The skin she lives in, part one
by Jennie Kermode
Norbert Keil on the terror of ageing, memory loss and working with Rebecca Forsythe on Replace
The dreamers of dreams
by Anne-Katrin Titze
Arnaud Desplechin and Mathieu Amalric on Ismael’s Ghosts: Director’s Cut
Inside Headfort
by Anne-Katrin Titze
Neasa Ní Chianáin and David Rane on the children of Headfort and filming School Life
Reformed character
by Anne-Katrin Titze
Paul Schrader on First Reformed and asking "What would Tarkovsky do?"
Meeting the Meyerowitzes
by Anne-Katrin Titze
Rebecca Miller on working with Adam Sandler in The Meyerowitz Stories (New And Selected)
Hostages to fortune, part two
by Jennie Kermode
More from Lora Burke and Robert Notman on Poor Agnes
Inside The Process
by Anne-Katrin Titze
Rebecca Miller talks about her father and Arthur Miller: Writer
The time of the harvest moon
by Anne-Katrin Titze
Serge Bozon on Mrs Hyde and a First Encounter
Hostages to fortune, part one
by Jennie Kermode
Lora Burke and Robert Notman on Poor Agnes
Avoiding her eyes
by Anne-Katrin Titze
Ben Mendelsohn on working with Rooney Mara in Una
The confrontation
by Anne-Katrin Titze
Rooney Mara on clothes, garbage and Una
Dressing the decades
by Anne-Katrin Titze
Luca Guadagnino on Call Me By Your Name and the art of costuming
Scent and sensibility
by Anne-Katrin Titze
Elvira Lind and Bobbi Jene Smith on love, sexiness, Arrowed, and why story always comes first
New York Film Festival encore highlights
by Anne-Katrin Titze
Mrs. Hyde, Thelma, Ismael’s Ghosts and The Meyerowitz Stories (New and Selected)
Dimensions of character
by Anne-Katrin Titze
Gay Talese on Voyeur and the difference between reading and viewing
Into the woods
by Jennie Kermode
Damien Power on the trials and tribulations of making Killing Ground
A film of the senses
by Anne-Katrin Titze
Elvira Lind and Bobbi Jene Smith on detail, effort and editing
New York Film Festival Early Bird highlights
by Anne-Katrin Titze
The Rider, Arthur Miller: Writer, The Other Side Of Hope and Joan Didion: The Center Will Not Hold
Forbidden filmmaking
by Jennie Kermode
Maysaloun Hamoud on In Between, the duty of artists, and facing a fatwa
Visualising Voyeur
by Anne-Katrin Titze
Gay Talese on how Josh Koury and Myles Kane's film came together
Six Harry Dean Stanton films you can't afford to miss
by Jennie Kermode
The legacy of a remarkable actor
What makes a Martyr?
by Amber Wilkinson
Mazen Khaled on male identity, death and freedom in his Biennale College film.
Venice 2017: Three Billboards, Victoria And Abdul, Lean On Pete and The Third Murder
by Damon Wise
Actors stake claim at start of awards season.
Venice 2017: Downsizing, Suburbicon and The Shape Of Water
by Damon Wise
Whimsical opener shrinks in face of Clooney satire and Del Toro creature feature.
The treasure hunters
by Jennie Kermode
Tomas Leach on The Lure and the importance of mystery and adventure
Antonio’s shades of grey
by Richard Mowe
Banderas on maturing, Almodovar and helping new actors
Keeping score
by Amber Wilkinson
Director Giorgio Ferrero on music and memory in his documentary hybrid Beautiful Things.
Director always in the firing line
by Richard Mowe
Terry George on genocide backlash, Ireland and Brexit
Growing up backstage
by Anne-Katrin Titze
Emmanuelle Devos on Arnaud Desplechin, her mother and her inspirations
Mining the mystery
by Amber Wilkinson
Alena Lodkina on neo-realism, longing and outsider perspective in Strange Colours.
Clive Davis - lawyer touched by stardust
by Richard Mowe
Master behind Whitney, Manilow and Aretha talks with Chris Perkel about documentary of his life.
Goldblum reigns as blockbuster king
by Richard Mowe
Jurassic and Thor star on humility, family and jazz
An education
by Anne-Katrin Titze
Neasa Ní Chianáin and David Rane on School Life
'I just don’t know about fame. I have never figured it out'
by Richard Mowe
Good Time star Robert Pattinson on being a lone wolf - and stardom as a side dish
'Being on the set of Star Wars is very like being on a set with David Lynch'
by Richard Mowe
Laura Dern on Twin Peaks, The Last Jedi and pay equality
Landscape of love
by Amber Wilkinson
Director Francis Lee talks about authenticity and emotion in God's Own Country.
Pastures new
by Amber Wilkinson
Alec Secareanu and Josh O'Connor on preparing for God's Own Country.
Birdwatchers
by Jennie Kermode
Dominic Bridges and Mim Shaikh on pigeons, scary movies and Freehold
Tribute to France’s star platinum blonde
by Richard Mowe
Death of Mireille Darc at 79
Ribbons of memory
by Anne-Katrin Titze
Collector Martin Howard goes inside California Typewriter
Hampton Fancher remembers Jerry Lewis
by Anne-Katrin Titze
"Here is this guy who has everything, except he doesn't have enough."
Looking for trouble
by Jennie Kermode
Oliver Laxe on making life difficult for himself when filming Mimosas.
Skin deep
by Jennie Kermode
Joy Harrison on a tale of tattoos and fractured friendships in Where The Skin Lies
Alpine retreat
by Jennie Kermode
Hendrik Faller on dangerous terrain, shooting in snow, and Mountain Fever
Hollywood royalty
by Anne-Katrin Titze
Fernando Trueba on Penélope Cruz and The Queen Of Spain
Back to school for a class act
by Richard Mowe
Lessons in learning from Angel and Forestier
Commanding the keys
by Anne-Katrin Titze
Doug Nichol on the lingering allure of the typewriter
Playing to type
by Anne-Katrin Titze
Doug Nichol on the story behind California Typewriter.
Missing voices
by Jennie Kermode
Rachel Robey, Charlie Swinbourne and Aurora Fearnley on the barriers facing disabled filmmakers
Portrait of an artist
by Amber Wilkinson
Dome Karukoski on his biography of influential gay icon Tom Of Finland
News

The skin she lives in, part one Norbert Keil on the terror of ageing, memory loss and working with Rebecca Forsythe on Replace

The dreamers of dreams Arnaud Desplechin and Mathieu Amalric on Ismael’s Ghosts: Director’s Cut

Inside Headfort Neasa Ní Chianáin and David Rane on the children of Headfort and filming School Life

Reformed character Paul Schrader on First Reformed and asking "What would Tarkovsky do?"

Gerard Butler rushed to hospital 300 star receives minor injuries in motorbike accident

LFF jury loves Loveless The Wound and Kingdom Of Us also honoured

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