China acts to clean up film fraud

Real ticket sales could be more than 10% higher than reported ones.

by Jennie Kermode

China is now one of the most important international markets for cinema, having grown by 40% in 2012 alone and making over £2bn in 2013. Now it has been revealed that it may be over 10% bigger than it was thought to be, as the Chinese government prepares for a crackdown on ticket scams.

Despite the high profile that film festivals and celebrity culture give to cities like Shanghai, most Chinese cinemagoers watch films in small cinemas in rural towns, which are difficult for the industry to police. On Wednesday, the State General Administration of Press, Publication, Radio, Film and Television, announced that it intends to crack down on film fraud once and for all, requiring distributors themselves to make regular inspections of the cinemas they work with. While those distributors may be worried about losing sales revenue, the government is worried that it may be losing ot on a substantial amount of tax.

There are two main systems of fraud known to exist in Chinese cinema. The first is ticket transfer, where tickets are sold for one film and used for another - this helps cinemas to meet quotas and artificially boosts the revenue going to smaller home grown films. The second, much more widespread and problematic, is doubling. This involves using illegal software to sell two tickets fr every one recorded, with the cinema keeping the profits. The Administration has announced that its national digital ticketing platform will now be upgraded and become mandatory. There may still be problems, however, as some cinemas that don't have the software engage in doubling by writing out tickets by hand.

Chinese filmmakers and academics have argued that what is really needed is education, as many people don't realise that by depriving the industry of revenue they are reducing the number and quality of films that can be made.

Share this with others on...
News

Love, not reason Pawel Pawlikowski, Sandra Hüller, August Diehl and Hanns Zischler discuss Fatherland

The monstrosity of the form Katie Aselton and Mark Duplass on relatable storytelling and Magic Hour

Going off-plan Ben Wheatley on early inspirations, developing his craft and making Normal

The accidental revolutionary Dimitri Planchon and Jean-Paul Guigue discuss artistic evolution and Blaise

Embracing complexity Nigel Santos on the messiness of real life romance, and Open Endings

Alone together Park Joon-ho on loneliness, North Korean experience, gay life and 3670

More news and features

We're bringing you news, reviews and more from Cannes and Queer East.



We've recently brought you coverage of the San Francisco Independent Film Festival, Visions du Réel, Fantaspoa, Overlook, BFI Flare and SXSW, the Thessaloniki International Documentary Festival, the NY Rendezvous with French Cinema, the Glasgow Film Festival, the Berlinale, Sundance and Palm Springs.



Read our full for more.


Visit our festivals section.

Interact

Don't forget that you can follow us on YouTube for trailers of festival films and more. You can also find us on Mastodon and Bluesky.


It's a busy time for festivals and here's the latest:


Cannes Teenage Sex And Death At Camp Miasma team takes to the stage


Cannes Paul Laverty, Demi Moore, Park Chan-Wook and others speak out


Cannes Honorary Palme d'Or for Peter Jackson


Cannes Festival to host 25th anniversary screening of The Fast And The Furious, as Classics also announced


Fantasia First wave of titles announced