Glasgow Short Film Festival 2018

View other Glasgow Short Film Festival Films by strand: Blueprint: Scottish Independent Shorts, Death And Killing In Southeast Asia, Don Hertzfeldt: World of Tomorrow 1 & 2, International Competition 1: Paint Your Own Reality, International Competition 2: Freedom of Choice, International Competition 3: Dream of a Glorious Return, International Competition 4: Parched Land, International Competition 5: Treading Water, International Competition 6: Where You Look From, Kevin Jerome Everson 3, Ladies of the Night, NFTS Scotland presents Eva Riley, Round Midnight 1: Sex, Round Midnight 2: Violence, Scottish Competition 1: Take My Hand, Scottish Competition 2: The Point is to Change It, Scottish Competition 3: Foreign to the World, Ten Years of Film G

Ablaze (Country: Thailand, Singapore; Year: 2016; Director: Apichatpong Weerasethakul)
A moving painting, brushed with black shadows on white. In a dark forest, a man blocks a woman's vision as a mysterious blaze burns bright.
The Anthem (Country: Thailand, United Kingdom; Year: 2006; Director: Apichatpong Weerasethakul)
The Anthem presents a ‘cinema anthem’, a custom which blesses each cinema screening in honour of the King.
Cactus River (Country: Thailand, United States; Year: 2012; Director: Apichatpong Weerasethakul)
A diary of Weerasethakul's visit to Nach and her husband in the United States.
Emerald (Morakot) (Country: Thailand, Japan; Year: 2007; Director: Apichatpong Weerasethakul)
Emerald (Morakot) is a derelict and defunct hotel in the heart of Bangkok that opened in an economic boom.
Empire (Country: Thailand, Austria; Year: 2010; Director: Apichatpong Weerasethakul)
Has the diver been looking for something? Has someone else found it?
Footprints (Country: Thailand, Mexico; Year: 2014; Director: Apichatpong Weerasethakul)
Weerasethakul’s contribution to an omnibus production exploring analogies between football and everyday life.
Haunted Houses (Country: Thailand; Year: 2001; Director: Apichatpong Weerasethakul)
An examination of media addiction in the Thai cultural landscape, scripted directly from two episodes of popular television show Tong Prakaisad.
A Letter To Uncle Boonmee (Country: Thailand; Year: 2009; Director: Apichatpong Weerasathakul)
A return visit to the site of a political massacre.
Luminous People (Country: Thailand, Portugal; Year: 2007; Director: Apichatpong Weerasethakul)
A group travels in a boat along Mekong River. It stretches along the Thai-Laos border which links the dead and the living.
Mekong Hotel (Country: Thailand, UK; Year: 2012; Director: Apichatpong Weerasethakul; Writer: Apichatpong Weerasethakul; Stars: Jenjira Pongpas, Maiyatam Techapam, Sakda Kaewbuadee)
A film director's study of a vampiric mother and daughter veers between fact and fiction.
Malee And The Boy (Country: Thailand; Year: 1999; Director: Apichatpong Weerasethakul)
A day in Bangkok spent by an eleven-year-old boy gathering sound-bites of the city.
Mobile Men (Country: Thailand; Year: 2008; Director: Apichatpong Weerasethakul)
Two young men in a pickup truck are filming each other. Little by little, they film their full figures.
Monsoon (Country: Thailand; Year: 2011; Director: Apichatpong Weerasethakul)
A video response to the earthquake and the tsunami which hit the Tohoku region of Japan on 11 March, 2011.
My Mother's Garden (Country: Thailand, France; Year: 2007; Director: Apichatpong Weerasethakul)
An impression of a Jewelry collection by Victoire de Castellane. Also a tribute to Weerasethakul's mother's garden, with its wild orchids' roots, bugs and other organisms.
M Hotel (Country: Thailand, Hong Kong; Year: 2011; Director: Apichatpong Weerasethakul)
Two film crew members, visiting Hong Kong for the first time, spend the afternoon in their hotel room taking portraits of one another.
Nimit (Country: Thailand; Year: 2007; Director: Apichatpong Weerasethakul)
Asked to make a film about the King, Weerasethakul decided instead to make a film about his life.
La Punta (Country: Thailand; Year: 2013; Director: Apichatpong Weerasethakul)
Part of Future Reloaded, a collective movie tribute to the 70th edition of the Venice Film Festival, 2013
Thirdworld (Country: Thailand, US; Year: 1997; Director: Apichatpong Weerasethakul)
A depiction of the landscape of Panyi island, both realistically and metaphorically.
This And A Million More Lights (Country: Thailand; Year: 2003; Director: Apichatpong Weerasethakul)
Hometown and foreign land, past and present, reality and memory are interlinked with each other through a series of Hometown and foreign land, past and present, reality and memory are interlinked with each other through a series of superimposed images.
Vampire (Country: Thailand, France; Year: 2008; Director: Apichatpong Weerasethakul)
Somewhere along the border of Thailand and Burma lives a creature called Nok Phii (Ghost Bird) that feeds on the blood of other animals.
Vapour (Country: Thailand, South Korea, China; Year: 2015; Director: Apichatpong Weerasethakul)
Clouds descend onto a village and engulf it for a day. They touch the roof tiles, the beds, the chairs, the carpets, the grass, and the bodies.
Worldly Desires (Country: Thailand, South Korea; Year: 2005; Director: Apichatpong Weerasethakul)
An experimental piece. A couple escape their family to look for a spiritual tree in the jungle, where there is a song at night.

Filming sensations Mathieu Amalric on Pierre Léon, Jeanne Balibar and the sounds and colours of Barbara

Character arc Seth A Smith on filming with a two-year-old and bringing marbling to life in The Crescent

Keeping up appearances Marcello Martinessi on cultural conservatism and filmmaking honesty in The Heiresses

A different space Kelly Macdonald on working with Marc Turtletaub on Puzzle

Out of the past Susanna Nicchiarelli on Trine Dyrholm and the costume design in Nico, 1988

The iconic man Jonathan Baker on Becoming Iconic and Inconceivable

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