Eye For Film >> News & Feature Stories >> Feature Story Archive

A sensory experience
by Anne-Katrin Titze
Kate Novack and Andrew Rossi on kaleidoscope eyes and The Gospel According To André
Drawing breath
by Anne-Katrin Titze
Simon Baker on the ocean, identity and making Breath
The many faces of Marion
by Richard Mowe
Piaf actress on Ismael's Ghosts, freedom, family and #MeToo
Remembrances
by Anne-Katrin Titze
Whit Stillman on dogs, owls, lost possessions and The Last Days Of Disco
Bodies in the water
by Anne-Katrin Titze
Simon Baker on fathers, sons, a rescue dog and Breath
Emotional response
by Amber Wilkinson
Marta Bergman on the heroine's journey in Alone At My Wedding
Art on screen
by Jennie Kermode
Phil Grabsky on I, Claude Monet and the stories that bring art to life
After the carnival
by Anne-Katrin Titze
Wim Wenders on symbols of Catholicism and Pope Francis: A Man Of His Word
Birds of a feather
by Anne-Katrin Titze
Michael Mayer on Nico Muhly, remembering the past, and a Hamlet scene not shot for The Seagull
These are the words
by Anne-Katrin Titze
Wim Wenders on his first meeting for Pope Francis: A Man Of His Word
Kubrick in the spotlight
by Anne-Katrin Titze
Leon Vitali on Stanley Kubrick, Filmworker and working with children and animals
Spider Man in the Hollywood Hills
by Richard Mowe
David Robert Mitchell serves up a Los Angeles noir thriller in Cannes
Taking wing
by Anne-Katrin Titze
Michael Mayer on Annette Bening, Saoirse Ronan, Elisabeth Moss, Brian Dennehy and The Seagull
Spike Lee puts Trump in Cannes firing line
by Richard Mowe
Charlottesville riot provides powerful coda to film
Cutting comments
by Anne-Katrin Titze
Lisa Immordino Vreeland on Katharine Hepburn, Coco Chanel and Cecil Beaton
In Focus
by Anne-Katrin Titze
Leon Vitali on Stanley Kubrick and Filmworker
Honoré goes back to the future
by Richard Mowe
Director on sex in the Nineties, nudity, seduction and desire
The human touch
by Anne-Katrin Titze
Matthew Miele on Always At The Carlyle
Mulligan detects hope on the horizon
by Richard Mowe
Wildfire star on pay parity and workplace etiquette
Scaling the heights
by Jennie Kermode
Jennifer Peedom on working with the Australian Chamber Orchestra on Mountain
How Cruz and Bardem split life and work
by Richard Mowe
Farhadi wrote Cannes opener roles with couple in mind
Coming back to life
by Jennie Kermode
David Freyne on zombies, political populism and The Cured
The storyteller
by Anne-Katrin Titze
Andrew Bolton on Heavenly Bodies: Fashion and the Catholic Imagination
Blanchett seeks a winner with durability
by Richard Mowe
Cannes jury president talks gender balance and awards
'68: A Long Time Coming
by Anne-Katrin Titze
Volker Schlöndorff on the famous student protests, individuals and the tides of history
Outrageous rumours
by Jennie Kermode
P David Ebersole and Todd Hughes on Jayne Mansfield, Pierre Cardin and making Mansfield 66/67
Portrait of a lady and a city
by Anne-Katrin Titze
Fabien Constant on Sarah Jessica Parker and the team behind Blue Night
Strangers on a train
by Jennie Kermode
Tanna Frederick on telling true stories, understanding bigotry, and Train To Zakopané
Reconstructed heroine
by Anne-Katrin Titze
Susanna Nicchiarelli on exploring character in Nico, 1988
Style and grace
by Anne-Katrin Titze
Kate Novack and Andrew Rossi on The Gospel According To André
The romance of the other
by Jennie Kermode
Xavier Gens on feminism, colonialism and the challenges of filming Cold Skin
On the road again
by Anne-Katrin Titze
Kent Jones on Tribeca award winner Diane
A devastating chain of events
by Anne-Katrin Titze
Danfung Dennis and Eric Strauss on This Is Climate Change segment Feast
Putting island in doc
by Amber Wilkinson
Gabrielle Brady on the challenges of shooting Island Of The Hungry Ghosts
True colours
by Anne-Katrin Titze
Pietra Brettkelly and Carmen Dell’Orefice on Yellow Is Forbidden
Good grief
by Anne-Katrin Titze
Alessandro Nivola on Matthew Broderick, Géza Röhrig and To Dust
Accidental metamorphosis
by Anne-Katrin Titze
Serge Bozon on Romain Duris, superheroes, Bertolt Brecht and Mrs. Hyde
Island life
by Jennie Kermode
David Oakes on Xavier Gens, HP Lovecraft, sex, monsters and Cold Skin
Feeling the character
by Anne-Katrin Titze
Alessandro Nivola on The Art Of Self-Defense and The Red Sea Diving Resort
Waking Nosferatu
by Jennie Kermode
Mark Rance on the restoration of a vampire classic
A man walks into a bar
by Anne-Katrin Titze
Charles Schumann on fashion, boxing and Bar Talks By Schumann
Being in a timeless state
by Anne-Katrin Titze
Bruno Dumont on Jeannette, The Childhood Of Joan Of Arc and filming the natural world
A dark education
by Jennie Kermode
Josh Saco talks about his work with the Miskatonic Institute of Horror Studies
Breaking the rules
by Anne-Katrin Titze
Alessandro Nivola on Disobedience and the rise of films about women
Tribeca Film Festival early bird highlights
by Anne-Katrin Titze
Diane, Disobedience, The Gospel According To André, and Nico, 1988
Actors’s pride for 120 Beats Per Minute
by Richard Mowe
Award-winner Biscayart on sexuality, activism and the pink condom
Among the Faroes
by Jennie Kermode
Mike Day talks about tradition, ethics and the danger involved in making The Islands And The Whales
The magic of discovery
by Anne-Katrin Titze
James Crump on Bill Cunningham and Antonio Lopez 1970: Sex Fashion & Disco
Dancing with the past
by Anne-Katrin Titze
Arnaud Desplechin and Mathieu Amalric on music and dancing in Ismael’s Ghosts: Director’s Cut
Jeanne’s love affair with Barbara
by Richard Mowe
César best actress Balibar on becoming a musical legend in Barbara
News

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Best International Feature Film Oscar contenders announced Outspoken filmmakers stand out in close competition

Oscar short film longlist revealed Filmmakers contend for career-making opportunity

One Battle After Another tops London Critics' Circle Film Awards nominations Hamnet not far behind

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