Eye For Film >> Festivals >> A-Z >> Venice Film Festival >> 2019
The 76th edition of the festival - which runs from August 28 to September 7 - will open with Hirokazu Kore-eda's The Truth (La vérité), starring Catherine Deneuve, Juliette Binoche and Ethan Hawke. The Burnt Orange Heresy directed by Giuseppe Capotondi.
Director Pedro Almodovar and actress Julie Andrews will receive Golden Lions for achievement. Cinematographer Bigazzi (The Great Beauty) will also be honoured with the Campari Passion For Film award.
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Venice Latest Reviews
A dancer and her choreographer husband find themselves trying to stop their lives falling apart after an adoption goes awry.
Drama following a conscript through his military service in the South African Defence Force in the 1980s.
After a child is shot and needs a transplant, a family secret is exposed.
A young female Saudi doctor decides to run for election.
A reunion between a French cinema star and her daughter descends into confrontation.
In a near-future war-torn Ukraine a man with PTSD takes a volunteer job exhuming the dead.
A couple find themselves in a messier divorce than they imagined.
Documentary about the Marcos family and Imelda's continued influence on politics in the Philippines.
Action film sees a young cop take on a drug lord.
Daniel who experiences a spiritual transformation in a Youth Detention Centre. The crime he commits prevents him from applying to the seminary... but Daniel has no intention of giving up his dream.
Venice Film Festival Features
Venice Film Festival News
Filming sensations Mathieu Amalric on Pierre Léon, Jeanne Balibar and the sounds and colours of Barbara
Character arc Seth A Smith on filming with a two-year-old and bringing marbling to life in The Crescent
Keeping up appearances Marcello Martinessi on cultural conservatism and filmmaking honesty in The Heiresses
A different space Kelly Macdonald on working with Marc Turtletaub on Puzzle
Out of the past Susanna Nicchiarelli on Trine Dyrholm and the costume design in Nico, 1988
The iconic man Jonathan Baker on Becoming Iconic and Inconceivable