Eye For Film >> Festivals >> A-Z >> London Film Festival >> 2019
Returning for its 63rd edition from October 2 to 13, the London Film Festival opened with Armando Iannucci's The Personal History of David Copperfield and closes with Martin Scorcese's The Irishman. The full programme will be announced on August 29.
View Films by Strand:
- Documentary Competition
- First Feature Competition
- Headline Galas
- Official Competition
- Special Presentations
View previous years coverage of the London Film Festival festival:
London Latest Reviews
The story of a woman living with her puritanical husband in 17th Century Shropshire and the two strangers who cause upheaval in her world.
She roams the neighbourhood with her best friend, attempts to fall in love, is sent to the hospital with an unclear diagnosis. Untethered from the wider world, 14-year-old Eun-hee floats through Seoul.
Courtroom drama about a teenager caught up in a murder case.
Puppeteers Judy and Punch are trying to resurrect their marionette show. The show is a hit due to Judy's superior puppeteering but Punch's driving ambition and penchant for whisky lead to a inevitable tragedy that Judy must avenge.
Thriller centring on the disappearance of a woman.
Film noir sees a corrupt cop learn a whistling language to beat detection while trying to double-cross the mob.
Thriller about a crime enforcer for a clan of drug dealers, while also trying to be a good father to his autistic son.
After a man dies in a car accident, time seems to lose all meaning for the residents of a small town... and then strangers begin to appear.
Drama following a conscript through his military service in the South African Defence Force in the 1980s.
Documentary charting the gentrification of a street in London's Hoxton, where locals face being priced out.
London Film Festival Features
London Film Festival News
Filming sensations Mathieu Amalric on Pierre Léon, Jeanne Balibar and the sounds and colours of Barbara
Character arc Seth A Smith on filming with a two-year-old and bringing marbling to life in The Crescent
Keeping up appearances Marcello Martinessi on cultural conservatism and filmmaking honesty in The Heiresses
A different space Kelly Macdonald on working with Marc Turtletaub on Puzzle
Out of the past Susanna Nicchiarelli on Trine Dyrholm and the costume design in Nico, 1988
The iconic man Jonathan Baker on Becoming Iconic and Inconceivable
Eye For Film continues to support festivals both locally and across the world. At the moment, we're covering:
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