Glasgow Short Film Festival 2019

View other Glasgow Short Film Festival Films by strand: Bill Douglas 3: Mom and Pop, Bill Douglas Award 1: Four Walls, Bill Douglas Award 2: Edgelands, Bill Douglas Award 5: Possible Worlds, Bill Douglas Award 6: C:\Lose Yourself, Blueprint: B-Roll, Blueprint: Scottish Independent Shorts, First Reels 1: Dreamers, Galas, Scared Shortless, Scottish Competition 1, Scottish Competition 2: Lost in the Flood, Short Matters! 1

4:3 (Country: UK; Year: 2019; Director: Ross Hogg)
Twelve animated films develop a rhythmic dialogue exploring the relationship between sound, image and movement using 16mm film, paint and a projector.
Collision Index (Country: UK; Year: 2017; Director: Duncan Marquiss)
The eccentric collection of the McManus Museum in Dundee is reorganised into a new analogical composition that tests new and unexpected relationships between things.
Crannog (Country: UK; Year: 2018; Director: Isa Rao)
Nobody should have to die alone. A contemplation on life, death and kindness.
Dogma (Country: UK; Year: 2018; Director: Francesco Rufini)
Exploring dog-lovers' obsession and their life inside the bubble of dog shows. How far do we go in striving for success - and who do we become?
Mum's Cards (Country: UK; Year: 2018; Director: Luke Fowler)
The filmmaker's mother, a sociologist, used index cards throughout her career to make notes on all that she read. Now that she no longer has an office her house is filled with these cards.
Song For Granny (Ein Lied Für Oma) (Country: UK; Year: 2018; Director: Holger Mohaupt)
A short film about the triggers of memory inspired by the life of the filmmaker’s mother and her passion for art.
Ululation (Country: UK; Year: 2018; Director: Carina Haouchine)
A filmmaker from Scotland tries to understand what it means to be between two cultures by spending time with the women in her Algerian family.
You Know It But It Don't Know You (Country: UK; Year: 2017; Director: Tako Taal)
Images of students are paired with a commentary of Mandinka words and their English translations taken from a list written by the filmmaker's grandmother in 1986.

Filming sensations Mathieu Amalric on Pierre Léon, Jeanne Balibar and the sounds and colours of Barbara

Character arc Seth A Smith on filming with a two-year-old and bringing marbling to life in The Crescent

Keeping up appearances Marcello Martinessi on cultural conservatism and filmmaking honesty in The Heiresses

A different space Kelly Macdonald on working with Marc Turtletaub on Puzzle

Out of the past Susanna Nicchiarelli on Trine Dyrholm and the costume design in Nico, 1988

The iconic man Jonathan Baker on Becoming Iconic and Inconceivable

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