Cocoon (1985)
Aliens return to earth to rescue some of their kind. Instead of rescuing them, they end up rescuing some humans
Heckle (2020)
Stand-up Joe Johnson decides to share a Halloween weekend away with a group of friends. They jokingly suggest that if they get drunk, high, and behave badly enough, hopefully they'll attract their own psycho killer. The joke is suddenly very much on them.
Rifkin's Festival (2020)
The story of a couple who attend San Sebastian Film Festival only to find their romance tested.
Sharknado 3: Oh Hell No! (2015)
The heroes of the first Sharknado film are the only hope for the east coast of the US when a huge sharknado starts moving along it.
News

Family reunion Tasha Hubbard on exploring the aftermath of the Sixties Scoop in Meadowlarks

Throwback Adam Rehmeier on the spirit of Seventies cinema and Carolina Caroline

Uncovering everyday moments Alvin Hall and Sam Pollard on uncovering the history of The Lorraine

Driven by love and capitalism Director Pierre Le Gall on the themes of Flesh and Fuel

The ultimate act of friendship Robin Campillo on picking up the threads from the late Laurent Cantet

Reaching for a better future Daniel E Catullo, Julie DeVercelly and Gary DeVercelly on hazing and 4000 Days

More news and features

We're bringing you news, reviews and more from ImagineNative and Tribeca.



We're looking forward to Docs Ireland and the Fantasia International Film Festival.



We've recently brought you coverage of Cannes, Queer East, the San Francisco Independent Film Festival, Visions du Réel, Fantaspoa, Overlook, BFI Flare and SXSW, the Thessaloniki International Documentary Festival and the NY Rendezvous with French Cinema.



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It's a busy time for festivals and here's the latest:


Fantasia Second wave of titles announced


Tribeca Artistic director Frédéric Boyer discusses the highlights of this year's edition


Cannes The 2026 Palme d'Or has gone to Fjord


Cannes Everytime wins Un Certain Regard prize


Cannes Yuri wins Palm Dog for La Perra


Cannes La Gradiva tops Critics' Week awards