Eye For Film >> Festivals >> A-Z >> Bradford International Film Festival >> 2014
Bradford International Film Festival notched up its 20th year in 2014. It opened on March 27 with The Lunchbox and short film Touch and run until April 6, followed immediately by the Widescreen Weekend from April 10 to 13.
There was a section dedicated to Brian Cox as he received a lifetime achievement award.
There wa a special screening of the first film to screen at the first Bradford International Film Festival screening – The Madness of King George. Audiences were asked to vote for their favourite BIFF British film from the past 20 years and chose In Bruges.
View Films by Strand:
- Bradford After Dark
- Family Programme: Chaplin's Tramp
- Lifetime Achievement Award: Brian Cox
- Official Selection
- Official Selection - Shorts
- The Crime Films of Yoshitarō Nomura
- Widescreen Weekend
View previous years coverage of the Bradford International Film Festival festival:
Bradford Latest Reviews
A bereaved mother and the boyfriend of her son find a connection.
Based on the true story of Robyn Davidson who in 1977 undertook an extraordinary solo trek across the harsh Australian outback.
Matt Busby comes out of retirement to help a young football team.
Two friends trying to drown their sorrows meet a bored married couple who engage them in a series of increasingly bloody and dangerous bets.
Two best friends are filming a comedy about getting revenge on the bullies at their high school. One of them isn't joking.
After her husband leaves her, Kate’s friend Vanessa has the perfect solution to her despair – vodka, grass and a road trip.
A man drives through the night, listening to mobile phone calls, as his life falls apart.
A docudrama about Tenzing Norgay and Edmund Hillary's historic ascent of Everest.
A priest finds himself under threat.
Documentary about an area of Galicia considered to be the end of the world by the Romans.
Bradford International Film Festival Features
Bradford International Film Festival News
Filming sensations Mathieu Amalric on Pierre Léon, Jeanne Balibar and the sounds and colours of Barbara
Character arc Seth A Smith on filming with a two-year-old and bringing marbling to life in The Crescent
Keeping up appearances Marcello Martinessi on cultural conservatism and filmmaking honesty in The Heiresses
A different space Kelly Macdonald on working with Marc Turtletaub on Puzzle
Out of the past Susanna Nicchiarelli on Trine Dyrholm and the costume design in Nico, 1988
The iconic man Jonathan Baker on Becoming Iconic and Inconceivable