South Africa sets its sights on film

New incentives aim to attract foreign projects.

by Jennie Kermode

Discounts for filmmakers are a common way for countries to try and attract outside investment, but South Africa has done something a bit different with new incentives aimed at cutting the cost of post production work. The changes will affect editing, special effects and sound dubbing work, drawing on a growing pool of local talent. It is hoped that this will also encourage more young South Africans to go into the technical side of the industry.

As filmmaking booms across the African continent, Nigeria is leading the way in terms of quantity, but South Africa has carved out an impressive reputation for quality work. Providing support at the post-production end should help South Africa to hold on to more of its talented young filmmakers as well as attracting people from other African countries who want to give their films more polish before releasing them onto the international market. Yet it is from the wider world that South Africa hopes to attract most investment. Trade and Industry Minister Rob Davies hopes that those attracted by the new incentives will also find themselves drawn to the country's diverse landscapes, which other economic factors are making increasingly attractive to big productions.

"The South African government takes cognisance of the contribution the film industry potentially has in stimulating the country's economic growth, strengthening the country's profile in the global creative environment, and in the facilitation of employment creation," said Davies in a statement last week, emphasising that film should have a key role in the country's development strategy. He cited the success of films like District 9 as proof that South Africa can compete in the global industry.

Share this with others on...

Movies out this week include:

A Better Tomorrow Camp The Last Viking
News

Encouraging reel growth How Spanish/Greek co-production Yerma took root at the Evia Project

Age and urgency Daniel Talbott and Andrew Klaus-Vineyard on Welcome To Tool Shed

Little games Alicia Scherson on adapting Bolaño and making The Summer War

Without context Matt Eames on declining political discourse, life without social media, and Deepfake

Such a suff'ring Joe Fria on exploring his personal fears in Shadows Of Willow Cabin

Sacred and profane Hannah Peterson on adapting David Hornsby's Via Negativa

Suspicious minds Rebecca Zlotowski on building past lives and working with Jodie Foster on A Private Life

More news and features

Interact

Don't forget that you can follow us on YouTube for trailers of festival films and more. You can also find us on Mastodon and Bluesky.


It's a busy time for festivals and here's the latest:


Karlovy Vary Keitel, Hoffman and Binoche take the waters as second wave of guests announced


The Evia Project Event returns for a 5th year with focus on the forest


DocFest Winners announced


Tribeca Awards announced


Karlovy Vary 60th anniversary edition to feature Jesse Eisenberg and Maggie Gyllenhaal as guests