Eye For Film >> Festivals >> A-Z >> Palm Springs International Film Festival >> 2020
The first big international event on the 2020 film calendar, Palm Springs has the bumper line-up we've come to expect, with an extensive list of awards nominees and several of the most interesting small independent films from around the world.
The festival runs from 2 to 12 January.
View previous years coverage of the Palm Springs International Film Festival festival:
Palm Springs Latest Reviews
A young female Saudi doctor decides to run for election.
Nine-year-old Benni radically defies every rule. But this feared ‘system crasher’s’ only desire is to stop living in a residential home and go back to her mother.
A reunion between a French cinema star and her daughter descends into confrontation.
A dancer falls in love with his fiercest rival.
Peru, at the height of the political crisis of the 1980s. Georgina is a young woman from the Andes whose newborn daughter is stolen at a fake health clinic. Her desperate search for the child leads her to the headquarters of a major newspaper, where she meets Pedro Campos, a lonely journalist who takes on the investigation.
Villagers sold as human prey defend themselves from hunters using a psychotropic drug.
An off-duty police chief begins to suspect a local man to have had an affair with his wife, who has recently died in a car accident. Gradually his obsession for finding out the truth accumulates and inevitably begins to endanger himself and his loved ones.
Documentary about the life of the neurologist.
A female astronaut finds the demands of work take their toll on her single-mum relationship with her young daughter.
A documentary about the Kinetic-Optic artist Carlos Cruz-Diez and his mission to free colour from shape.
Palm Springs International Film Festival Features
Filming sensations Mathieu Amalric on Pierre Léon, Jeanne Balibar and the sounds and colours of Barbara
Character arc Seth A Smith on filming with a two-year-old and bringing marbling to life in The Crescent
Keeping up appearances Marcello Martinessi on cultural conservatism and filmmaking honesty in The Heiresses
A different space Kelly Macdonald on working with Marc Turtletaub on Puzzle
Out of the past Susanna Nicchiarelli on Trine Dyrholm and the costume design in Nico, 1988
The iconic man Jonathan Baker on Becoming Iconic and Inconceivable