Flying high
by Jennie Kermode
Iain Softley on entering a strange world in The Shepherd
Beside the seaside
by Jennie Kermode
Andy Edwards on the magic of the seaside, British horror and making Punch
Animated magic
by Jennie Kermode
Daniel Snaddon and Samantha Cutler discuss The Smeds And The Smoos
Unconscious symbolism
by Anne-Katrin Titze
Wendy Chuck on Alexander Payne’s multiple Golden Globe-winning The Holdovers
Out of the silent land
by Jennie Kermode
Kevin Macdonald on Afghan music, an extraordinary orchestra and Last Song From Kabul
A difficult age
by Jennie Kermode
Flóra Anna Buda on the challenges facing young adults, and making 27
Taking flight
by Anne-Katrin Titze
Alexander Payne on WC Fields, Artie Shaw and The Holdovers composer Mark Orton
Layers of mystery
by Anne-Katrin Titze
llker Çatak in conversation on Oscar shortlisted The Teachers’ Lounge, Wim Wenders, and the films that inspired him
Setting the record straight
by Anne-Katrin Titze
Mick Harvey with Ed Bahlman on British bands of the 1980s, Nick Cave and Mutiny In Heaven: The Birthday Party
Urban life and the movies
by Anne-Katrin Titze
James Sanders on Billy Wilder, Spike Lee, Blake Edwards and Celluloid Skyline: New York And The Movies
Evolution of The New Boy
by Amber Wilkinson
Warwick Thornton on gender flipping his film, religion and spirituality and the slippery significance of snakes
Stepping into character
by Jennie Kermode
Glenn Howerton on character creation and learning to like his work in BlackBerry
The world builder
by Jennie Kermode
VFX wizard Marcus Taormina on Rebel Moon: Part One – A Child Of Fire
What’s in a name?
by Anne-Katrin Titze
Alexander Payne on Paul Giamatti, Carrie Preston, Westward The Women and The Holdovers
The cost of truth
by Jennie Kermode
Tamara Denic, Christian Siée, Nika Rozman and Milica Vuksanovic on Istina
A moment of discovery
by Jennie Kermode
Ary Zara, Ivo Canelas, Frederico Serra, Andreia Nunes and Elliot Page on An Avocado Pit
From the inside out
by Anne-Katrin Titze
Wendy Chuck on Alexander Payne’s multiple Golden Globe-nominated The Holdovers
Out of this world
by Jennie Kermode
Chad Stahelski on stunts and fantasy in John Wick: Chapter 4
Breaking free
by Paul Risker
Zeno Graton on youth detention, love without shame, and The Lost Boys
Hitchcock heroine style
by Anne-Katrin Titze
Catherine Breillat on Léa Drucker, Kim Novak, Tippi Hedren and Last Summer
Animated activism
by Amber Wilkinson
Ryan Westra and Vishavjit Singh on the making of and motivation behind American Sikh
Command performance
by Amber Wilkinson
Naqqash Khalid on modern masculinity, blank slates and 'anti-acting' in his debut In Camera
Enjoy the trip
by Amber Wilkinson
Uri Marantz on making King Khat.. and why it's not a documentary
In reality, in truth
by Anne-Katrin Titze
Bernard-Henri Lévy on returning to Ukraine and Glory To The Heroes
The believers
by Jennie Kermode
Jenn Wexler on exploring her favourite horror tropes in The Sacrifice Game
Resilient and brave
by Anne-Katrin Titze
Bernard-Henri Lévy on Ukraine's defenders and Glory To The Heroes
Space and time
by Amber Wilkinson
Stefanie Kolk on her approach to the grieving process in Melk
Out of the ruins
by Jennie Kermode
Um Tae-hwa and Lee Byung-hun discuss South Korean Oscar submission Concrete Utopia
A bygone era
by Anne-Katrin Titze
Jeff Zimbalist on Germaine Greer, Betty Friedan, Susan Sontag, Gloria Steinem, Gore Vidal and How To Come Alive With Norman Mailer
Fit for a spy
by Andrew Robertson
The new James Bond Scalextric set for those who don't like to be taken for a ride
You see it and feel it
by Anne-Katrin Titze
Liv Ullmann on Ingmar Bergman, Tove Ditlevsen, Laurence Olivier and Faithless
Speaking out
by Amber Wilkinson
Joachim Lafosse on power and shame in A Silence
