Eye For Film >> Festivals >> A-Z >> San Sebastian Film Festival >> 2018
The 66th edition of San Sebastian Film Festival will run from September 21 to 29. This year one of its retrospectives will be dedicated to British filmmaker Muriel Box. Titles have just begun to be announced.
View Films by Strand:
- Classic Retrospective: Muriel Box
- Culinary Zinema
- Horizontes Latinos
- Made In Spain
- New Directors
- Official Competition
- Pearls
- Special Screenings
- Velodrome
- Zabaltegi-Tabakalera
View previous years coverage of the San Sebastian Film Festival festival:
SSFF Latest Reviews
Story of a family who become involved with the drugs trade.
A Frenchwoman enters a Japanese forest in search of a herb rumoured to be able to cure emotional pain.
The story of a 14-year-old who becomes the third wife of a much older man in 19th Century Vietnam.
The true story of Carlos Acosta, a black Cuban dancer who rose from an impoverished childhood to find international acclaim as a ballet dancer with London's Royal Ballet.
Two assassins set out into the wilderness on the trail of a man with a secret.
A father tries to help his son break his cycle of drug addiction.
The lives of four people cross over the course of a day in China.
Violence is sparked on the eve of Argentina's dictatorship.
A child rebels against the life imposed upon him.
A spoiled boy has to cope with the arrival of a new baby sister - and much more.
San Sebastian Film Festival Features
San Sebastian Film Festival News
San Sebastian Film Festival Galleries
Filming sensations Mathieu Amalric on Pierre Léon, Jeanne Balibar and the sounds and colours of Barbara
Character arc Seth A Smith on filming with a two-year-old and bringing marbling to life in The Crescent
Keeping up appearances Marcello Martinessi on cultural conservatism and filmmaking honesty in The Heiresses
A different space Kelly Macdonald on working with Marc Turtletaub on Puzzle
Out of the past Susanna Nicchiarelli on Trine Dyrholm and the costume design in Nico, 1988
The iconic man Jonathan Baker on Becoming Iconic and Inconceivable
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