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Unnatural colours
by Jennie Kermode
Jenn Wexler on punk movies, Chloe Levine and making The Ranger
Frightfest: five films to look forward to
by Jennie Kermode
What to watch out for at this year's festival
Deepening the mystery
by Anne-Katrin Titze
Mathieu Amalric and Jeanne Balibar on Barbara and Balibar's Merveilles À Montfermeil
Filming sensations
by Anne-Katrin Titze
Mathieu Amalric on Pierre Léon, Jeanne Balibar and the sounds and colours of Barbara
Character arc
by Jennie Kermode
Seth A Smith on filming with a two-year-old and bringing marbling to life in The Crescent
The power of a uniform
by Anne-Katrin Titze
Robert Schwentke on his Hollywood career, Stanley Kubrick, JG Ballard and The Captain
Keeping up appearances
by Amber Wilkinson
Marcello Martinessi on cultural conservatism and filmmaking honesty in The Heiresses
A different space
by Anne-Katrin Titze
Kelly Macdonald on working with Marc Turtletaub on Puzzle
Inner chaos
by Anne-Katrin Titze
Trine Dyrholm on the costumes for Nico, 1988, Ruth Berlau and Bertolt Brecht, and Astrid Lindgren
States of mind
by Anne-Katrin Titze
Trine Dyrholm on getting know Nico and Susanna Nicchiarelli's vision for Nico, 1988
Out of the past
by Anne-Katrin Titze
Susanna Nicchiarelli on Trine Dyrholm and the costume design in Nico, 1988
The power of ellipsis
by Anne-Katrin Titze
Kent Jones on Mary Kay Place and the objects in Diane
Being confrontational
by Anne-Katrin Titze
Robert Schwentke on German cinema, Carl Zuckmayer, Emil Jannings and The Captain
In there somewhere
by Anne-Katrin Titze
Kelly Macdonald on her character in Marc Turtletaub's Puzzle
The iconic man
by Jennie Kermode
Jonathan Baker on Becoming Iconic and Inconceivable
Everyday poetry
by Anne-Katrin Titze
Marc Turtletaub on Mike Leigh, Alfonso Cuarón, and the screenplay and locations for Puzzle
Changing perspectives
by Jennie Kermode
Lora Burke talks about making Lifechanger
Eye for detail
by Anne-Katrin Titze
Lisa Immordino Vreeland on Rupert Everett, Leslie Caron and George Cukor in Love, Cecil
For the love of lemurs
by Emilia Rolewicz
Mark C Smith on taking the plunge into stop-motion animation with Two Balloons
The image maker
by Anne-Katrin Titze
Tiffany Bartok on Isabella Rossellini, Tori Amos and Larger Than Life: The Kevyn Aucoin Story
Filming family
by Amber Wilkinson
Cyril Aris talks about documenting his grandparents' lives in The Swing
A sixth sense
by Anne-Katrin Titze
David Frenkel discusses the subjects of Claude Lanzmann's The Four Sisters
Faith on the doorstep
by Amber Wilkinson
Amy Geller and Gerald Peary on their upcoming documentary The Rabbi Goes West
Point of view
by Anne-Katrin Titze
Whit Stillman on adapting Jane Austen and soundtracking The Last Days Of Disco
Survivors
by Anne-Katrin Titze
David Frenkel on Claude Lanzmann and The Four Sisters
Creative spirit
by Andrew Robertson
Haifaa Al-Mansour takes a feminist perspective on Mary Shelley
Five films to catch at Fantasia
by Jennie Kermode
Highlights of the Montreal festival
Arnaud Desplechin honours Claude Lanzmann
by Anne-Katrin Titze, Arnaud Desplechin
"An immense artist just left us"
Scarlett’s inferno of the vanities
by Dr Charlie Oughton
Could Scarlett Johansson playing a real-life trans man improve representation?
Gardens in time
by Anne-Katrin Titze
Piet Oudolf and Thomas Piper on Five Seasons: The Gardens Of Piet Oudolf
Creating within constraints
by Anne-Katrin Titze
Whit Stillman on Stanley Kubrick, Barcelona, The Last Days Of Disco, Eyes Wide Shut and Barry Lyndon
Elliptical in nature
by Anne-Katrin Titze
David Zellner and Nathan Zellner on Damsel
Linklater - still king of the indies
by Richard Mowe
Director talks roots, inspiration, Cate Blanchett, and Hollywood
All sing-a-long with Robbins
by Richard Mowe
Oscar winner on music, #MeToo, controversy, and dreams
Robbins on the barricades in Karlovy Vary
by Richard Mowe
Shawshank star laments return to bullying, intolerance and oppression
Race against time
by Jennie Kermode
Finlay Pretsell on cycling, David Millar and Time Trial
A world upside down
by Anne-Katrin Titze
Lisa Immordino Vreeland on Love, Cecil and the legacy of Cecil Beaton
Making up is hard to do
by Anne-Katrin Titze
Tiffany Bartok on Larger Than Life: The Kevyn Aucoin Story
A dimension of complexity
by Anne-Katrin Titze
David Zellner and Nathan Zellner on Robert Pattinson, Mia Wasikowska, cowboy ballads and Damsel
Epic in scope
by Anne-Katrin Titze
David Zellner and Nathan Zellner on Damsel
Unreal belonging
by Amber Wilkinson
Gustavo Pizzi and Karine Teles discuss Loveling and portraying families on screen
Time travelling
by Anne-Katrin Titze
Michael Mayer on a Pharrell Williams film, Head Over Heels, and Adam Driver in Burn This
EIFF highlights
by Amber Wilkinson
Six of the best at this year's fest
Making Mayhem
by Jennie Kermode
Joe Lynch on Steven Yeun, Samara Weaving and why you should quit your job
Infusing spirit
by Anne-Katrin Titze
Alexandre Moors on Tye Sheridan, Alden Ehrenreich, Annie Beauchamp and The Yellow Birds
The threshold move
by Anne-Katrin Titze
Denis Lavant turns the pages of The Mountain
In the crosshairs
by Anne-Katrin Titze
Alexandre Moors on bringing The Yellow Birds to the screen
Making Babies
by Jennie Kermode
Joanne Mitchell on her love of horror, awesome women and Attack Of The Adult Babies
A great communicator
by Anne-Katrin Titze
Wim Wenders on the refugee crisis, the power of nature, and Pope Francis: A Man Of His Word
Not a serious place
by Anne-Katrin Titze
Matthew Miele on George Clooney, Bobby Short, Bill Murray, Alan J Pakula and Always At The Carlyle
News

A different language Bi Gan on his creative process, abstraction, discomfort and Resurrection

Love without power Liz Rao on the dangers of growing up in small town America, and The Truck

Naughty or nice? Mike P Nelson on remaking Silent Night, Deadly Night

World of difference Sarah Goher on exploring the life of a child maid through a little girl's eyes in Happy Birthday

Best International Feature Film Oscar contenders announced Outspoken filmmakers stand out in close competition

Oscar short film longlist revealed Filmmakers contend for career-making opportunity

One Battle After Another tops London Critics' Circle Film Awards nominations Hamnet not far behind

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