Taking the waters
by Anne-Katrin Titze
Samuel Maoz and Lior Ashkenazi on Foxtrot
World of difference
by Amber Wilkinson
Writer/producer Alex Lipschultz on the challenges of making Menashe
Self-invented woman
by Anne-Katrin Titze
Alexandra Dean on style and substance in Bombshell: The Hedy Lamarr Story
The butterfly
by Anne-Katrin Titze
Stéphanie Di Giusto on Loïe Fuller, The Dancer and scaring Harvey Weinstein
Artistic relations
by Anne-Katrin Titze
Denis Lavant on Samuel Beckett, Leos Carax and Caroline Champetier
The underside of history
by Anne-Katrin Titze
Gay Talese on The Voyeur's Motel, Voyeur, and what the voyeur saw
Making Matilda
by Amber Wilkinson
Aleksey Uchitel on his Russian costume drama and the controversy surrounding it.
Creating Closeness
by Amber Wilkinson
Director Kantemir Balagov on framing and reality in his Russian drama
Making a box office Attraction
by Amber Wilkinson
Fedor Bondarchuk on his science-fiction film
Wild ideas
by Jennie Kermode
Travis Stevens on 68 Kill, music, pulp fiction and the terrors of Louisiana
Cinema, culture and modernity
by Anne-Katrin Titze
Olaf Möller on Helmut Käutner, Wolfgang Staudte and Harald Braun
History and destiny
by Anne-Katrin Titze
Olaf Möller on The Lost Years of German Cinema: 1949–1963
Getting with the programme
by Anne-Katrin Titze
Jairus McLeary on The Work and giving prisoners a future
Highlights of Russian Film Week
by Amber Wilkinson
We pick four of the best from London fest.
Out of sight
by Jennie Kermode
Jasmine Hyde on taking on The Unseen
Orbital dynamics
by Jennie Kermode
Charlotte Sullivan on Radius and the challenges of playing an amnesiac
DOC NYC 2017: encore highlights
by Anne-Katrin Titze
Larger Than Life: The Kevyn Aucoin Story, Sammy Davis, Jr.: I've Gotta Be Me, Rebels On Pointe, Antonio Lopez 1970: Sex Fashion & Disco
Style illustrated
by Anne-Katrin Titze
James Crump on Antonio Lopez 1970: Sex Fashion & Disco
Battling extinction
by Jennie Kermode
Kate Brooks on The Last Animals and the fight to save elephants and rhinos
Lost in time
by Anne-Katrin Titze
Hampton Fancher on beauty, evil, and writing Blade Runner for Robert Mitchum
The homecoming
by Jennie Kermode
Ariadne Asimakopoulos and Maartje Wegdam on No Place For A Rebel
Light and the darkness
by Anne-Katrin Titze
Caroline Champetier on Hannah Arendt, Margarethe von Trotta, Claude Lanzmann and the subject of evil
Halloween happenings
by Jennie Kermode
Spooky goings-on in UK cinemas
DOC NYC 2017: Early bird highlights
by Anne-Katrin Titze
Jane, Blue Velvet Revisited, KEDi and Faces Places
The skin she lives in, part two
by Jennie Kermode
Norbert Keil on gore scenes and the incredible visuals in Replace.
A complicated woman
by Anne-Katrin Titze
Isabelle Huppert on torturing teachers and playing Mrs Géquil and Mrs Hyde
A hell of a ride
by Jennie Kermode
Stuart Conran looks back at Hellraiser and the start of his special effects career
Among the apes
by Anne-Katrin Titze
Jane Goodall and Brett Morgen on documenting chimpanzees
Horse sense
by Anne-Katrin Titze
Chloé Zhao and Brady Jandreau on The Rider
The skin she lives in, part one
by Jennie Kermode
Norbert Keil on the terror of ageing, memory loss and working with Rebecca Forsythe on Replace
The dreamers of dreams
by Anne-Katrin Titze
Arnaud Desplechin and Mathieu Amalric on Ismael’s Ghosts: Director’s Cut
Inside Headfort
by Anne-Katrin Titze
Neasa Ní Chianáin and David Rane on the children of Headfort and filming School Life
Reformed character
by Anne-Katrin Titze
Paul Schrader on First Reformed and asking "What would Tarkovsky do?"
Meeting the Meyerowitzes
by Anne-Katrin Titze
Rebecca Miller on working with Adam Sandler in The Meyerowitz Stories (New And Selected)
Hostages to fortune, part two
by Jennie Kermode
More from Lora Burke and Robert Notman on Poor Agnes
Inside The Process
by Anne-Katrin Titze
Rebecca Miller talks about her father and Arthur Miller: Writer
The time of the harvest moon
by Anne-Katrin Titze
Serge Bozon on Mrs Hyde and a First Encounter
Hostages to fortune, part one
by Jennie Kermode
Lora Burke and Robert Notman on Poor Agnes
Avoiding her eyes
by Anne-Katrin Titze
Ben Mendelsohn on working with Rooney Mara in Una
The confrontation
by Anne-Katrin Titze
Rooney Mara on clothes, garbage and Una
Dressing the decades
by Anne-Katrin Titze
Luca Guadagnino on Call Me By Your Name and the art of costuming
Scent and sensibility
by Anne-Katrin Titze
Elvira Lind and Bobbi Jene Smith on love, sexiness, Arrowed, and why story always comes first
New York Film Festival encore highlights
by Anne-Katrin Titze
Mrs. Hyde, Thelma, Ismael’s Ghosts and The Meyerowitz Stories (New and Selected)
Dimensions of character
by Anne-Katrin Titze
Gay Talese on Voyeur and the difference between reading and viewing
Into the woods
by Jennie Kermode
Damien Power on the trials and tribulations of making Killing Ground
A film of the senses
by Anne-Katrin Titze
Elvira Lind and Bobbi Jene Smith on detail, effort and editing
New York Film Festival Early Bird highlights
by Anne-Katrin Titze
The Rider, Arthur Miller: Writer, The Other Side Of Hope and Joan Didion: The Center Will Not Hold
Forbidden filmmaking
by Jennie Kermode
Maysaloun Hamoud on In Between, the duty of artists, and facing a fatwa
Visualising Voyeur
by Anne-Katrin Titze
Gay Talese on how Josh Koury and Myles Kane's film came together
Six Harry Dean Stanton films you can't afford to miss
by Jennie Kermode
The legacy of a remarkable actor
News

Taking the waters Samuel Maoz and Lior Ashkenazi on Foxtrot

World of difference Writer/producer Alex Lipschultz on the challenges of making Menashe

Oscar Best Foreign Language Film shortlist revealed More nods for A Fantastic Woman, In The Fade and The Square

'I am part of the problem' Director Morgan Spurlock details past sexual misconduct in statement

Horror and fantasy film studio launches in Scotland Hex Media aims to nurture diverse voices with new project

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