Glasgow Short Film Festival 2018

View other Glasgow Short Film Festival Films by strand: Apichatpong Weerasethakul all-nighter, Blueprint: Scottish Independent Shorts, Death And Killing In Southeast Asia, Don Hertzfeldt: World of Tomorrow 1 & 2, International Competition 1: Paint Your Own Reality, International Competition 2: Freedom of Choice, International Competition 3: Dream of a Glorious Return, International Competition 4: Parched Land, International Competition 5: Treading Water, International Competition 6: Where You Look From, Kevin Jerome Everson 3, Ladies of the Night, NFTS Scotland presents Eva Riley, Round Midnight 1: Sex, Round Midnight 2: Violence, Scottish Competition 1: Take My Hand, Scottish Competition 2: The Point is to Change It, Scottish Competition 3: Foreign to the World

An Sgoil Bheag Mu Dheireadh (The Last Little School) (Country: UK; Year: 2014; Director: Dòmhnall Eòghainn MacFhionghain)
In June 2013, the remote Shelibost School was about to close. Six children would be left along with a void in a community's heart.
A Bheil Thu Gam Thuigsinn? (Do You Understand Me?) (Country: UK; Year: 2016; Director: Suzy Lee)
During a car journey, a couple conduct an argument, swapping between Gaelic and English.
Cnap-starra Cànain (The Language Barrier) (Country: UK; Year: 2010; Director: Ewan Smith)
A man walking his dog is asked for directions by a most unusual visitor.
Coileach-Peucaig (Peacock) (Country: UK; Year: 2014; Director: Uilleam Moireach)
Following a difficult year of being alone, Ruairidh learns that he's still got a way to go till he's back on track.
Crìsdean Cunnartach (Risky Chris) (Country: UK; Year: 2015; Director: Rachel MacLaren)
Crìsdean fulfils his lifelong dream of becoming his favourite idol - or does he?
Eich Bhàna (White Horses) (Country: UK; Year: 2017; Director: Alison MacPherson)
A fisherman struggles with a feral horse on the North West coast. Wilderness can be both isolating and liberating.
Latha Reic (Auction Day) (Country: UK; Year: 2010; Director: Karen Grant)
A colourful glimpse of contemporary Hebridean crofting life, seen through a day at the cattle sales in Lochmaddy, North Uist.
Manadh (Fate) (Country: UK; Year: 2013; Director: Dòmhnall Eòghainn MacFhionghain)
Having escaped the rules and ties which bound him as a child, a man realises the purpose of these in his adulthood.
Mar A Thachair Do Dh’FHear A Sgur A Dhol Dhan Eaglais (The Man Who Stopped Going to Church) (Country: UK; Year: 2017; Director: John Murdo MacAulay)
The story of a godly young man, disillusioned in the wake of a betrayal of trust.
Mo Charaid, Mo Ghaisgeach (My Friend, My Hero) (Country: UK; Year: 2010; Director: Rachel Hendry)
Two of the last native Gaelic speakers on the island of Colonsay. Despite their physical disabilities, Flora and Jessie remain heroically independent.
Mòrag Agus An T-Each-Uisge (Morag And The Kelpie) (Country: UK; Year: 2016; Director: Anna Krzeszewska)
A woman recalls a memory from her university years; a sudden encounter with the bloodthirsty water horse from the pages of a fairy tale.
Obair Là (A Working Day) (Country: UK; Year: 2011; Director: Jenny Forbes)
An office worker endures another mundane day behind the desk until a co-worker gives him a challenge.
Oidhche Shàmhach (Silent Night) (Country: UK; Year: 2012; Director: Elly Welch)
Siblings John Norman and Chrissie MacLeod were raised in a Gaelic speaking family but have never known the language.
Siubhlachan (The Traveller) (Country: UK; Year: 2009; Director: Uisdean Murray)
A poignant tale about a young girl, Seonag, who travels back in time to visit her recently deceased Grandfather.

Filming sensations Mathieu Amalric on Pierre Léon, Jeanne Balibar and the sounds and colours of Barbara

Character arc Seth A Smith on filming with a two-year-old and bringing marbling to life in The Crescent

Keeping up appearances Marcello Martinessi on cultural conservatism and filmmaking honesty in The Heiresses

A different space Kelly Macdonald on working with Marc Turtletaub on Puzzle

Out of the past Susanna Nicchiarelli on Trine Dyrholm and the costume design in Nico, 1988

The iconic man Jonathan Baker on Becoming Iconic and Inconceivable

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