Glasgow Short Film Festival 2018

View other Glasgow Short Film Festival Films by strand: Apichatpong Weerasethakul all-nighter, Blueprint: Scottish Independent Shorts, Death And Killing In Southeast Asia, Don Hertzfeldt: World of Tomorrow 1 & 2, International Competition 1: Paint Your Own Reality, International Competition 2: Freedom of Choice, International Competition 3: Dream of a Glorious Return, International Competition 4: Parched Land, International Competition 5: Treading Water, International Competition 6: Where You Look From, Kevin Jerome Everson 3, Ladies of the Night, NFTS Scotland presents Eva Riley, Round Midnight 2: Violence, Scottish Competition 1: Take My Hand, Scottish Competition 2: The Point is to Change It, Scottish Competition 3: Foreign to the World, Ten Years of Film G

Call Of Cuteness (Country: Germany; Year: 2017; Director: Brenda Lien)
All that is normally kept out of sight gets back to us in this consumerist nightmare.
Hot Winter: A Film By Dick Pierre (Country: US; Year: 2016; Director: Jack Henry Robbins; Writer: Nunzio Randazzo, Jack Henry Robbins)
One of the first films in American cinema to address climate change was also a hardcore porno, we are told.
Islands (Country: France; Year: 2017; Director: Yann Gonzalez)
Characters wander through an erotic maze of love and desire.
Rough (Country: UK; Year: 2017; Director: Paul McGinness)
A down-and-out romantic attempts to win back his disinterested ex-girlfriend by babysitting her beloved old dog for the weekend.
Six God Alphabet Peter (Country: UK; Year: 2016; Director: Peter Millard)
Learning the alphabet taken to extremes.
Shadow Animals (Country: Sweden; Year: 2017; Director: Jerry Carlsson)
As the party progresses, Marall finds the adults’ behaviour increasingly strange. She also seems to be the only one who sees a shadow.
Umbilical Glue (Country: UK; Year: 2017; Director: Bryan M Ferguson)
Olga struggles to figure out her bizarre interest in umbilical cords until she discovers a gang of punk navel enthusiasts.
News

Filming sensations Mathieu Amalric on Pierre Léon, Jeanne Balibar and the sounds and colours of Barbara

Character arc Seth A Smith on filming with a two-year-old and bringing marbling to life in The Crescent

Keeping up appearances Marcello Martinessi on cultural conservatism and filmmaking honesty in The Heiresses

A different space Kelly Macdonald on working with Marc Turtletaub on Puzzle

Out of the past Susanna Nicchiarelli on Trine Dyrholm and the costume design in Nico, 1988

The iconic man Jonathan Baker on Becoming Iconic and Inconceivable

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