Eye For Film >> Features >> New York Film Festival: Photo Gallery Three

New York Film Festival: Photo Gallery Three

Steve McQueen, Michael Fassbender, Sean Durkin and Elizabeth Olsen all attend press conferences.

by Anne-Katrin Titze

Our third batch of photos from the 49th New York Film Festival. View Gallery One, Two, Four and Five. Photographs: Anne-Katrin Titze

Press conference for Shame, which sees director Steve McQueen team up for the second time with Michael Fassbender

Press conference for Martha Marcy May Marlene, l to r, NYFF selection committee member Melissa Anderson, Director Sean Durkin, and lead actress Elizabeth Olsen

Press conference for Martha Marcy May Marlene, Sean Durkin and Elizabeth Olsen pose for photos

The Metropolitan Opera House, right next to where the NYFF's home at Lincoln Center sports a Sigfried banner. Wagner is inescapable at this year's film festival.

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Movies out this week include:

Akira The Blue Trail Bridget Jones's Diary California Schemin' Colours of Time Departures Endless Cookie Mirrors No.3 Rebuilding Stand By Me The Stranger The Undertone The Wizard Of The Kremlin

Latest reviews:

Departures Marama PH-1 The Cramps: A Period Piece Trauma Or, Monsters All Grace Frankie, Maniac Woman Bugboy Tirrenica The Stranger We Are Stardust Violence Body Of Our Own Mr. Burton Two Women Being Ola Mariinka Night Stage Mother's Baby Four Minus Three

Latest DVD reviews:

Cruel Tale Of Bushido Fear In The Night The Devil's Hand Zen And Sword All The President's Men
News

The dying house Taratoa Stappard on colonial horrors and inventing the Maori Gothic with Marama

Klapisch – Proud to be populist Colours Of Time director on success and why he wants to stay on the edge

After the fire Max Walker-Silverman on social realism and Rebuilding

Deep water Millicent Hailes and Ksusha Genenfeld on intimacy, immersion and Perfect

More than meets the eye Thales Banzai on the creative processes behind Tony Odyssey

'If Visconti had done it how could I possibly do it any better?' Ozon on the challenges of tackling Camus' masterwork The Stranger

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