by Anne-Katrin Titze
The Traitor director Marco Bellocchio on Francis Ford Coppola and Martin Scorsese: “Unlike the great tradition of American Mafia movies and their use of imagery, here all characters are true characters and events that actually happened that we then manipulated or re-elaborated.”
Streaming Spotlight: the rites of Spring We shine our Beltane spotlight on films in which the old ways linger
Fighting fit for a debut feature Valéry Carnoy talks toxic masculinity, memory, confidence and Belgian 'soft-power'
Collective power We look ahead at the programme of this year's Folk Film Gathering
Writing hidden messages Arnaud Desplechin on guilt, melodrama, feeling haunted, and Two Pianos
Clever crafting with Idiots Chris Barfoot on his six-camera set up and three-day shoot of his debut feature
'You get in the car, you go somewhere, you have an experience' Cole Webley and John Magaro on poignant road trip Omaha
We're bringing you news and reviews from the San Francisco Independent Film Festival and Visions du Réel.
We're looking forward to Queer East and Cannes.
We've recently brought you coverage of Fantaspoa, Overlook, BFI Flare and SXSW, the Thessaloniki International Documentary Festival, the NY Rendezvous with French Cinema, the Glasgow Film Festival, the Berlinale, Sundance and Palm Springs.
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It's a busy time for festivals and here's the latest from the spring events:
Cannes 16 titles added to line-up
Cannes Carla Simón heads short film jury
Cannes Directors' Fortnight selection
Cannes Payal Kapadia heads Critics' Week jury
