Eye For Film >> News & Feature Stories >> Feature Story Archive by Anne-Katrin Titze

Addressing universal themes
by Anne-Katrin Titze
Celeste Bell and Paul Sng on Poly Styrene: I Am A Cliché
The magnificence of the heroine
by Anne-Katrin Titze
Maria Tatar on fairy tales and The Heroine With 1,001 Faces
On the rocks
by Anne-Katrin Titze
Nicolaj Kopernikus and Kim Magnusson on the Oscar-shortlisted Stenofonen
The best of 2021, according to France's rising stars
by Anne-Katrin Titze
Unifrance’s 10 Talents To Watch in 2022 pick their favourites
I see something in your eyes
by Anne-Katrin Titze
Iva Radivojević on Anne Waldman, Jorge Luis Borges, Alain Resnais, Mohammed Dib and Aleph
Experiencing difference in a positive way
by Anne-Katrin Titze
Dagmar Schultz on Audre Lorde: The Berlin Years 1984-1992
Women peace
by Anne-Katrin Titze
Charlotte Sieling and Trine Dyrholm on the architecture of the script in Margrete: Queen Of The North
In his own words
by Anne-Katrin Titze
Kristian Petri and Kristina Lindström on The Most Beautiful Boy In The World
Moving forward
by Anne-Katrin Titze
Michael Mayer on Single All The Way, composer Anton Sanko, and what’s coming up in 2022
Protected by the cinema
by Anne-Katrin Titze
Nora Martirosyan on traditions and uncanny doubling with the present in Should The Wind Drop
The possibility of games
by Anne-Katrin Titze
Andreas Fontana on Howard Hawks, Jorge Luis Borges and Azor
Connecting to the wild
by Anne-Katrin Titze
Marie Amiguet and Vincent Munier on Warren Ellis, Nick Cave and The Velvet Queen
A joyous gift
by Anne-Katrin Titze
Michael Mayer on Single All The Way, filming during the pandemic, and remembering Joan Didion
Wizards in a female sense
by Anne-Katrin Titze
Charlotte Sieling and Trine Dyrholm on Margrete: Queen Of The North
Longing to make his mark
by Anne-Katrin Titze
Alessandro Nivola on The Many Saints Of Newark, Ray Liotta, and the David O Russell technique
Seeing beyond the weeds
by Anne-Katrin Titze
Don Argott and Glenn Meehan discuss Keep Sweet
Behind the stages of film history
by Anne-Katrin Titze
Inés Toharia on Wim Wenders, Ken Loach, found footage, and Film, The Living Record Of Our Memory
A believable superhero
by Anne-Katrin Titze
Blerta Basholli and Yllka Gashi on creating a community in Kosovo’s Oscar submission Hive
Open to everything
by Anne-Katrin Titze
Abel Ferrara on Ethan Hawke, Gettysburg, stigmata and Zeros And Ones
The desire to fly and the impossibility of doing so
by Anne-Katrin Titze
Nora Martirosyan on Armenia’s Oscar submission Should The Wind Drop
At the heart of the character
by Anne-Katrin Titze
Alessandro Nivola on his upcoming projects, The Many Saints Of Newark, and Gay Talese
Extraordinary fabulous moments
by Anne-Katrin Titze
Bruno Dumont on costumes, the cinematic expression of the narrative, and the internal self of France
Protecting our communities and the environment
by Anne-Katrin Titze
Karen Arikian on The Automat, Joan Churchill, Saul Bellow, farming and environmental films
Hamptons Doc Fest Awards and a movie man
by Anne-Katrin Titze
Karen Arikian on the Hamptons Doc Fest awards, Stig Björkman and Joyce Carol Oates
A true champion
by Anne-Katrin Titze
Rex Miller on Citizen Ashe, Arthur Ashe and Rex’s tennis protégé, filmmaker Steven Cantor
A perfect window onto the world
by Anne-Katrin Titze
Lisa Hurwitz on The Automat, Ruth Bader Ginsburg, Julie Cohen and Mel Brooks
Resilience, hope and magic
by Anne-Katrin Titze
Kim Maxime Baglieri on In Order To Escort Her
Film preservation is a collaborative effort
by Anne-Katrin Titze
