Yorkshire filmmaker campaigns for IMDB recognition

Are independent films unfairly treated?

by Jennie Kermode

Lad: A Yorkshire Story
Lad: A Yorkshire Story

In 2012, filmmaker Dan Hartley made Lad: A Yorkshire Story, a film about a boy whose friendship with a park ranger gives him a new chance in life after the death of his father. Like many independent filmmakers, he distributed it himself. But despite his own feelings about the film, he never expected it to get as strong a response as it did. Now he's campaigning to get it recognised properly by the IMDB.

Taking the film on a world festival tour, Hartley found that it receive a positive response from audiences in many different places. He worked hard to promote it until he felt he'd done as much as he could - but then, a month ago, he discovered that it was on YouTube and was delighted by the comments viewers had left. "Seeing it get taken up like that with no publicity and no promotion was quite remarkable," he says.

The film wasn't only reviewed well on YouTube, but also on the IMDB, where it has 8.5 stars. "I realised that the rating would place it in the top 100 films," he says. The highest rated film on the site is The Shawshank Redemption, with 9.2 stars. But there's a problem. In order to qualify for the IMDB charts, films need to have received ratings from 25,000 users. Hartley feels that this is an unreasonably high barrier.

"A film can only officially chart if there are enough votes behind it, so it's weighted towards films with a big marketing budget... corporations are servicing their structure and audiences come second," he says, arguing that viewers are not getting everything they want from big productions alone.

"I want to campaign to have the rating officially recognised to bring it to the attention of the broader industry," he says of his own film. He's encouraging people to watch the film for free and leave a star rating on the IMDB afterwards, and he believes that if his film can break through like this then the IMDB might be willing to change its policy and give smaller films a better chance of competing for attention with the big players.

Eye For Film asked the IMDB for comment but, at the time of writing, has yet to receive a response.

Share this with others on...
News

Love, not reason Pawel Pawlikowski, Sandra Hüller, August Diehl and Hanns Zischler discuss Fatherland

The monstrosity of the form Katie Aselton and Mark Duplass on relatable storytelling and Magic Hour

Going off-plan Ben Wheatley on early inspirations, developing his craft and making Normal

The accidental revolutionary Dimitri Planchon and Jean-Paul Guigue discuss artistic evolution and Blaise

Embracing complexity Nigel Santos on the messiness of real life romance, and Open Endings

Alone together Park Joon-ho on loneliness, North Korean experience, gay life and 3670

More news and features

We're bringing you news, reviews and more from Cannes and Queer East.



We've recently brought you coverage of the San Francisco Independent Film Festival, Visions du Réel, Fantaspoa, Overlook, BFI Flare and SXSW, the Thessaloniki International Documentary Festival, the NY Rendezvous with French Cinema, the Glasgow Film Festival, the Berlinale, Sundance and Palm Springs.



Read our full for more.


Visit our festivals section.

Interact

Don't forget that you can follow us on YouTube for trailers of festival films and more. You can also find us on Mastodon and Bluesky.


It's a busy time for festivals and here's the latest:


Cannes Teenage Sex And Death At Camp Miasma team takes to the stage


Cannes Paul Laverty, Demi Moore, Park Chan-Wook and others speak out


Cannes Honorary Palme d'Or for Peter Jackson


Cannes Festival to host 25th anniversary screening of The Fast And The Furious, as Classics also announced


Fantasia First wave of titles announced