Scent and sensibility
by Anne-Katrin Titze
Elvira Lind and Bobbi Jene Smith on love, sexiness, Arrowed, and why story always comes first
New York Film Festival encore highlights
by Anne-Katrin Titze
Mrs. Hyde, Thelma, Ismael’s Ghosts and The Meyerowitz Stories (New and Selected)
Dimensions of character
by Anne-Katrin Titze
Gay Talese on Voyeur and the difference between reading and viewing
Into the woods
by Jennie Kermode
Damien Power on the trials and tribulations of making Killing Ground
A film of the senses
by Anne-Katrin Titze
Elvira Lind and Bobbi Jene Smith on detail, effort and editing
New York Film Festival Early Bird highlights
by Anne-Katrin Titze
The Rider, Arthur Miller: Writer, The Other Side Of Hope and Joan Didion: The Center Will Not Hold
Forbidden filmmaking
by Jennie Kermode
Maysaloun Hamoud on In Between, the duty of artists, and facing a fatwa
Visualising Voyeur
by Anne-Katrin Titze
Gay Talese on how Josh Koury and Myles Kane's film came together
Six Harry Dean Stanton films you can't afford to miss
by Jennie Kermode
The legacy of a remarkable actor
What makes a Martyr?
by Amber Wilkinson
Mazen Khaled on male identity, death and freedom in his Biennale College film.
Venice 2017: Three Billboards, Victoria And Abdul, Lean On Pete and The Third Murder
by Damon Wise
Actors stake claim at start of awards season.
Venice 2017: Downsizing, Suburbicon and The Shape Of Water
by Damon Wise
Whimsical opener shrinks in face of Clooney satire and Del Toro creature feature.
The treasure hunters
by Jennie Kermode
Tomas Leach on The Lure and the importance of mystery and adventure
Antonio’s shades of grey
by Richard Mowe
Banderas on maturing, Almodovar and helping new actors
Keeping score
by Amber Wilkinson
Director Giorgio Ferrero on music and memory in his documentary hybrid Beautiful Things.
Director always in the firing line
by Richard Mowe
Terry George on genocide backlash, Ireland and Brexit
Growing up backstage
by Anne-Katrin Titze
Emmanuelle Devos on Arnaud Desplechin, her mother and her inspirations
Mining the mystery
by Amber Wilkinson
Alena Lodkina on neo-realism, longing and outsider perspective in Strange Colours.
Clive Davis - lawyer touched by stardust
by Richard Mowe
Master behind Whitney, Manilow and Aretha talks with Chris Perkel about documentary of his life.
Goldblum reigns as blockbuster king
by Richard Mowe
Jurassic and Thor star on humility, family and jazz
An education
by Anne-Katrin Titze
Neasa Ní Chianáin and David Rane on School Life
'I just don’t know about fame. I have never figured it out'
by Richard Mowe
Good Time star Robert Pattinson on being a lone wolf - and stardom as a side dish
'Being on the set of Star Wars is very like being on a set with David Lynch'
by Richard Mowe
Laura Dern on Twin Peaks, The Last Jedi and pay equality
Landscape of love
by Amber Wilkinson
Director Francis Lee talks about authenticity and emotion in God's Own Country.
Pastures new
by Amber Wilkinson
Alec Secareanu and Josh O'Connor on preparing for God's Own Country.
Birdwatchers
by Jennie Kermode
Dominic Bridges and Mim Shaikh on pigeons, scary movies and Freehold
Tribute to France’s star platinum blonde
by Richard Mowe
Death of Mireille Darc at 79
Ribbons of memory
by Anne-Katrin Titze
Collector Martin Howard goes inside California Typewriter
Hampton Fancher remembers Jerry Lewis
by Anne-Katrin Titze
"Here is this guy who has everything, except he doesn't have enough."
Looking for trouble
by Jennie Kermode
Oliver Laxe on making life difficult for himself when filming Mimosas.
Skin deep
by Jennie Kermode
Joy Harrison on a tale of tattoos and fractured friendships in Where The Skin Lies
Alpine retreat
by Jennie Kermode
Hendrik Faller on dangerous terrain, shooting in snow, and Mountain Fever
Hollywood royalty
by Anne-Katrin Titze
Fernando Trueba on Penélope Cruz and The Queen Of Spain
Back to school for a class act
by Richard Mowe
Lessons in learning from Angel and Forestier
Commanding the keys
by Anne-Katrin Titze
Doug Nichol on the lingering allure of the typewriter
Playing to type
by Anne-Katrin Titze
Doug Nichol on the story behind California Typewriter.
Missing voices
by Jennie Kermode
Rachel Robey, Charlie Swinbourne and Aurora Fearnley on the barriers facing disabled filmmakers
Portrait of an artist
by Amber Wilkinson
Dome Karukoski on his biography of influential gay icon Tom Of Finland
The Escapologists
by Anne-Katrin Titze
Michael Almereyda and Hampton Fancher on Escapes and what pictures reveal
Under the satellite
by Anne-Katrin Titze
Wim Wenders on Sam Shepard, Jeanne Moreau and Until The End Of The World
The invasion that wasn't
by Jennie Kermode
Jody Lambert on the comedy and humanity in Brave New Jersey.
'He was very good as an actor and even better at rewriting scenes'
by Anne-Katrin Titze
Volker Schlöndorff, Joe Lansdale and Hampton Fancher honour Sam Shepard
Invisible Worlds
by Anne-Katrin Titze
Clément Cogitore on Thomas Bidegain, Neither Heaven Nor Earth, and the sound of the Northern Lights.
Moreau - the feminist femme fatale
by Richard Mowe
We look back at the life of France's screen legend.
News of a death
by Anne-Katrin Titze
Lior Ashkenazi on Foxtrot and going to the edge of his emotions
Man on the edge
by Jennie Kermode
Kasra Farahani on emotional disintegration, modern America and Tilt.
Time is on my side
by Anne-Katrin Titze
Michael Almereyda and Hampton Fancher discuss Escapes
Reading the Pulitzer Prize winners
by Anne-Katrin Titze
Kirk Simon on Natalie Portman, Liev Schreiber, Toni Morrison, Jeffrey Eugenides and Nick Ut
The Dreamer
by Anne-Katrin Titze
Hampton Fancher and Michael Almereyda on Blade Runner past and present
White walls
by Anne-Katrin Titze
Barbet Schroeder on Walter Benjamin, Raoul Hausmann, Pink Floyd and the house in Amnesia
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