Eye For Film >> News & Feature Stories >> Feature Story Archive

Behind the mask
by Jennie Kermode
Julien Maury and Alexandre Bustillo on taking on the legacy of Leatherface
The thing about evil
by Anne-Katrin Titze
Roberto Andò on Alfred Hitchcock, JK Rowling, Heiligendamm and The Confessions
Understanding Céline
by Anne-Katrin Titze
Emmanuel Bourdieu on Denis Lavant, Grégoire Hetzel and Louis-Ferdinand Céline
FIPRESCI Colloquium on Russian Cinema
by Amber Wilkinson
Putting the current crop of filmmakers into context in St Petersburg.
The apple of his eye
by Anne-Katrin Titze
Arnaud Desplechin on Lacan, Rilke, Hitchcock, Philip Roth, and Ismael’s Ghosts: Director’s Cut
Word play
by Anne-Katrin Titze
Denis Lavant on M Merde, language and counting cats
Lior Ashkenazi on 2018
by Anne-Katrin Titze
Star talks 7 Days In Entebbe, My Zoe, and The Wanderers: The Quest Of The Demon Hunter
Heritage, opera and war
by Anne-Katrin Titze
Don Rosenfeld on the Cook sisters and working with Emma Thompson and Cate Blanchett
Taking the waters
by Anne-Katrin Titze
Samuel Maoz and Lior Ashkenazi on Foxtrot
World of difference
by Amber Wilkinson
Writer/producer Alex Lipschultz on the challenges of making Menashe
Self-invented woman
by Anne-Katrin Titze
Alexandra Dean on style and substance in Bombshell: The Hedy Lamarr Story
The butterfly
by Anne-Katrin Titze
Stéphanie Di Giusto on Loïe Fuller, The Dancer and scaring Harvey Weinstein
Artistic relations
by Anne-Katrin Titze
Denis Lavant on Samuel Beckett, Leos Carax and Caroline Champetier
The underside of history
by Anne-Katrin Titze
Gay Talese on The Voyeur's Motel, Voyeur, and what the voyeur saw
Making Matilda
by Amber Wilkinson
Aleksey Uchitel on his Russian costume drama and the controversy surrounding it.
Creating Closeness
by Amber Wilkinson
Director Kantemir Balagov on framing and reality in his Russian drama
Making a box office Attraction
by Amber Wilkinson
Fedor Bondarchuk on his science-fiction film
Wild ideas
by Jennie Kermode
Travis Stevens on 68 Kill, music, pulp fiction and the terrors of Louisiana
Cinema, culture and modernity
by Anne-Katrin Titze
Olaf Möller on Helmut Käutner, Wolfgang Staudte and Harald Braun
History and destiny
by Anne-Katrin Titze
Olaf Möller on The Lost Years of German Cinema: 1949–1963
Getting with the programme
by Anne-Katrin Titze
Jairus McLeary on The Work and giving prisoners a future
Highlights of Russian Film Week
by Amber Wilkinson
We pick four of the best from London fest.
Out of sight
by Jennie Kermode
Jasmine Hyde on taking on The Unseen
Orbital dynamics
by Jennie Kermode
Charlotte Sullivan on Radius and the challenges of playing an amnesiac
DOC NYC 2017: encore highlights
by Anne-Katrin Titze
Larger Than Life: The Kevyn Aucoin Story, Sammy Davis, Jr.: I've Gotta Be Me, Rebels On Pointe, Antonio Lopez 1970: Sex Fashion & Disco
Style illustrated
by Anne-Katrin Titze
James Crump on Antonio Lopez 1970: Sex Fashion & Disco
Battling extinction
by Jennie Kermode
Kate Brooks on The Last Animals and the fight to save elephants and rhinos
Lost in time
by Anne-Katrin Titze
Hampton Fancher on beauty, evil, and writing Blade Runner for Robert Mitchum
The homecoming
by Jennie Kermode
Ariadne Asimakopoulos and Maartje Wegdam on No Place For A Rebel
Light and the darkness
by Anne-Katrin Titze
Caroline Champetier on Hannah Arendt, Margarethe von Trotta, Claude Lanzmann and the subject of evil
Halloween happenings
by Jennie Kermode
Spooky goings-on in UK cinemas
DOC NYC 2017: Early bird highlights
by Anne-Katrin Titze
Jane, Blue Velvet Revisited, KEDi and Faces Places
The skin she lives in, part two
by Jennie Kermode
Norbert Keil on gore scenes and the incredible visuals in Replace.
A complicated woman
by Anne-Katrin Titze
Isabelle Huppert on torturing teachers and playing Mrs Géquil and Mrs Hyde
A hell of a ride
by Jennie Kermode
Stuart Conran looks back at Hellraiser and the start of his special effects career
Among the apes
by Anne-Katrin Titze
Jane Goodall and Brett Morgen on documenting chimpanzees
Horse sense
by Anne-Katrin Titze
Chloé Zhao and Brady Jandreau on The Rider
The skin she lives in, part one
by Jennie Kermode
Norbert Keil on the terror of ageing, memory loss and working with Rebecca Forsythe on Replace
The dreamers of dreams
by Anne-Katrin Titze
Arnaud Desplechin and Mathieu Amalric on Ismael’s Ghosts: Director’s Cut
Inside Headfort
by Anne-Katrin Titze
Neasa Ní Chianáin and David Rane on the children of Headfort and filming School Life
Reformed character
by Anne-Katrin Titze
Paul Schrader on First Reformed and asking "What would Tarkovsky do?"
Meeting the Meyerowitzes
by Anne-Katrin Titze
Rebecca Miller on working with Adam Sandler in The Meyerowitz Stories (New And Selected)
Hostages to fortune, part two
by Jennie Kermode
More from Lora Burke and Robert Notman on Poor Agnes
Inside The Process
by Anne-Katrin Titze
Rebecca Miller talks about her father and Arthur Miller: Writer
The time of the harvest moon
by Anne-Katrin Titze
Serge Bozon on Mrs Hyde and a First Encounter
Hostages to fortune, part one
by Jennie Kermode
Lora Burke and Robert Notman on Poor Agnes
Avoiding her eyes
by Anne-Katrin Titze
Ben Mendelsohn on working with Rooney Mara in Una
The confrontation
by Anne-Katrin Titze
Rooney Mara on clothes, garbage and Una
Dressing the decades
by Anne-Katrin Titze
Luca Guadagnino on Call Me By Your Name and the art of costuming
Scent and sensibility
by Anne-Katrin Titze
Elvira Lind and Bobbi Jene Smith on love, sexiness, Arrowed, and why story always comes first
News

A different language Bi Gan on his creative process, abstraction, discomfort and Resurrection

Love without power Liz Rao on the dangers of growing up in small town America, and The Truck

Naughty or nice? Mike P Nelson on remaking Silent Night, Deadly Night

World of difference Sarah Goher on exploring the life of a child maid through a little girl's eyes in Happy Birthday

Best International Feature Film Oscar contenders announced Outspoken filmmakers stand out in close competition

Oscar short film longlist revealed Filmmakers contend for career-making opportunity

One Battle After Another tops London Critics' Circle Film Awards nominations Hamnet not far behind

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