Eye For Film >> Festivals >> A-Z >> London Film Festival >> 2019
Returning for its 63rd edition from October 2 to 13, the London Film Festival opened with Armando Iannucci's The Personal History of David Copperfield and closes with Martin Scorcese's The Irishman. The full programme will be announced on August 29.
View Films by Strand:
- Cult
- Dare
- Debate
- Documentary Competition
- Experimenta
- Family
- First Feature Competition
- Headline Galas
- Journey
- Laugh
- Love
- Official Competition
- Special Presentations
- Thrill
- Treasures
View previous years coverage of the London Film Festival festival:
London Latest Reviews
A young woman and her reticent new stepchildren find themselves isolated in the family’s remote winter cabin, locked away to dredge up the mysteries of her dark past.
Retelling of the Dickens classic.
A struggle, behind Vatican walls, between a cardinal and a Pope.
The coming out of an evangelical father shatters his family, his community and uncovers a profoundly repressive society.
A dramatisation of the real-life friendship between Fred Rogers and journalist Tom Junod.
The story of Daniel Jones, lead investigator for the US Senate’s sweeping study into the CIA’s Detention and Interrogation Program, which was found to be brutal, immoral and ineffective. With the truth at stake, Jones battled tirelessly to make public what many in power sought to keep hidden.
Love and loss in Dakar are given a supernatural twist.
A married couple is forced to reckon with their idealised image of their son, adopted from war-torn Eritrea, after an alarming discovery by a devoted high school teacher threatens his status as an all-star student.
A cut-off hand escapes from a dissection lab with one crucial goal: to get back to its body. As it scrambles through the pitfalls of Paris, it remembers its life with the young man it was once attached to… until they met Gabrielle.
A couple find themselves in a messier divorce than they imagined.
London Film Festival Features
London Film Festival News
Filming sensations Mathieu Amalric on Pierre Léon, Jeanne Balibar and the sounds and colours of Barbara
Character arc Seth A Smith on filming with a two-year-old and bringing marbling to life in The Crescent
Keeping up appearances Marcello Martinessi on cultural conservatism and filmmaking honesty in The Heiresses
A different space Kelly Macdonald on working with Marc Turtletaub on Puzzle
Out of the past Susanna Nicchiarelli on Trine Dyrholm and the costume design in Nico, 1988
The iconic man Jonathan Baker on Becoming Iconic and Inconceivable
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