Inés Toharia on preservation, restoration and Film, The Living Record Of Our Memory
The feeling of community
by Anne-Katrin Titze
Lila Schmitz on The Job Of Songs, storytelling, community and the Cliffs of Moher
Beauty is where we are
by Anne-Katrin Titze
Bruno Dumont on France, Charles Péguy, composer Christophe and going into space
What our identity is
by Anne-Katrin Titze
Lidiya Kan on Morkovcha (Korean Carrot Salad) and Wendy Cong Zhao’s animation
Teaching with style
by Anne-Katrin Titze
Maria Speth on history, craft and Mr. Bachmann And His Class
The memory of the world
by Anne-Katrin Titze
Neville Elder on trauma, the past and Anamnesis [Part One]
A treasure trove
by Anne-Katrin Titze
Thom Powers on the DOC NYC Special Event and Closing Night selections and more
Savouring good food
by Anne-Katrin Titze
Julie Cohen on Julia Child, food preparation and documentary Julia
Anticipatory nostalgia
by Anne-Katrin Titze
Vincent Liota on Rick Rawlins, Heidi Julavits, Robert Krulwich and Objects
Elements of cool
by Anne-Katrin Titze
Tom Donahue on Dean Martin: King Of Cool
A family constellation
by Anne-Katrin Titze
Alessandro Rossellini on The Rossellinis and his grandfather Roberto Rossellini
A greater exposure
by Anne-Katrin Titze
Thom Powers on DOC NYC U, Go Through The Dark, Mr. Bachmann And His Class, and The Energy War
French Film Festival UK highlights
by Amber Wilkinson, Anne-Katrin Titze
Titles to catch at the Francophile festival as it tours the UK
Visited by the story
by Anne-Katrin Titze
Claire Simon on the I Want to Talk About Duras stars, Yann Andréa, and Marguerite Duras
The presence of absence
by Anne-Katrin Titze
Blerta Basholli and Yllka Gashi on Kosovo Oscar submission Hive
DOC NYC early bird highlights
by Anne-Katrin Titze
Becoming Cousteau, The Velvet Underground, Roadrunner: A Film About Anthony Bourdain and Shoot From The Heart
Reaching out
by Anne-Katrin Titze
Thom Powers on the Lifetime Achievement Award honorees, new juried sections and Q&As at DOC NYC
The background story
by Anne-Katrin Titze
Vanessa Lapa on tapes, Andrew Birkin and Speer Goes To Hollywood
A way out
by Anne-Katrin Titze
Amalia Ulman on El Planeta, The Taste of Tea, Amadeus, The Nutcracker and Ernst Lubitsch
The Flaneur
by Anne-Katrin Titze
Dominik Graf on Erich Kästner and Fabian: Going To The Dogs
Depth and levels
by Anne-Katrin Titze
Levan Koguashvili on cinematic elements and Georgia’s Oscar submission Brighton 4th
Ideas create the aesthetic
by Anne-Katrin Titze
Ed Lachman on Todd Haynes, Christine Vachon, and shooting interviews for The Velvet Underground
The notion of community
by Anne-Katrin Titze
James Crump on Marcel Breuer and Breuer’s Bohemia
News

True to her nature Hanna Bergholm on storytelling, emotional truth and Nightborn

Painting history Pauline Julier and Nicolas Chapoulier on imagining the journey of a 17th century portait in Les Indes

Going out laughing Kat Butterfield and Daniel Audritt on hitting the jackpot with Life Goes On

Cash on delivery Ben McKenzie on economics, belief, cryptocurrency and Everyone Is Lying To You For Money

Going ape Antonin Niclass on character creation, empathy and animated short Into The Forest

Freeform Will Niava on grief, new immigrant experiences and Jazz Infernal

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It's a busy time for festivals and here's the latest:


Sundance Announces Legacy line-up of archive films


Frightfest Newcastle event announced for May 2027


French Film Festival UK Programme announced


Tallinn Black Nights Documentary line-up and Special Screenings announced


London Winners announced