Sundance Film Festival 2005

The Festival’s Frontier section presents five films that represent new directions in filmmaking

View other Sundance Film Festival Films by strand: American Documentary Competition, American Dramatic Competition, American Spectrum, Park City At Midnight, Premieres, Special Screenings, World Documentary Competition, World Dramatic Competition

The Joy Of Life (Country: US; Year: 2005; Director: Jenni Olson; Writer: Jenni Olson; Stars: Harriet Dodge, Lawrence Ferlinghetti)
A contemplative visual poem of San Francisco.
Room (Country: US; Year: 2004; Director: Kyle Henry; Writer: Kyle Henry)
A woman begins having visions of a room and, after an accident, decides to go in search of it.
Sugar (Country: US/Ireland; Year: 2005; Director: Patrick Jolley, Reynold Reynolds; Writer: Patrick Jolley, Reynold Reynolds, Samara Golden; Stars: Samara Golden, Nelson Nelson)
A horrific discovery in a one room apartment leads into a surreal, claustrophobic nightmare.
Symbiopsychotaxiplasm: Take 2 1/2 (Country: US; Year: 2005; Director: William Greaves; Writer: William Greaves; Stars: Audrey Heningham, Shannon Baker, Marcia Karp, Ndeye Ade Sokhna, Jonathan Gordon, Terrence McCartney Filgate, Bob Rosen, Phil Parmet, Stevan Larner, William Greaves, Steve Buscemi)
Greaves continues the cinematic experiment he began in the Sixties, the ostensible focus of which is a contentious inter-racial relationship.
Tropic Of Cancer (Tropico De Cancer) (Country: Mexico; Year: 2004; Director: Eugenio Polgovsky Ezcurra; Writer: Eugenio Polgovsky Ezcurra)
Visually driven documentary about the impoverished people of central Mexico.
News

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Character arc Seth A Smith on filming with a two-year-old and bringing marbling to life in The Crescent

Keeping up appearances Marcello Martinessi on cultural conservatism and filmmaking honesty in The Heiresses

A different space Kelly Macdonald on working with Marc Turtletaub on Puzzle

Out of the past Susanna Nicchiarelli on Trine Dyrholm and the costume design in Nico, 1988

The iconic man Jonathan Baker on Becoming Iconic and Inconceivable

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