William Friedkin dies at 87

Exorcist director remembered for his style and energy

by Jennie Kermode

William Friedkin, subject of a Cannes master-class this year, pictured here with his wife Sherry Lansing at the Karlovy Vary International Film Festival
William Friedkin, subject of a Cannes master-class this year, pictured here with his wife Sherry Lansing at the Karlovy Vary International Film Festival Photo: Courtesy of Karlovy Vary International Film Festival

William Friedkin, director of The Exorcist, The French Connection, Rules Of Engagement and more, died today at the age of 87, according to his wife, the producer Sherry Lansing.

Born in Chicago to a Jewish Ukrainian immigrant family, Friedkin fell in love with Citizen Kane in his mid twenties and became entranced by the idea of filmmaking. He worked his way up through a TV studio, focusing on documentaries before firmly establishing his artistic credential with the first screen adaptation of Harold Pinter's The Birthday Party, followed in 1970 by The Boys In The Band.

Friedkin had a long and complicated career, in which he constantly pushed at the limits of what cinema was willing to take on. In 1980 he made Cruising with Al Pacino, taking on issues around homosexuality and homophobia in an age when these topics were pointedly excluded from most mainstream media. In 2006, his Bug, which provided a breakthrough role for Michael Shannon, invited viewers to empathise with a couple falling in love in a landscape of schizoid hallucinations. His 2011 film Killer Joe took on still more difficult territory, with an adolescent girl (played by Juno Temple) given as a hostage to a hitman during a murderous family insurance scam.

In 2014, Friedkin joined Eye For Film's Richard Mowe to reflect on his career and his passion for cinema.

The much admired director is remembered not only for his provocative choice of subjects but for his striking imagery and the skill with which he managed tension.

Friedkin is survived by Lansing and by his two sons, Cedric and Jack.

Share this with others on...
News

New eyes on Old Hollywood How images of Bette Davis, Joan Crawford and Rita Hayworth inspired Pretty Babies

Lost Boys Wayne Wapeemukwa on drawing on reality for Manhunt while avoiding a true crime approach

Serious about comedy Louis Paxton on grounding the humour of The Incomer in darker elements

That shrinking feeling Shivek Gupta and Syed Shadan on the Mumbai housing market and Chaar Diwaari

A woman who didn't belong Anna Cazenave Cambet on working with Vicky Krieps in Love Me Tender

A dialogue of parchment and celluloid Jean-Jacques Annaud on Umberto Eco and The Name Of The Rose

More news and features

We're bringing you reviews and more from the Locarno Film Festival.



We're looking forward to the Edinburgh International Film Festival and Frightfest.



We've recently brought you coverage of the Fantasia International Film Festival, the Karlovy Vary International Film Festival, the Muslim International Film Festival, Docs Ireland, Sheffield DocFest, ImagineNative, Tribeca and Cannes.



Read our full for more.


Visit our festivals section.

Interact

Don't forget that you can follow us on YouTube for trailers of festival films and more. You can also find us on Mastodon and Bluesky.


It's a busy time for festivals and here's the latest:


EIFF Gets back its mojo


Locarno Isabella Rossellini receives Excellence Award


London Jesse Eisenberg's The Debut to close festival


San Sebastian announces José Giovanni retrospective


Dinard Amira Casar to head jury, plus opening film announced