William Friedkin dies at 87

Exorcist director remembered for his style and energy

by Jennie Kermode

William Friedkin, subject of a Cannes master-class this year, pictured here with his wife Sherry Lansing at the Karlovy Vary International Film Festival
William Friedkin, subject of a Cannes master-class this year, pictured here with his wife Sherry Lansing at the Karlovy Vary International Film Festival Photo: Courtesy of Karlovy Vary International Film Festival

William Friedkin, director of The Exorcist, The French Connection, Rules Of Engagement and more, died today at the age of 87, according to his wife, the producer Sherry Lansing.

Born in Chicago to a Jewish Ukrainian immigrant family, Friedkin fell in love with Citizen Kane in his mid twenties and became entranced by the idea of filmmaking. He worked his way up through a TV studio, focusing on documentaries before firmly establishing his artistic credential with the first screen adaptation of Harold Pinter's The Birthday Party, followed in 1970 by The Boys In The Band.

Friedkin had a long and complicated career, in which he constantly pushed at the limits of what cinema was willing to take on. In 1980 he made Cruising with Al Pacino, taking on issues around homosexuality and homophobia in an age when these topics were pointedly excluded from most mainstream media. In 2006, his Bug, which provided a breakthrough role for Michael Shannon, invited viewers to empathise with a couple falling in love in a landscape of schizoid hallucinations. His 2011 film Killer Joe took on still more difficult territory, with an adolescent girl (played by Juno Temple) given as a hostage to a hitman during a murderous family insurance scam.

In 2014, Friedkin joined Eye For Film's Richard Mowe to reflect on his career and his passion for cinema.

The much admired director is remembered not only for his provocative choice of subjects but for his striking imagery and the skill with which he managed tension.

Friedkin is survived by Lansing and by his two sons, Cedric and Jack.

Share this with others on...

Movies out this week include:

A Better Tomorrow Camp The Last Viking
News

Encouraging reel growth How Spanish/Greek co-production Yerma took root at the Evia Project

Age and urgency Daniel Talbott and Andrew Klaus-Vineyard on Welcome To Tool Shed

Little games Alicia Scherson on adapting Bolaño and making The Summer War

Without context Matt Eames on declining political discourse, life without social media, and Deepfake

Such a suff'ring Joe Fria on exploring his personal fears in Shadows Of Willow Cabin

Sacred and profane Hannah Peterson on adapting David Hornsby's Via Negativa

Suspicious minds Rebecca Zlotowski on building past lives and working with Jodie Foster on A Private Life

More news and features

Interact

Don't forget that you can follow us on YouTube for trailers of festival films and more. You can also find us on Mastodon and Bluesky.


It's a busy time for festivals and here's the latest:


Karlovy Vary Keitel, Hoffman and Binoche take the waters as second wave of guests announced


The Evia Project Event returns for a 5th year with focus on the forest


DocFest Winners announced


Tribeca Awards announced


Karlovy Vary 60th anniversary edition to feature Jesse Eisenberg and Maggie Gyllenhaal as guests