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Resonances beyond
by Anne-Katrin Titze
László Nemes on fairy tales, Murnau's Sunrise, and Sunset (Napszállta)
Caught by the city
by Anne-Katrin Titze
Sophie Fillières on When Margaux Meets Margaux
Scoring White Crow
by Amber Wilkinson
Ilan Eshkeri on his third collaboration with Ralph Fiennes
Satellite of love
by Jennie Kermode
Joaquín Cambre on working with young actors and making A Trip To The Moon
Beautiful and poetic
by Anne-Katrin Titze
Mikhaël Hers on Vincent Lacoste, Stacy Martin, Isaure Multrier, Greta Scacchi and Amanda
Space for the imagination
by Anne-Katrin Titze
Franz Rogowski on breath control, Transit and the Kammerspiele
Your senses are there
by Anne-Katrin Titze
Brinsley Forde on Franco Rosso, Babylon and present day England
Capturing a life behind the camera
by Amber Wilkinson
Kim Longinotto and Ollie Huddleston on Shooting The Mafia
Innocent and ominous
by Anne-Katrin Titze
László Nemes on TS Eliot, caves of darkness and the innocent and ominous in Sunset
Top End Team
by Amber Wilkinson
Miranda Tapsell, Gwilym Lee, Wayne Blair and Joshua Tyler on Aussie rom-com
My hometown
by Anne-Katrin Titze
Kent Jones on the casting and soundtrack in Diane
Bite sized treats
by Andrew Robertson
We look forward to the Glasgow Short Film Festival
Music legends
by Anne-Katrin Titze
Dennis Bovell on style, substance and scoring Babylon
All is not lost
by Anne-Katrin Titze
Susanne Wolff and Wolfgang Fischer on shooting Styx on the high seas
Within the imagination
by Anne-Katrin Titze
Emmanuel Mouret on Diderot, Pierre-Jean Larroque's costumes and Lady J
Memory and identity
by Anne-Katrin Titze
Christian Petzold on Franz Rogowski and the language in Transit
On French cinema
by Anne-Katrin Titze
At the Rendez-Vous With French Cinema with Serge Toubiana
The beat goes on
by Jennie Kermode
GFF Diary days 11&12: Beats, Frightfest, Michael Palin, Vicky Knight and terror in the woods
A real joy
by Anne-Katrin Titze
Kyle MacLachlan on high school acting and playing a father in Giant Little Ones
It's your funeral
by Jennie Kermode
Rehana Rose on death, remembrance and Dead Good
That Friday feeling
by Jennie Kermode
GFF Diary days 9&10: Jessie Buckley, Claire Pijman, whisky and Frightfest
Something in the water
by Jennie Kermode
Perry Blackshear on rusalkas, mythic filmmaking and The Siren
All in the game
by Jennie Kermode
Søren Juul Petersen on games, gore and Finale
Beyond the Valley
by Jennie Kermode
GFF Diary days 7&8: Peter Howson, Adam Pearson, Carol Morley and a little bit of time travel
Body of work
by Anne-Katrin Titze
Adina Pintilie on Einstürzende Neubauten and Touch Me Not
Life in movement
by Amber Wilkinson
Icíar Bollaín and Paul Laverty on bringing Carlos Acosta's biopic Yuli to the screen
Who ya gonna call?
by Jennie Kermode
GFF Diary days 5&6: Roxy Toporowych, the Margaret Tait Award and a spot of ghostbusting
Inside his head
by Jennie Kermode
Billy Senese on psychiatry, horror, The Dead Center and building stories through sound
All abuzz
by Jennie Kermode
GFF Diary days 3&4: Carlos Acosta, David Dastmalchian, busy bees and a trip inside The Matrix
Close encounters with a musical legend
by Richard Mowe
At home with Stanley Donen in New York
Dinner and devilry
by Jennie Kermode
Jack McHenry and Margaret Clunie on Here Comes Hell
Ready, steady, go!
by Jennie Kermode
GFF Diary days 1&2: Mid90s, Matt Bomer, Mark Millar and a date with Priscilla
Drawing inspiration
by Anne-Katrin Titze
Batsheva Hay in conversation on Little Women, Wuthering Heights, and establishing relationships with actors
On the level
by Jennie Kermode
Danishka Esterhazy on telling women's stories in genre films and Level 16
Paradise lost
by Anne-Katrin Titze
Clément Cogitore on Braguino the film and installation
Unnatural pleasures
by Jennie Kermode
Nicolas Pesce on working with Christopher Abbott and Mia Wasikowski and channelling Hitchcock in Piercing
Rendez-Vous With French Cinema smiles
by Anne-Katrin Titze
When Margaux Meets Margaux, The Art Of Seduction, Amanda and The Trouble With You
A date with darkness
by Jennie Kermode
Adam Christian Clark on the horrors of the dating scene and making Newly Single
Body and soul
by Anne-Katrin Titze
To Dust post-screening discussion with Géza Röhrig, Shawn Snyder, and Jason Begue
'This movie invites you to think'
by Amber Wilkinson
Viggo Mortensen on preparing for Green Book
Shared humanity
by Anne-Katrin Titze
Shawn Snyder on Matthew Broderick, Géza Röhrig and To Dust
Year of the Pig
by Anne-Katrin Titze
Géza Röhrig on scripts, dybbuks and working with a porcine professional in Shawn Snyder's To Dust
The essence of Freddie
by Jennie Kermode
Jan Sewell on Rami Malek, Gwilym Lee and the make-up for Bohemian Rhapsody
Reading the city
by Anne-Katrin Titze
Christian Petzold on Alex Brendemühl, George Romero and Transit
Omar’s acting lessons from school of life
by Richard Mowe
Intouchables star on return to his African roots and working in Hollywood
Thrillseeker
by Jennie Kermode
Patrick Kilpatrick on doing stunts, working with Tom Cruise and Christopher Walken, Night Walk and Active Shooter
"Une aventure artistique unique"
by Anne-Katrin Titze and Agnès Varda
Agnès Varda pays tribute to Michel Legrand
Pinpointing Palach
by Jane Fae
Director Robert Sedlácek on his film about the Czech national hero.
Humanist ideas
by Anne-Katrin Titze
Morgan Neville on the humanist ideas of Fred Rogers and the title Won't You Be My Neighbor?
Doing the right thing
by Anne-Katrin Titze
Desirae Brown on creating music, activism, childhood and The 5 Browns: Digging Through The Darkness
News

A different language Bi Gan on his creative process, abstraction, discomfort and Resurrection

Love without power Liz Rao on the dangers of growing up in small town America, and The Truck

Naughty or nice? Mike P Nelson on remaking Silent Night, Deadly Night

World of difference Sarah Goher on exploring the life of a child maid through a little girl's eyes in Happy Birthday

Best International Feature Film Oscar contenders announced Outspoken filmmakers stand out in close competition

Oscar short film longlist revealed Filmmakers contend for career-making opportunity

One Battle After Another tops London Critics' Circle Film Awards nominations Hamnet not far behind

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