Eye For Film >> Festivals >> A-Z >> Dead By Dawn >> 2007
What is known as Scotland's International Horror Film Festival (posh title for superior nasties) opens at Edinburgh's Filmhouse on April 26 for three days of blood letting and supernatural monstrousness. The originator and queen of the dark, Adele Hartley (email@example.com), is once more in charge of your sleepless nights and fearful days.
The world premiere of Southern Gothic, with writer/director Mark Young in attendance - he's the gentleman at the back with a pallid complexion and unusual teeth - will open the first vein. UK premieres of Mulberry Street, Shutter, Gruesome (called Salvage in the States - imagine Groundhog Day and getting murdered over and over), The Hamiltons from San Francisco, The Abandoned from Spain, the impressive End Of The Line from Quebec, La Hora Fria (The Dark Hour) from Spain and Flight Of The Living Dead (zombies, not snakes, on a plane) with writer/director Scott Thomas on hand for a Q&A - if his parachute opens.
There is an all night screamfest and other chilling treats for scareophiles and gore junkies, with guest of honour Alex de la Iglesia (Day Of The Beast, Perdita Durango, Accion Mutante) from Spain presiding over the (blood) red carpet. "I wouldn't want the kind of movies I do to become trendy," he is reported to have uttered. "I've always hated trends and I would feel quite uncomfortable creating one." Perhaps it will happen in Edinburgh, between the full moon and the Day of Judgment.
View previous years coverage of the Dead By Dawn festival:
Dead By Dawn Latest Reviews
A man and his girlfriend become haunted by the spirit of a girl after a road accident.
Manhattan gets ratty.
Armageddon on the subway.
Vampires in church.
Zombies on a plane.
A British couple's Spanish holiday turns to horror after a disturbing discovery on a hunting trip.
Thriller about a hitch-hiker with murderous intent.
Filming sensations Mathieu Amalric on Pierre Léon, Jeanne Balibar and the sounds and colours of Barbara
Character arc Seth A Smith on filming with a two-year-old and bringing marbling to life in The Crescent
Keeping up appearances Marcello Martinessi on cultural conservatism and filmmaking honesty in The Heiresses
A different space Kelly Macdonald on working with Marc Turtletaub on Puzzle
Out of the past Susanna Nicchiarelli on Trine Dyrholm and the costume design in Nico, 1988
The iconic man Jonathan Baker on Becoming Iconic and Inconceivable
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