In A Dead Diamond
Songs and silence Urška Djukić on music, unspoken communication and Little Trouble Girls
The beauty of doubt Toni Servillo on costumes by Carlo Poggioli and working with Paolo Sorrentino on La Grazia
Sinners on fire as Critics Choice nominations are announced One Battle After Another, Frankenstein and Hamnet also look good
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