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On the margins
by Jennie Kermode
Ted Geoghegan on Mohawk, marginalised people and shooting in the forest
The festival that came in from the cold
by Jennie Kermode
GFF Diary days 9&10: Frightfest takes on the Beast from the East and the groundhog returns
Once upon a time in America
by Jennie Kermode
Ted Geoghegan on Mohawk, working with Kaniehtiio Horn and exploring hidden history
Chiller thriller
by Jennie Kermode
GFF Diary days 7&8: Xavier Legrand, Denis Menochet, Dafhyd Flynn, bowling with the dude and the snowpocalypse
Administering angel
by Anne-Katrin Titze
Novelist Francine Prose on the adaptation of Blue Angel into Submission
Legrand’s Greek tragedy for our times
by Richard Mowe
Debut director tackles a family at war
You, me and the undead
by Jennie Kermode
GFF Diary days 5&6: David Tennant, Robert de Young and zombies on the loose
Yippee-ki-yay ya bawbag
by Jennie Kermode
GFF Diary days 3&4: Lynne Ramsay, Rebecca Daly, Nora Twomey, Karen Gillan and a visit to Nakatomi Plaza
Dog in the playground
by Jennie Kermode
GFF Diary days 1&2: Isle Of Dogs fever, documentaries, romance and groundhogs
Good things in small packages
by Andrew Robertson
What's coming up at the Glasgow Short Film Festival 2018
Chaos theory
by Anne-Katrin Titze
Samuel Maoz on Silver Lion winner Foxtrot
The peacemaker
by Jennie Kermode
Maurice Fitzpatrick on documentary In The Name Of Peace: John Hume In America
The house by the water
by Jennie Kermode
Brian O'Malley on Gothic horror, Irish history and The Lodgers
Release the bats
by Jennie Kermode
Kelly Greene on Attack Of The Bat Monsters
A taste of romance
by Anne-Katrin Titze
Sophie Brooks on first dates, food and The Boy Downstairs
Turtle power
by Anne-Katrin Titze
Michaël Dudok de Wit on The Red Turtle and Robinson Crusoe
Shooting in a warzone
by Amber Wilkinson
Talal Derki on the dangers of filming Of Fathers And Sons, and why it was important to do it.
The girl upstairs
by Anne-Katrin Titze
Sophie Brooks on The Boy Downstairs and costume designer Keri Langerman
Campillo’s beat goes on
by Richard Mowe
Director on AIDS drama 120 BPM, writing from the heart and collaboration
Baye displays a mother’s pride
by Richard Mowe
The Guardians star on Beauvois, Hallyday, and working with her daughter
Beuys on film
by Anne-Katrin Titze
Andres Veiel on developing and shooting Beuys
Varda hits the road again
by Richard Mowe
New Wave icon on Faces Places, honours, outsiders and Demy
In the trees
by Jennie Kermode
David Bruckner on masculinity, monsters and The Ritual
La Binoche at the crossroads
by Richard Mowe
The Oscar winner on men, awards, and working with Claire Denis
Drawn that way
by Anne-Katrin Titze
Michaël Dudok de Wit on The Red Turtle and Studio Ghibli
On cloud nine
by Jennie Kermode
Jane Spencer on The Ninth Cloud, South Of Hope Street and women in Hollywood
Nature Beuys
by Anne-Katrin Titze
Andres Veiel on his new documentary about Joseph Beuys
The image makers
by Anne-Katrin Titze
Caroline Champetier on Vilmos Zsigmond, Robert Bresson, Jean Renoir, and her career
Sundance 2018: Festival preview
by Amber Wilkinson
Films we're looking forward to at this year's festival
It never was you
by Anne-Katrin Titze
Laurie Simmons on My Art and pushing boundaries
On the road
by Anne-Katrin Titze
Paolo Virzì on Donald Sutherland, Helen Mirren and The Leisure Seeker
Making a connection
by Jennie Kermode
David Chirchirillo on Bad Match, online dating and the legacy of Fatal Attraction
Behind the mask
by Jennie Kermode
Julien Maury and Alexandre Bustillo on taking on the legacy of Leatherface
The thing about evil
by Anne-Katrin Titze
Roberto Andò on Alfred Hitchcock, JK Rowling, Heiligendamm and The Confessions
Understanding Céline
by Anne-Katrin Titze
Emmanuel Bourdieu on Denis Lavant, Grégoire Hetzel and Louis-Ferdinand Céline
FIPRESCI Colloquium on Russian Cinema
by Amber Wilkinson
Putting the current crop of filmmakers into context in St Petersburg.
The apple of his eye
by Anne-Katrin Titze
Arnaud Desplechin on Lacan, Rilke, Hitchcock, Philip Roth, and Ismael’s Ghosts: Director’s Cut
Word play
by Anne-Katrin Titze
Denis Lavant on M Merde, language and counting cats
Lior Ashkenazi on 2018
by Anne-Katrin Titze
Star talks 7 Days In Entebbe, My Zoe, and The Wanderers: The Quest Of The Demon Hunter
Heritage, opera and war
by Anne-Katrin Titze
Don Rosenfeld on the Cook sisters and working with Emma Thompson and Cate Blanchett
Taking the waters
by Anne-Katrin Titze
Samuel Maoz and Lior Ashkenazi on Foxtrot
World of difference
by Amber Wilkinson
Writer/producer Alex Lipschultz on the challenges of making Menashe
Self-invented woman
by Anne-Katrin Titze
Alexandra Dean on style and substance in Bombshell: The Hedy Lamarr Story
The butterfly
by Anne-Katrin Titze
Stéphanie Di Giusto on Loïe Fuller, The Dancer and scaring Harvey Weinstein
Artistic relations
by Anne-Katrin Titze
Denis Lavant on Samuel Beckett, Leos Carax and Caroline Champetier
The underside of history
by Anne-Katrin Titze
Gay Talese on The Voyeur's Motel, Voyeur, and what the voyeur saw
Making Matilda
by Amber Wilkinson
Aleksey Uchitel on his Russian costume drama and the controversy surrounding it.
Creating Closeness
by Amber Wilkinson
Director Kantemir Balagov on framing and reality in his Russian drama
Making a box office Attraction
by Amber Wilkinson
Fedor Bondarchuk on his science-fiction film
Wild ideas
by Jennie Kermode
Travis Stevens on 68 Kill, music, pulp fiction and the terrors of Louisiana
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Age old questions Lance Hammer, Tom Courtenay, Juliette Binoche & Anna Calder-Marshall on Queen At Sea

Locking it down Raymond Friel on prison life, keeping scripts tight, and Frightfest opener Jailbroken

Mining for truth Warwick Thornton on survivors and storytelling in Wolfram

Peter Jackson to receive Honorary Palme d'Or Lord Of The Rings director 'privileged' to receive accolade

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