Glasgow Film Festival 2012

Some of the best films of yesteryear in a special selection including new and restored prints. A great chance to see old favourites on the big screen, with some very special guests in attendance.

View other Glasgow Film Festival Films by strand: Best Of British, Crossing The Line, European Cinema, Fashion In Film, Frightfest, Frightfest Extra, Galas, Gene Kelly: Strictly Song And Dance, Great Scots, GYFF Shorts, I Hate Iceland, International Shorts, It's A Wonderful World, Kapow!@GFF, Music and Film, Scottish Shorts, Stranger Than Fiction, The Edge Of The World, The State Of Independents, Weimarvellous, Welcome To Germany, Youth Festival

A Night To Remember A Night To Remember
A Night To Remember and Death Watch
Death Watch (La Mort En Direct) (Country: France, Germany, Uk; Year: 1980; Director: Bertrand Tavernier; Writer: David Rayfiel, based on the book by David Compton.; Stars: Romy Schneider, Harvey Keitel, Harry Dean Stanton, Thérèse Liotard, Max von Sydow)
A man with a camera implanted in his brain is commissioned to film a documentary about a terminally ill woman's last days.
Laura (Country: US; Year: 1944; Director: Otto Preminger; Writer: Jay Dratler, Samuel Hoffenstein, Elizabeth Reinhardt, Ring Lardner Jr, based on the novel by Vera Caspary; Stars: Gene Tierney, Dana Andrews, Clifton Webb, Vincent Price, Judith Anderson, Cy Kendall, Grant Mitchell, Dorothy Adams, James Flavin)
A detective investigating a murder finds out what "client attachment" means in this stylish 1940s thriller.
The Loves Of Pharaoh (Country: Germany; Year: 1922; Director: Ernst Lubitsch; Stars: Emil Jannings, Dagny Servaes, Harry Liedtke)
A dramatic tale of life and love in Ancient Egypt.
A Night To Remember (Country: UK; Year: 1958; Director: Roy Ward Baker; Writer: Walter Lord, Eric Ambler; Stars: Kenneth More, Honor Blackman, John Cairney, Laurence Naismith, Kenneth Griffith, George Rose, David McCallum, Andrew Keir)
The story of the sinking of the Titanic.

Filming sensations Mathieu Amalric on Pierre Léon, Jeanne Balibar and the sounds and colours of Barbara

Character arc Seth A Smith on filming with a two-year-old and bringing marbling to life in The Crescent

Keeping up appearances Marcello Martinessi on cultural conservatism and filmmaking honesty in The Heiresses

A different space Kelly Macdonald on working with Marc Turtletaub on Puzzle

Out of the past Susanna Nicchiarelli on Trine Dyrholm and the costume design in Nico, 1988

The iconic man Jonathan Baker on Becoming Iconic and Inconceivable

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