San Sebastian Film Festival 2014

Section dedicated to Basque film.

View other San Sebastian Film Festival Films by strand: Culinary Zinema: Film and Gastronomy, Horizontes Latinos, Made In Spain, New Directors, Official Selection, Pearls, Savage Cinema, Special Screening and Galas, Thematic Retrospective - Eastern Promises: Portrait Of Eastern Europe In 50 Films, Velodrome, Zabaltegi

Opening Doors Opening Doors
Opening Doors and Notes In Motion
Five Days To Dance (Country: Spain, Germany; Year: 2014; Director: José Andreu, Rafael Moles; Writer: José Andreu, Rafael Moles)
One morning a couple of dancers turn up in a high school classroom. It's Monday and they announce to the group of teenagers that they have five days to get up on stage and dance.
I Am Haiti (Country: Spain; Year: 2014; Director: Raúl de la Fuente; Writer: Raúl de la Fuente, Alejandro Pacheco, Amaia Remirez)
Voodoo inspiration is used by the artist Celeur to create his sculptures, a reflection of the complicated reality on that Caribbean island.
Lantanda (Country: Spain; Year: 2014; Director: Gorka Gamarra; Writer: Vanda Madeiros)
Documentary about Guinea musicians.
Notes In Motion (Notas en movimiento) (Country: Spain; Year: 2014; Director: Oskar Tejedor; Writer: Oskar Tejedor)
Documentary follows the Malandain Ballet Biarritz as they collaborate with the Basque National Orchestra.
Opening Doors (Ateak Zabalduz) (Country: Spain; Year: 2014; Director: Juanmi Gutiérrez; Writer: Juanmi Gutiérrez)
Study of the OKUPA squatters movement
I Am Haiti I Am Haiti
I Am Haiti and Lantanda
Signs Of Life: Néstor Basterretxea (Señales de Vida: Néstor Basterretxea) (Country: Spain; Year: 2014; Director: Gentzane Martínez de Osaba, Alexander García de Vicuña; Writer: Jose Mari Argoitia)
The life and work of the multifaceted artist Néstor Basterretxea, who recently passed away.
News

Filming sensations Mathieu Amalric on Pierre Léon, Jeanne Balibar and the sounds and colours of Barbara

Character arc Seth A Smith on filming with a two-year-old and bringing marbling to life in The Crescent

Keeping up appearances Marcello Martinessi on cultural conservatism and filmmaking honesty in The Heiresses

A different space Kelly Macdonald on working with Marc Turtletaub on Puzzle

Out of the past Susanna Nicchiarelli on Trine Dyrholm and the costume design in Nico, 1988

The iconic man Jonathan Baker on Becoming Iconic and Inconceivable

More news and features

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