That Music

Some time ago neighbours of mine were watching a film at a volume loud enough to aggravate but not sufficient to allow identification. Eventually it became clear that it was The Internship becuase that seems to be the only feature with a soundtrack including both Alanis Morrisette's Ironic and War's Low Rider. I mention it because my dilemma, even my distress, were similar to those experienced by Omar - in a voicemail, in the background, is a piece of music that sparks happy reminiscence, but that music, that titular music, isn't quite in reach.

In a winsome, wistful, wander, Omar and his pal Manuel attempt to track down that song. A task complicated not only by the quality of the recording but also by optimistic ignorance - Manuel suggests that the task will be relatively straightforward as there are only about 500 songs.

Julio Pachon's performance is good, informing Omar with a credible weariness - Miguel Ariel Sierra's turn as Manuel brings many of the film's most comic touches - a scarcely recognisable description of a Hollywood blockbuster is genuinely amusing. Dario Vejarano's direction is good, scripted by him with Fabian Vejerano's assistance, it's a touching tale of a magically real quest.

There are visits to record stores, neighbourhood watch headquarters, coffee stalls, encounters with taxi drivers as our erstwhile duo attempt to create a sort of human-flesh Shazam. That Music is touching, charming - friendship and family, the kindness of strangers. Surreal but almost instantly familiar, That Music is a recognisable dilemma, an old familiar tune in a new and unusual context. In some programming, it's described as redemptive which seems odd - it's nostalgic, even indicative of acceptance, but what changes and grows here is understanding of the talent of those involved. With strong central performances and a good supporting cast it's worth tracking down yourself.