Asghar Farhadi wins top prize in Berlin

Nader And Simin, A Separation takes Golden Bear

by Amber Wilkinson

Nader And Simin takes Golden Bear

Asghar Farhadi's Nader And Simin, A Separation (Jodaeiye Nader az Simin) has won the Golden Bear at this year's Berlin Film Festival.

The Iranian film, which traces a marriage falling apart at the seams, exploring religious and social fallout, also saw the entire male and female cast - Farhadi Sarina, Bayat Sareh, Hatami Leila, Peyman Moaadi and others - win Silver Bear for best acting. Farhadi previously won the Silver Bear for directing About Elly.

Accepting the award, Farhadi paid tribute to fellow Iranian film maker Jafar Panahi, who was invited to sit on the Berlinale jury but was unable to attend due to being sentenced to six years in jail, accused of inciting opposition protests and making a film withought permission. He is currently banned from making movies or travelling abroad for 20 years.

Farhadi said: "I want to remind you of Jafar Panahi. I really think his problem will be solved, and I hope he will be the one standing here next year."

The Jury Grand Prix Silver Bear went to Hungarian helmer Béla Tarr for The Turin Horse (A Torinói ló) - a two-and-half-hour story about the bleak lives of an elderly farmer and his dutiful daughter.

Sleeping Sickness (Schlafkrankheit) - about the lives of European aid workers in Africa - won the best direction Silver bear for German Ulrich Koehloer.

Argentinean director Paula Markovitch’s movie El Premio (The Prize) about a young girl growing up under the military rule in Argentina won two Silver Bears for artistic achievement and production design.

The jury - which included Isabella Rossellini, Nina Hoss and Guy Maddin - also awarded US director Joshua Marston and Albanian scriptwriter Adnamion Murataj the Silver Bear for scriptwriting for Albanian blood feud tale The Forgiveness Of Blood.

The Alfred Bauer prize for new perspectives in cinema was awarded to German director Andres Veiel’s Wer Wenn Nicht Wir (If Not Us, Who), which traced the origins of 1960s violent left-wing politics in Germany.

The best first feature award went to Alaskan-born Andrew Okpeaha Macleanfor On The Ice - a story of dark secrets in an Alaskan town.

Share this with others on...
News

Inviting curiosity Ildikó Enyedi on the value of science, perception, discovery and Silent Friend

Streaming Spotlight: the rites of Spring We shine our Beltane spotlight on films in which the old ways linger

Fighting fit for a debut feature Valéry Carnoy talks toxic masculinity, memory, confidence and Belgian 'soft-power'

Collective power We look ahead at the programme of this year's Folk Film Gathering

Writing hidden messages Arnaud Desplechin on guilt, melodrama, feeling haunted, and Two Pianos

Clever crafting with Idiots Chris Barfoot on his six-camera set up and three-day shoot of his debut feature

More news and features

We're bringing you news and reviews from the San Francisco Independent Film Festival and Queer East.



We're looking forward to Cannes.



We've recently brought you coverage of Visions du Réel, Fantaspoa, Overlook, BFI Flare and SXSW, the Thessaloniki International Documentary Festival, the NY Rendezvous with French Cinema, the Glasgow Film Festival, the Berlinale, Sundance and Palm Springs.



Read our full for more.


Visit our festivals section.

Interact

Don't forget that you can follow us on YouTube for trailers of festival films and more. You can also find us on Mastodon and Bluesky.


It's a busy time for festivals and here's the latest from the spring events:


Cannes 16 titles added to line-up


Cannes Announces full jury


Cannes Directors' Fortnight selection


Cannes Payal Kapadia heads Critics' Week jury