Stories of hope
by
Anne-Katrin Titze
Beth Lane on DOC NYC highlight UnBroken
A gran plan
by
Amber Wilkinson
Karl R Hearne on The G's inspiration, those who target the old and the portrayal of female sexuality as a radical act
Like a fever dream
by
Jennie Kermode
Jesse Eisenberg on exploring troubled masculinity in Manodrome
One second warning
by
Jennie Kermode
Scott Bateman on the extraordinary creation of 5000 Space Aliens
Where my heart is
by
Anne-Katrin Titze
Liv Ullmann on Ingmar Bergman, Henrik Ibsen, Bertolt Brecht, fairy tales and Liv Ullmann: A Road Less Travelled
Personal politics
by
Amber Wilkinson
Romas Zabarauskas on political debate and identity in The Writer
Circus attraction
by
Amber Wilkinson
Gust Van den Berghe on world creation and comedy with weight in The Magnet Man
Putting The G in Vengeance
by
Amber Wilkinson
Dale Dickey on her role as a gran bent on revenge and the resolution of the actors' strike
Beyond normalcy
by
Jennie Kermode
Niels Arden Oplev on portraying mental illness in Rose
Inhabiting other places
by
Anne-Katrin Titze
Jeremy Thomas on David Cronenberg, William Burroughs, JG Ballard, Martin Scorsese, Michael Powell and Emeric Pressburger
The dreamers
by
Jennie Kermode
Ian Hunt-Duffy and Pollyanna McIntosh discuss Irish horror and Double Blind
A cuckoo in the nest
by
Jennie Kermode
Nate Dushku on queer community, psychopathy, realism and Birder
Always within her
by
Jennie Kermode
Elene Naveriani on the recognition of beauty and Blackbird Blackbird Blackberry
Comedic bite
by
Amber Wilkinson
Ariane Louis-Seize on injecting Humanist Vampire Seeking Consenting Suicidal Person with humour
The sky’s the limit
by
Anne-Katrin Titze
James Sanders on the locations and more in Celluloid Skyline: New York And The Movies
Double jeopardy
by
Jennie Kermode
Karoline Lyngbye on mixing it up in Superposition
A pretty picture
by
Jennie Kermode
Samuel Clemens on art, ancient mythology, acting and The Waterhouse
Metropolis in blue
by
Jennie Kermode
Gabriel Grieco and Nicanor Loreti on Eighties inspirations and making Maria
Having a vision
by
Anne-Katrin Titze
Ronni Thomas, Matt ‘Ugly’ McGlade, and Frank Szelwach on Barbie and Skin Kligman
Symbolism in the frame
by
Anne-Katrin Titze
Susanna Fogel on Emilia Jones, Nicholas Braun, Isabella Rossellini, Hope Davis and Cat Person
A sporting chance
by
Amber Wilkinson
Julia Fuhr Mann on exploring athletic bias and looking beyond the binary in Life Is Not A Competition, But I'm Winning
The true richness in being
by
Anne-Katrin Titze
Michael Mann on Troy Kennedy Martin, Sydney Pollack and Massimo Cantini Parrini's costumes for Ferrari
Pain and playfulness
by
Amber Wilkinson
Isabella Eklöf on directorial choices and remote shooting and adapting Kalak
Between two worlds
by
Jennie Kermode
Bishal Dutta on introducing the West to new myths and old scares in It Lives Inside
Mixing fact and fiction
by
Amber Wilkinson
Henry Bernadet on working with his cast to develop teen ensemble drama Gamma Rays
Spirited away
by
Anne-Katrin Titze
Kleber Mendonça Filho on the films of Agnès Varda, Manoel de Oliveira and Martin Scorsese, and Pictures Of Ghosts
Looking back to go forward
by
Anne-Katrin Titze
Frédéric Tcheng on Bethann Hardison, Lisa Cortes, Franca Sozzani, Tom Ford and Invisible Beauty
A film about words
by
Jennie Kermode
Olivier Peyon on adapting the work of Philippe Besson in Lie With Me
Zoning in on war tourism
by
Sergiu Inizian and Ani Kiladze
Danger Zone director Vita Drygas and her film's participant Andrew Drury on building trust, the lure of conflict and the effect on Drury's family life
Finding the nuances
by
Anne-Katrin Titze
Stacey Battat on the costumes and Tamara Deverell on the production design for Priscilla
A film of two halves
by
Jennie Kermode
Alan Scott Neal and Taylor Sardoni on writing and shooting Last Straw