D'A Festival preview
by Rebecca Naughten
We take a look at the line-up of Barcelona's auteur film festival
The contender, part 2
by Anne-Katrin Titze
Stevan Riley on the demons that shaped Marlon Brando.
Hungry like the wolf
by Jennie Kermode
Till Kleinert spills the secrets of The Samurai.
Public enemies
by Anne-Katrin Titze
Robert Gordon shares his perspective on William F. Buckley Jr. and Gore Vidal in Best Of Enemies.
Making magic
by Anne-Katrin Titze
Inside the opening of CinéSalon Haute Couture on Film at the French Institute Alliance Française.
The contender, part 1
by Anne-Katrin Titze
Stevan Riley on Listen To Me Marlon and uncovering the real Mr Brando.
Try these at Tribeca
by Amber Wilkinson and Anne-Katrin Titze
Films and events to look out for at 2015's festival.
Enemy mine
by Anne-Katrin Titze
Morgan Neville on William F. Buckley Jr. and Gore Vidal, Best Of Enemies.
Survival
by Anne-Katrin Titze
Lukas Valenta Rinner on capturing the Zeitgeist in Parabellum.
Facing the music
by Anne-Katrin Titze
Veronika Franz and Severin Fiala on Goodnight Mommy.
Making a killing
by Anne-Katrin Titze
Frédéric Tellier talks about watching the detectives and making SK1.
Timeless style
by Anne-Katrin Titze
Noah Baumbach on working with costume designer Ann Roth on While We're Young.
The moving image
by Anne-Katrin Titze
Anne-Dominique Toussaint presents the Galerie Cinéma exhibition in New York.
Picturing the gods, part 2
by Anne-Katrin Titze
Christophe Honoré on Métamorphoses, working with animals, and the power of myth.
Fighting talk
by Anne-Katrin Titze
Thomas Cailley on Love At First Fight and its unexpected César success.
Playing games
by Anne-Katrin Titze
Stéphane Demoustier on sport and family breakdown in 40-Love.
Picturing the gods, part 1
by Anne-Katrin Titze
Christophe Honoré talks about Europe, narcissism and their incarnations in Métamorphoses.
Short but sweet
by Andrew Robertson
GSFF diary: inside the closing ceremony with award winners James Price and Duncan Cowles.
The complete picture
by Anne-Katrin Titze
Juliano Ribeiro Salgado and Wim Wenders discuss filming photography in The Salt Of The Earth.
Raising voices
by Jennie Kermode
Sandra Alland on I’m Not Your Inspiration: Maki Yamazaki.
Highlights of New Directors/New Films
by Anne-Katrin Titze
Five films you won't want to miss.
Parallel lines
by Anne-Katrin Titze
Cédric Anger on In The Name Of My Daughter and his ongoing partnership with André Téchiné.
Baye and the Beast
by Anne-Katrin Titze
Nathalie Baye on the mysteries of a murderer and SK1.
Opening shots
by Andrew Robertson
GSFF diary: Tarkovsky, vertical cinema, and a great new home.
Inside a killer
by Anne-Katrin Titze
Cédric Anger on monsters, alienation and Next Time I’ll Aim For The Heart.
The wild ones, part 2
by Anne-Katrin Titze
More from Cédric Kahn: on Wild Life, Miss And The Doctors and monkeying around.
Harvey Weinstein honoured at First Time Fest
by Anne-Katrin Titze
Harvey Weinstein, Gay Talese and Tony Bennett share their memories.
The wild ones, part 1
by Anne-Katrin Titze
Cédric Kahn on haircuts, fantasy, childhood and Wild Life.
Out of the kitchen
by Jennie Kermode
Working women in film.
Remembering Albert Maysles
by Anne-Katrin Titze
Morgan Neville, Fabien Constant, Varon Bonicos, Guy Maddin, Gay Talese and Frédéric Boyer pay tribute.
From odd jobs to film director
by Richard Mowe
Matteo Oleotto on the choices behind Zoran, My Nephew The Idiot.
March to the cinema
by Amber Wilkinson
Round-up of festivals and showcases around the country this month.
Winning ways with a Mafia rollick
by Richard Mowe
Pierfrancesco Diliberto looks forward to introducing La Mafia Uccide Solo d'Estate at the IFF.
Grand finale
by Jennie Kermode
GFF Diary days 11 & 12: Retro revelry and the thrills and chills of Frightfest.
NY Rendez-Vous with French Cinema highlights
by Anne-Katrin Titze
A look ahead at the best of the fest.
Darkness falls
by Jennie Kermode
GFF Diary days 9 & 10: documentaries, nocturnal wanderings, and the return of Frightfest.
Visions of the future
by Jennie Kermode
GFF Diary days 7 & 8: road warriors, spherical screens and surprises.
A surfeit of riches
by Jennie Kermode
GFF Diary days 5 & 6: Paul Merton, the Margaret Tait Award, and live Dungeons & Dragons.
Celebrating survival
by Amber Wilkinson
Kim Loginotto and Brenda Myers-Powell talk about documentary Dreamcatcher
Star attractions
by Jennie Kermode
GFF Diary days 3&4: Alan Rickman, ballroom dancing, power suits and pussycats.
A city of cinema
by Jennie Kermode
GFF diary days 1&2: exhibitions, Monsters, art, Cliff Curtis and British Sea Power.
Cartoon capers on the Riviera
by Richard Mowe
Xavier Picard talks about the global cult of the Moomins.
Girl power hits the streets of Paris
by Richard Mowe
Céline Sciamma on sex, desire and friendship.
Keeping score
by Amber Wilkinson
Composers Danny Bensi and Saunder Jurriaans talk about their work on films including Enemy, Nasty Baby, The Wolfpack and Last Days In The Desert.
Grey areas
by Jane Fae
Power, romance and Fifty Shades Of Grey.
An Alabama Night in New York
by Anne-Katrin Titze
Taking in Selma with Gay Talese and Culpepper Clark.
Shaun The Sheep bar by baa
by Amber Wilkinson
Composer Ilan Eshkeri talks about scoring Aardman Animations' latest.
We need a bigger shark
by Jennie Kermode
Marc Fehse on trash cinema, zombies, Nazis and making Sky Sharks.
Memories of Alice, part 2
by Anne-Katrin Titze
More from Wash Westmoreland, reflecting on Alzheimer's disease and Still Alice.
A heavenly role
by Amber Wilkinson
Ewan McGregor and Rodrigo García on Last Days In The Desert.
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