LFF jury loves Loveless

The Wound and Kingdom Of Us also honoured

by Amber Wilkinson

Loveless won the Official Competition
Loveless won the Official Competition Photo: Courtesy of San Sebastian Film Festival
Russian drama Loveless, directed by Andrey Zvyagintsev, was announced as the Official Competition winner at London Film Festival last night.

The First Feature Sutherland Award went to John Trengove for his coming-of-age drama The Wound.

Loveless, which tells the story of a divorcing couple whose son disappears, was praised by the jury, who said: "The filmmaker elevated the personal to a social and political statement."

It marks the second time Zvyagintsev has won the top award at the festival, after he took home the prize for Leviathan in 2014.

They also commended Palestinian family drama Wajib. They said: "Sometimes funny and often sad, we loved the glimpse into the lives of ordinary Christian Arabs in Nazareth.”

Speaking about The Sutherland Award winner, which sees sexual repression and coming of age form a dangerous cocktail in a small community, the jury said: "Among a strong field of debut features, we found ourselves enamoured by the urgency, vitality and originality of The Wound. Director John Trengove and his terrific cast have created a dynamic and inimitable coming-of-age story that takes a heartbreaking look at masculinity and sexuality."

They gave a special mention to the "beautiful and person" Summer 1993, by Carla Simón.

The Grierson Award for best documentary went to Lucy Cohen's Kingdom Of Us, which charts how a family cope after their father commits suicide.

The jury said: "It captures an extraordinary level of family intimacy in its delicate exploration of grief and memory."

They also commended Makala, directed by Emmanuel Gras, and hybrid Before Summer Ends, directed by Maryam Goormaghtigh.

The Rabbit Hunt, directed by Patrick Bresnan, was named Best Short Film.

The jury said: “We were unanimously impressed by Patrick Bresnan's verité documentary The Rabbit Hunt. The film is a thrilling look at one family's otherwise everyday hustle, and is proof that farm-to-table eating doesn't have to be a bourgeoisie exercise. We admired its agility, its confidence and its refusal to judge its enterprising subjects, and are excited to see what Bresnan does next."

They gave special mentions to Scaffold (Kazik Radwanski), Martin Cries/Martin Pleure (Jonathan Vinel) and the performance of Deborah Zebeda in Laws Of The Game (Aegina Brahim).

Paul Greengrass also accepted his BFI Fellowship, as previously announced.

Share this with others on...

Epic in scope David Zellner and Nathan Zellner on Damsel

Unreal belonging Gustavo Pizzi and Karine Teles discuss Loveling and portraying families on screen

Time travelling Michael Mayer on a Pharrell Williams film, Head Over Heels, and Adam Driver in Burn This

EIFF highlights Six of the best at this year's fest

Making Mayhem Joe Lynch on Steven Yeun, Samara Weaving and why you should quit your job

Infusing spirit Alexandre Moors on Tye Sheridan, Alden Ehrenreich, Annie Beauchamp and The Yellow Birds

Don Quixote takes a tilt at Karlovy Vary Gilliam, Robbins and Paquin head final Festival guest round-up

More news and features


We're stepping back in time for our latest competitions. Win a copy of Aardman Animation's prehistoric football adventure Early Man or the new 4K restoration of war classic The Dam Busters on DVD.