Resilient and brave
by Anne-Katrin Titze
Bernard-Henri Lévy on Ukraine's defenders and Glory To The Heroes
Space and time
by Amber Wilkinson
Stefanie Kolk on her approach to the grieving process in Melk
Out of the ruins
by Jennie Kermode
Um Tae-hwa and Lee Byung-hun discuss South Korean Oscar submission Concrete Utopia
A bygone era
by Anne-Katrin Titze
Jeff Zimbalist on Germaine Greer, Betty Friedan, Susan Sontag, Gloria Steinem, Gore Vidal and How To Come Alive With Norman Mailer
Fit for a spy
by Andrew Robertson
The new James Bond Scalextric set for those who don't like to be taken for a ride
You see it and feel it
by Anne-Katrin Titze
Liv Ullmann on Ingmar Bergman, Tove Ditlevsen, Laurence Olivier and Faithless
Speaking out
by Amber Wilkinson
Joachim Lafosse on power and shame in A Silence
Owning it
by Anne-Katrin Titze
Claire Jeffreys and Ed Bahlman on Garland Jeffreys: The King Of In Between
Taxi through time
by Amber Wilkinson
Christian Carion on taking viewers on a journey across Paris and into a woman's past in Driving Madeleine
Stories of hope
by Anne-Katrin Titze
Beth Lane on DOC NYC highlight UnBroken
A gran plan
by Amber Wilkinson
Karl R Hearne on The G's inspiration, those who target the old and the portrayal of female sexuality as a radical act
Like a fever dream
by Jennie Kermode
Jesse Eisenberg on exploring troubled masculinity in Manodrome
One second warning
by Jennie Kermode
Scott Bateman on the extraordinary creation of 5000 Space Aliens
Where my heart is
by Anne-Katrin Titze
Liv Ullmann on Ingmar Bergman, Henrik Ibsen, Bertolt Brecht, fairy tales and Liv Ullmann: A Road Less Travelled
Personal politics
by Amber Wilkinson
Romas Zabarauskas on political debate and identity in The Writer
Circus attraction
by Amber Wilkinson
Gust Van den Berghe on world creation and comedy with weight in The Magnet Man
Putting The G in Vengeance
by Amber Wilkinson
Dale Dickey on her role as a gran bent on revenge and the resolution of the actors' strike
Beyond normalcy
by Jennie Kermode
Niels Arden Oplev on portraying mental illness in Rose
Inhabiting other places
by Anne-Katrin Titze
Jeremy Thomas on David Cronenberg, William Burroughs, JG Ballard, Martin Scorsese, Michael Powell and Emeric Pressburger
The dreamers
by Jennie Kermode
Ian Hunt-Duffy and Pollyanna McIntosh discuss Irish horror and Double Blind
A cuckoo in the nest
by Jennie Kermode
Nate Dushku on queer community, psychopathy, realism and Birder
Always within her
by Jennie Kermode
Elene Naveriani on the recognition of beauty and Blackbird Blackbird Blackberry
Comedic bite
by Amber Wilkinson
Ariane Louis-Seize on injecting Humanist Vampire Seeking Consenting Suicidal Person with humour
The sky’s the limit
by Anne-Katrin Titze
James Sanders on the locations and more in Celluloid Skyline: New York And The Movies
Double jeopardy
by Jennie Kermode
Karoline Lyngbye on mixing it up in Superposition
A pretty picture
by Jennie Kermode
Samuel Clemens on art, ancient mythology, acting and The Waterhouse
Metropolis in blue
by Jennie Kermode
Gabriel Grieco and Nicanor Loreti on Eighties inspirations and making Maria
Having a vision
by Anne-Katrin Titze
Ronni Thomas, Matt ‘Ugly’ McGlade, and Frank Szelwach on Barbie and Skin Kligman
Symbolism in the frame
by Anne-Katrin Titze
Susanna Fogel on Emilia Jones, Nicholas Braun, Isabella Rossellini, Hope Davis and Cat Person
A sporting chance
by Amber Wilkinson
Julia Fuhr Mann on exploring athletic bias and looking beyond the binary in Life Is Not A Competition, But I'm Winning
The true richness in being
by Anne-Katrin Titze
Michael Mann on Troy Kennedy Martin, Sydney Pollack and Massimo Cantini Parrini's costumes for Ferrari
Pain and playfulness
by Amber Wilkinson
Isabella Eklöf on directorial choices and remote shooting and adapting Kalak