Eye For Film >> Festivals >> A-Z >> Karlovy Vary International Film Festival >> 2018
Titles for the 53rd edition of the festival - which runs from June 29 to July 7 - have begun to be announced. Barry Levinson will be awarded a Crystal Globe for lifetime achievement and there will a tribute section dedicated to Austin Film Society. The festival will also pay tribute to Milos Foreman, who died earlier this year, opening with his Loves Of A Blonde.
View Films by Strand:
- Another View
- Documentary Films: Competition
- East Of The West
- Made In Texas: Tribute to Austin Film Society
- Midnight Screenings
- Official Selection - Competition
- Out Of The Past
- People Next Door
- Reflections of Time: Baltic Poetic Documentary
- Seven Close Encounters
View previous years coverage of the Karlovy Vary International Film Festival festival:
Karlovy Latest Reviews
Pacific Northwest. 1983. Outsiders Red Miller and Mandy Bloom lead a loving and peaceful existence. When their haven is savagely destroyed by a cult, Red is catapulted into a phantasmagoric journey filled with bloody vengeance.
A portrait of a family in crisis.
Portrait of the director of Harold And Maude.
When a surveyor has a vision of the Virgin Mary, she is inspired to try to build a church on land marked for commercial development, sparking conflict.
Mischievously self-assured Mára and somewhat eccentric Heduš set out into the frozen wastes in search of adventure – by car, naturally. After all, Mára's turning 15 soon.
A man goes on a series of absurdist adventures after becoming lost in the Ukranian steppe.
A woman slides into anxiety as her husband reports from a series of wars.
Why did the director’s brother enter a conservative Roman Catholic order, causing him to sever all ties with the outside world?
Two students break into the national museum in Mexico City and escape with precious artefacts. A road movie.
Considering the Russian president's time in power.
Karlovy Vary International Film Festival Features
Karlovy Vary International Film Festival News
Filming sensations Mathieu Amalric on Pierre Léon, Jeanne Balibar and the sounds and colours of Barbara
Character arc Seth A Smith on filming with a two-year-old and bringing marbling to life in The Crescent
Keeping up appearances Marcello Martinessi on cultural conservatism and filmmaking honesty in The Heiresses
A different space Kelly Macdonald on working with Marc Turtletaub on Puzzle
Out of the past Susanna Nicchiarelli on Trine Dyrholm and the costume design in Nico, 1988
The iconic man Jonathan Baker on Becoming Iconic and Inconceivable
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