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A long way home
by Anne-Katrin Titze
Frank W Chen on Late Life: The Chien-Ming Wang Story
Meant to be
by Anne-Katrin Titze
Paul Auster on his Lulu on the Bridge screenplay, Wim Wenders and Juliette Binoche
Halloween horrors
by Jennie Kermode
Spooky goings-on at cinemas around the UK
Keeping it real
by Anne-Katrin Titze
Matt Tyrnauer on Valentino Garavani, Citizen Jane, Michael Jackson and Studio 54
A postcard from La Mostra De Valencia
by Amber Wilkinson
We report from the newly reborn Spanish festival
'You cannot reach the weirdness of reality'
by Amber Wilkinson
Screenwriter Efthymis Filippou on his career, collaborations and approach to film
Cover story
by Anne-Katrin Titze
Dolly Wells on directing Emily Mortimer, bookshops, and Jane Curtin and Melissa McCarthy in Can You Ever Forgive Me?
Reacting to the camera
by Anne-Katrin Titze
Ruth Beckermann on the Waldheim family, historians, archive footage and The Waldheim Waltz
Rhapsody in red
by Amber Wilkinson
Peter Strickland on dreaming through films and In Fabric
Finding strength
by Jennie Kermode
Janae Marie Kroczaleski on bodybuilding, gender transition and Transformer
A less innocent nature
by Anne-Katrin Titze
Ruth Beckermann on The Waldheim Waltz, Austria's Oscar submission
Taking the lead
by Jennie Kermode
Oris Erhuero on Redcon-1, modelling, acting, producing and making dreams into reality
The letter writer
by Anne-Katrin Titze
Dolly Wells on Can You Ever Forgive Me?
A love story
by Anne-Katrin Titze
Julian Schnabel and Jean-Claude Carrière on paintings, movement and At Eternity's Gate
Where there's life
by Jennie Kermode
Mark Gillis on casting Sink, creating chemistry and finding hope and humour in difficult situations
The hour of the wolf
by Anne-Katrin Titze
Margarethe von Trotta on Searching For Ingmar Bergman
A postcard from Antalya Film Festival
by Damon Wise
Less is more at boutique showcase.
That sinking feeling
by Jennie Kermode
Mark Gillis on the 2008 crash, life on council estates and developing Sink
Ahead of her time
by Anne-Katrin Titze
Wash Westmoreland on Richard Glatzer, Andrea Flesch and the relationships in Colette
Stretching the limits
by Jennie Kermode
Chee Keong Cheung on Redcon-1 and how to make a blockbuster on a shoestring
Campfire stories
by Anne-Katrin Titze
Joel and Ethan Coen on working with animals in The Ballad Of Buster Scruggs
Binoche out of this world
by Amber Wilkinson
High Life star on creating character and feeling fear
The end of an era
by Anne-Katrin Titze
Matt Tyrnauer on his new documentary about Studio 54
Pattinson's High Life
by Amber Wilkinson
Actor on challenges and rewards of Claire Denis' space drama
Playing favourites
by Anne-Katrin Titze
Yorgos Lanthimos, Emma Stone, Olivia Colman, Nicholas Hoult, Joe Alwyn and Tony McNamara on The Favourite
Judi Dench says Kevin Spacey should not have been cut from film
by Amber Wilkinson
Star speaks out about her 'good friend'
Dancing through life
by Amber Wilkinson
Carlos Acosta on ballet and biopic Yuli
56th New York Film Festival early bird highlights
by Anne-Katrin Titze
They’ll Love Me When I’m Dead, Wildlife, Maria By Callas and Non-Fiction (Doubles Vies)
Comedy at the double
by Amber Wilkinson
Louis Garrel and Jean-Claude Carrière on writing A Faithful Man together
Various guises
by Anne-Katrin Titze
Nicholas Wright and Michael Mayer on Hitchcock, Marnie and The Metropolitan Opera
Fragmented vision
by Jennie Kermode
Camille Thoman on art, control, chaos, Mireille Enos, Sam Shepard and Never Here
Inside the London Korean Film Festival
by Owen Van Spall
An in-depth look at this year's line-up
Circularity of the moments
by Anne-Katrin Titze
Luke Davies on co-scripting Felix van Groeningen's Beautiful Boy
Prison of life
by Amber Wilkinson
Sarah Marx talks about drama The Truk
An emotional journey
by Annemarie Jacir
Annemarie Jacir on fathers and sons in Wajib
All fired up
by Amber Wilkinson
Director Sameh Zoabi on politics and comedy in his satire Tel Aviv On Fire.
After the end of the world
by Jennie Kermode
Carolina Hellsgård discusses her fresh take on rotting zombies in Ever After
Studying Venus
by Jane Fae
Eisha Marjara talks about truth and relationships in her film
The Sisters Brothers, Sunset, Non-Fiction, The Mountain, Dragged Across Concrete, Charlie Says and Vox Lux
by Damon Wise
Our second slice of action from Venice Film Festival
Stealing the show
by Amber Wilkinson
Bart Layton and the cast of American Animals talk about the thrills and spills of making fiction from fact
Venice 2018: First Man, Peterloo, The Favourite, Roma, The Ballad Of Buster Scruggs and Suspiria
by Damon Wise
Heavy-hitting directors get festival off to a high profile start
The public Eye
by Amber Wilkinson
C'est La Vie! star Haïdara on the art of comedy, her rising career and fighting racial stereotypes
Seeing a progression
by Anne-Katrin Titze
Marc Turtletaub on Kelly Macdonald, Irrfan Khan, David Denman and Puzzle
Capturing the action
by Jennie Kermode
Chris Collier on making FrightFest: Beneath The Dark Heart Of Cinema
VHS forever
by Jennie Kermode
Kristian A Söderström on tapes, addiction, open endings and Videoman
Pretty in pink
by Jennie Kermode
Chloe Levine on punk, physicality and taking on The Ranger
Scarred lives
by Jennie Kermode
Jon Knautz discusses working with Alexis Kendra on The Cleaning Lady
Fatal fashion
by Jennie Kermode
Ezequiel Endelman on glamour, giallo and an imaginary Buenos Aires in Crystal Eyes
In the arena
by Jennie Kermode
Evan Cecil on rodeo horror, older characters and Lasso
They're all there
by Anne-Katrin Titze
Isabel Coixet and Emily Mortimer on John Berger and The Bookshop
News

A different language Bi Gan on his creative process, abstraction, discomfort and Resurrection

Love without power Liz Rao on the dangers of growing up in small town America, and The Truck

Naughty or nice? Mike P Nelson on remaking Silent Night, Deadly Night

World of difference Sarah Goher on exploring the life of a child maid through a little girl's eyes in Happy Birthday

Best International Feature Film Oscar contenders announced Outspoken filmmakers stand out in close competition

Oscar short film longlist revealed Filmmakers contend for career-making opportunity

One Battle After Another tops London Critics' Circle Film Awards nominations Hamnet not far behind

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