Glasgow Short Film Festival 2018

View other Glasgow Short Film Festival Films by strand: Apichatpong Weerasethakul all-nighter, Blueprint: Scottish Independent Shorts, Death And Killing In Southeast Asia, Don Hertzfeldt: World of Tomorrow 1 & 2, International Competition 1: Paint Your Own Reality, International Competition 2: Freedom of Choice, International Competition 3: Dream of a Glorious Return, International Competition 4: Parched Land, International Competition 5: Treading Water, International Competition 6: Where You Look From, Ladies of the Night, NFTS Scotland presents Eva Riley, Round Midnight 1: Sex, Round Midnight 2: Violence, Scottish Competition 1: Take My Hand, Scottish Competition 2: The Point is to Change It, Scottish Competition 3: Foreign to the World, Ten Years of Film G

Eason (Country: US; Year: 2016; Director: Kevin Jerome Everson)
Movements loosely based on the life of James Walker Hood Eason, the North Carolina-born orator who served as leader of Philadelphia's Universal Negro Improvement Association.
How Can I Ever Be Late (Country: US; Year: 2017; Director: Kevin Jerome Everson, Claudrena Harold)
A real cool recreation of Sly and the Family Stone, accompanied by their famous smooth song.
The Release (Country: US; Year: 2013; Director: Kevin Jerome Everson)
An old American football move interpreted gracefully.
Rita Larson's Boy (Country: US; Year: 2012; Director: Kevin Jerome Everson)
Ten actors audition for the role of Rollo Larson in the 1970s sitcom Sanford And Son.
Stone (Country: US; Year: 2013; Director: Kevin Jerome Everson)
Stone is getting his hustle on, often and early.
Ten Five In The Grass (Country: US; Year: 2012; Director: Kevin Jerome Everson)
Black cowgirls and cowboys prepare themselves for the rodeo event of calf roping. Filmed in Lafayette, Louisiana and Natchez, Mississippi.

Filming sensations Mathieu Amalric on Pierre Léon, Jeanne Balibar and the sounds and colours of Barbara

Character arc Seth A Smith on filming with a two-year-old and bringing marbling to life in The Crescent

Keeping up appearances Marcello Martinessi on cultural conservatism and filmmaking honesty in The Heiresses

A different space Kelly Macdonald on working with Marc Turtletaub on Puzzle

Out of the past Susanna Nicchiarelli on Trine Dyrholm and the costume design in Nico, 1988

The iconic man Jonathan Baker on Becoming Iconic and Inconceivable

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