Glasgow Short Film Festival 2018

View other Glasgow Short Film Festival Films by strand: Apichatpong Weerasethakul all-nighter, Blueprint: Scottish Independent Shorts, Death And Killing In Southeast Asia, Don Hertzfeldt: World of Tomorrow 1 & 2, International Competition 1: Paint Your Own Reality, International Competition 2: Freedom of Choice, International Competition 3: Dream of a Glorious Return, International Competition 4: Parched Land, International Competition 5: Treading Water, International Competition 6: Where You Look From, Kevin Jerome Everson 3, Ladies of the Night, NFTS Scotland presents Eva Riley, Round Midnight 1: Sex, Round Midnight 2: Violence, Scottish Competition 2: The Point is to Change It, Scottish Competition 3: Foreign to the World, Ten Years of Film G

Not Required Back Not Required Back
Not Required Back and Blindsided
Blindsided (Country: UK; Year: 2017; Director: Tom Gentle)
When Will is dumbfounded by the worst news imaginable, he and Rupert embark on an impulsive road trip to the Scottish Highlands.
Damned Dolls (Country: UK; Year: 2017; Director: Sara Jane Kirkwood)
A social worker battles to reconnect with a grown child of the care system who has lost the plot.
I Am Not (Country: UK; Year: 2017; Director: Rosie Toner)
Teenagers Faye and Stella make their final preparations before the fabled asteroid hits the earth to end all humanity.
Mar A Thachair Do Dh’FHear A Sgur A Dhol Dhan Eaglais (The Man Who Stopped Going to Church) (Country: UK; Year: 2017; Director: John Murdo MacAulay)
The story of a godly young man, disillusioned in the wake of a betrayal of trust.
Not Required Back (Country: UK; Year: 2016; Director: Peter Marsden), Official Site
An abstract portrait of a redundant contractor and the declining Scottish Oil Industry.
The Welfare Of Tomás Ó Hallissy (Country: Ireland, UK; Year: 2016; Director: Duncan Campbell)
A portrait of a society on the brink of irreversible change, seen through the eyes of two American anthropologists who arrive to study this dying culture.

Filming sensations Mathieu Amalric on Pierre Léon, Jeanne Balibar and the sounds and colours of Barbara

Character arc Seth A Smith on filming with a two-year-old and bringing marbling to life in The Crescent

Keeping up appearances Marcello Martinessi on cultural conservatism and filmmaking honesty in The Heiresses

A different space Kelly Macdonald on working with Marc Turtletaub on Puzzle

Out of the past Susanna Nicchiarelli on Trine Dyrholm and the costume design in Nico, 1988

The iconic man Jonathan Baker on Becoming Iconic and Inconceivable

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